Here are 100 books that Summer of '79 fans have personally recommended if you like
Summer of '79.
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I have been writing for the past 21 years on mystical themes with a good dose of Mother Earth Love tossed in. Fifteen years ago, I launched the spoken word website, offering one ten-minute recorded essay monthly on mystical/philosophical themes. Having published three nonfiction books, I decided to take my love of nature and interest in mysticism and write a novel for young philosophers and Earth-loving elders. My book follows the mystical journey of a rather practical eleven-year-old to an enchanted lake in the high Alps. It contains gentle animals, wise trees, kindred spirits, and healing waters.
This is perhaps the best-known and most obvious choice illustrating Nature’s healing powers. Mary, an orphaned girl, moves in with an estranged, reclusive uncle on his isolated English estate. Lonely and bereaved, Mary spends her days exploring both the house and extensive gardens, when one day she discovers a secret garden, locked away behind a wall.
This garden, tucked away and neglected for many years, is the key to Mary’s healing. Through quiet deliberation, she begins to bring the garden back to life and, in turn, finds new life in herself. The healing of the uncle is perhaps the most mystical scene in the book for me, brought about by a quiet moment beside a trickling stream, where he has an epiphany of heart healing. I find the book’s mixture of nature and mystery beguiling.
The Secret Garden by Frances Hodgson Burnett is a magical novel for adults and children alike
'I've stolen a garden,' she said very fast. 'It isn't mine. It isn't anybody's. Nobody wants it, nobody cares for it, nobody ever goes into it. Perhaps everything is dead in it already; I don't know.'
After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no one to play with, but one day she learns of a secret garden somewhere in the grounds that no…
Like most writers, I am extremely interested in the “what if” factor. What if food ingredients could make a person feel specific emotions? What if drinking from a spring in the woods could give you a superpower? What if fairies really do take care of and grow all plants and trees in the world? I love to read and write about ordinary people, living everyday life, who encounter threads of magic. Influenced by reading books in the genre of “magical realism,” I love to explore how a dab of magic can be used in realistic fiction to emotionally affect the characters and story arc.
So, this book was made into two movies, the first in 1981 and the other in 2002, but I first experienced this story by reading the book when I was a young girl in sixth grade in 1978. I remember reading the epilogue over and over again—it broke my heart to think how the greed of one man could ruin something so magical. I pondered whether it was a blessing or a curse to live forever, and the town of Treegap felt like it could exist in any wooded place. Whenever I find myself in a thick forest, I still search for springs that bubble up from the ground, taking me right back to those emotions when reading this great classic.
Winnie Foster is in the woods, thinking of running away from home, when she sees a boy drinking from a spring. Winnie wants a drink too, but before she can take a sip, she is kidnapped by the boy, Jesse Tuck, and his family. She learns that the Tuck family are blessed with - or doomed to - eternal life since drinking from the spring, and they wander from place to place trying to live as inconspicuously as they can. Now Winnie knows their secret. But what does immortality really mean? And can the Tucks help her understand before it's…
I’ve been living with anxiety since I was a child. I had no idea what it was back then, or how much it controlled my life. I wish I had the numerous resources that we have today, and all the knowledge at our fingertips. For me, the way to really truly understand something is through a story. Seeing a beautifully chaotic life unfold before me, and riding alongside the characters, offers me so much hope and lets me know I’m not alone in this. You are not alone in the anxiety battle. By working together, sharing our stories, we’ll find a way through the darkest times and embrace the light.
Going through anxiety can be tough and lonesome. I know most of us are stubborn and want to go things alone, just like Autumn does in this book. West paints a picture of how keeping our trials to ourselves can hold us back and keep us from growing. It can damage friendships and relationships. By giving your close friends and family a chance to see the world through your eyes, you’re giving them a way to truly and deeply understand you, which is all anyone really wants.
An irresistible story from Kasie West that explores the timeless question: What do you do when you fall for the person you least expect?
When Autumn Collins finds herself accidentally locked in the library for an entire weekend, she doesn’t think things could get any worse. But that’s before she realizes that Dax Miller is locked in with her.
Autumn doesn’t know much about Dax except that he’s trouble. Between the rumors about the fight he was in (and that brief stint in juvie that followed it) and his reputation as a loner, he’s not exactly the ideal person to…
I know from my own experience how much kids need books that deal honestly with hard things and point to hope. When I was in fifth grade, a friend was killed by a car while walking to school. I had moved to town not long before; this boy was the first friend I’d made, and suddenly, he was gone. Soon after, I found a novel called Bridge to Terabithia, the story of a fifth-grader, Jess, who loses a friend in an accident. It made me cry, but it was healing: I felt less alone and found strength in watching Jess find his way forward despite his grief.
Beautifully conceived and timeless, this is a touchstone book for me. The two kids at the center feel so real to me: 10-year-old Jess, a farm kid and aspiring artist who is lonely, closed off, and feeling misunderstood, and the new kid, Leslie, who has moved with her family from the city.
