Fans pick 100 books like The Instant Enemy

I always wanted to be a writer, but after university and a year of traveling and trying to write a book, I went to law school. A fish out of water there, all I did was criminal law. To me, this novel was a beacon. Turow was a criminal lawyer and a novelist—I could do the same one day. 

I loved everything about the book, from the first line to the complex and ambiguous ending. In my first novel, I ended it in the same way. One of the wonderful things about being a published author is meeting writers whose books I’ve read and loved. When I met Turow, we mostly talked about baseball: Cubs versus Blue Jays. (Writers I’ve learned don’t like to talk about writing with each other). What was unspoken but clear was my admiration and thanks for his inspiration. 

Though this book is divided into different perspectives, the main character is a writer, someone filled with imagination, who often questions his sanity and is being haunted. As a matter of fact, most of the characters in Peter Straub’s book are. But what exactly they are being haunted by becomes the question.

I love Straub’s portrait of the town of Milburn through the eyes of his guilt-ridden protagonists, The Chowder Club, who torture their guilty consciences by telling each other ghost stories. The way Straub time jumps around in this book is dizzying but truly gorgeous. Right at the prologue, I was pulled in as the haunting mystery unfolded, and the question hangs in the air: who and what is the real villain?

This is an unsettling, deeply disturbing book. I put it on my list because I worked with Bob Lifton (Robert Jay Lifton) in a tutorial for 2 years at Yale. He was a student of unthinkable disasters, atrocities (Hiroshima, Thought Reform and the psychology of Totalism, Nazi Doctors to name a few). For over two years, we met together regularly to discuss and try to understand what was happening in contemporary American culture, and how it was changing during the late 1960s, particularly among young people. We talked about political unrest, the Vietnam war and the Bobby Seale Black Panther trial in New Haven, the student strike and the May Day, 1970 rally, including memorable appearances by the Chicago Seven, thousands of Panther supporters, and observed by the 82nd Airborne Division. He, and his book, helped me sort out how unthinkable things could happen, and he helped me come… show more.

When I was thinking about the second book I wrote in my trilogy, I knew I had to learn about violence, particularly violence in prison. What causes it, its impact, and why some people hurt themselves in prison. My brother recommended James Gilligan, a prison psychiatrist, and his insights and understanding of it shaped the central character in my book. It’s troubling but fascinating reading for anyone who’s interested in understanding this.

Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.

In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.

To my mind, Macdonald is the greatest of American mystery writers, yet he appears to be all but forgotten. Writing in the tradition of Chandler and Hammett—and sharing their California setting—he surpasses them both as a writer and a student of human nature. I find his detective, Lew Archer, a believable and appealing character. A decent and compassionate man, he’s as tough as needs be, but no tougher. The Underground Man is Macdonald’s best, a complex and haunting story in which a routine search for a missing person leads Archer into a twisted family heritage of death and betrayal that has festered, hidden, for decades, and has now burst forth in deadly fashion. 

Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.  

His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story. 

If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.

One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.

Ross MacDonald is one of the classic detective series that features a damaged leading character who finds more trouble than he knows. Many people have told us our writing style is similar to his. If you want to read classic noir, read this book. His books are hidden gems that beg to be discovered.

This twisty, hypnotic story by the great Ross Macdonald focuses on the dark side of the Hollywood dream.

Private detective Lew Archer is drawn into the search for a missing woman, Hester Campbell-Wall, who seemed poised on the cusp of success via an oblique connection to Helio-Graff Studios when she vanished after a frantic phone call to her estranged husband.

Against his better judgment Archer agrees to look for Hester, a quest that pits him against the powerful and corrupt studio head, Simon Graff. The book is full of complex characters who are neither all good nor all bad, despite their acts of betrayal, deceit, and even murder.

That’s what makes them so poignant and believable: in various ways, they are all broken by dreams that didn’t come true.