The kids’ friendship is authentic, with some childhood magic grounded in the real world. This book is about the sudden death of a friend, and I admire that Paterson does not talk down to kids or try to comfort them with unrealistically simple answers.
As a boy, I also found strength in seeing Jess empowered, taking steps that moved him forward despite his grief over Leslie’s death.
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
As a bad boy protagonist, I’ve always loathed Gene Forrester and love to loathe him. He starts as a quiet, intellectual student whose best friend and roommate is charming, self-confident, athletic, and a daredevil without being arrogant. Gene even seems to admire his roommate for having all those qualities until we learn the truth. He resents him.
Like Gene, there were times in my life when playing wingman to a vastly more popular friend could be frustrating, doubly so when they made terrible decisions. Yet, Gene’s journey to the heart of darkness helps put things in perspective. There is no better warning against envy and jealousy than the one immortalized by John Knowles.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I have known that I was gay since I was in second grade and kissed a boy on the playground. But that wasn’t the only way that I knew. Coaches, bullies, religion, and family warned me by namecalling, violence, and intimidation. It wasn’t until I was in college that I heard homosexuality portrayed in a positive light. Thank you, Walt Whitman. Then I saw The Adventures of Priscilla, Queen of the Dessert, and knew that I had to go on my own adventure in search of my gay tribe. Novels can be a tribe. I hope the books on my list give you a place to find acceptance and love.
Tin Man weaves the beauty and meaning of Van Gogh’s oeuvre into a background for a story that is written like poetry. Time is a main character who is sometimes kind, but mostly cruel. Separation, loss, and longing are themes that all people can relate to but when seen through the perspective of a character who identifies as LGBTQ+ it heightens and clarifies those human experiences in a way that draws a reader from any background deeper into an exploration of what the passing of time means and the consequences of ignoring the herald of each minute that ticks by.
The beautiful and heartbreaking new novel from Sarah Winman, author of the international bestseller WHEN GOD WAS A RABBIT.
'Her best novel to date' Observer 'An exquisitely crafted tale of love and loss' Guardian 'A marvel' Sunday Express 'Astoundingly beautiful' Matt Haig
It begins with a painting won in a raffle: fifteen sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things.
And then there are two boys, Ellis and Michael, who are inseparable. And the boys become men, and then Annie walks into…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
Whenever I re-read this book, I’m gob-smacked that it’s a debut novel. Taylor Greer just wants to avoid the fate of her peers—unwanted pregnancies and dead-end lives in the small Kentucky town where she was born—when she points her Volkswagen Bug due West in search of something different. She has no idea how different her life will become when she stops at a gas station in Oklahoma and a stranger puts a small child in the passenger seat of her car. The story of how Taylor and the child become a family with the help of some unlikely friends, is one that’s stayed with me from first read. Kingsolver’s writing is quietly and deeply dazzling and paints a stunning picture of what it means to find sanctuary, family, and home in a way you never imagined.
The Bean Trees is bestselling author Barbara Kingsolver's first novel, now widely regarded as a modern classic. It is the charming, engrossing tale of rural Kentucky native Taylor Greer, who only wants to get away from her roots and avoid getting pregnant. She succeeds, but inherits a 3-year-old native-American little girl named Turtle along the way, and together, from Oklahoma to Tucson, Arizona, half-Cherokee Taylor and her charge search for a new life in the West.
Written with humour and pathos, this highly praised novel focuses on love and friendship, abandonment and belonging as Taylor, out of money and seemingly…
As I mention in my book picks, I’m a romantic. I love stories with characters who have big emotions, even more so if they face unique challenges. And I have always loved reading – I was the kid lugging 12 books home from the library. (Technically, we were only allowed six at a time, but I used my brother’s library account and checked out his share too!) Reading that many books, I discovered that a lot of the plots get repeated, so I’m always on the lookout for something fresh. In my previous Young Adult novels, I’ve tried to put my own stamp on romance by focusing on queer protagonists and kids of color.
I come from a fat family. The healthiest version of me is still fat to some people.
Growing up, I worried that no one would like me (or love me!) because of my size. I would have killed for a book like Fat Chance, Charlie Vega, whose protagonist shares those fears, even as she falls for a cute classmate and navigates the opinions of friends and family.
In a society that often excludes people her size, Charlie gets to be the lead in a fresh spin on high school love stories.
Coming of age as a Fat brown girl in a white Connecticut suburb is hard. Harder when your whole life is on fire, though.
A NEW ENGLAND BOOK AWARD WINNER!
Charlie Vega is a lot of things. Smart. Funny. Artistic. Ambitious. Fat.
People sometimes have a problem with that last one. Especially her mom. Charlie wants a good relationship with her body, but it's hard, and her mom leaving a billion weight loss shakes on her dresser doesn't help. The world and everyone in it have ideas about what she should look like: thinner, lighter, slimmer-faced, straighter-haired. Be smaller. Be…
