Here are 84 books that The Moving Target fans have personally recommended if you like
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I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This book lays bare the furious tensions in American society during the Vietnam era. I have read it three times, and each time, it reveals new treasures and nuances.
It’s a dark story about a war correspondent who decides to get rich by smuggling heroin home from Vietnam. So, while it opens in Saigon, most of the book is set in a California riven by culture clashes and soured idealism. Stone is one of America’s best late-twentieth-century novelists.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it.
Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”
This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
I love reading a thriller with a complex plot that has me trying to figure out who did what, where and when, and what or who may be connected in the main or subplot.
This was one of those books I had to read twice, not because I didn’t “get it” but because I admired the way Chandler weaved his characters around, like the actors in a Whitehall farce play. This is a book I kept turning back a few pages to keep up with the who, where, and when. Fantastic read.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well.
A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America.
But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it…
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
I admit to, and beg pardon for, bias on behalf of hardboiled male private detectives. Also for leaning west coast. That’s where I grew up and still live, on a hill overlooking Mexico. I consider myself something of an expert on 20th-century crime novels, having written and published a dozen of them, most featuring PI Tom Hickey, and having read hundreds of all sorts, western, eastern, hardboiled, noir, legal, male, female, and even a few cozies. My current challenge is trying to learn calculus since my youngest daughter is a math whiz and I want to understand why.
Book One of the Dan Fortune series. In my opinion, Michael Collins never received the popularity he deserved, most likely because he was determined to write the truth about social and political issues and publishers are a timid gang. I think of Dennis Lynds (aka Michael Collins) as an old-fashioned liberal who leaned socialist whenever socialism was called for. I suspect he would’ve favored Bernie Sanders. And beyond all that, he was a masterful storyteller. What’s more, who can fail to love a one-armed PI?
Since fate forced him to go straight, he has become the resident private eye of this run-down part of Manhattan, chiseling out a career of divorce work and subpoena delivery. But a big case is coming his way. A beat cop is mugged in broad daylight and the only possible witness disappears the next morning. Unsure if he's looking for a witness or a perp, Fortune hunts for the kid, unearthing ugly secrets in a neighborhood he thought he knew well.
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
Creative writing instructors (and later TV showrunners and network executives) taught me that the protagonist in a crime story can be flawed, but he has to be likable, someone you want to spend time with and who you will root for.
They were all wrong. The detective hero of this book borders on repulsive, and the world he lives in is dark, violent, and a touch grotesque…but also very, very funny. The humor not only makes it all palatable but somehow even more vivid and powerful. And entertaining, oh, how entertaining.
There may not be a single likable character in the whole book, and I don’t care. I love every word.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.
The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer.
Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.
From debut author Alex Kenna comes a pulse-pounding tapestry of secrets, retribution, and greed for fans of Jeffrey Archer.
Kate Myles was a promising Los Angeles police detective, until an accident and opioid addiction blew up her family and destroyed her career. Struggling to rebuild her life, Kate decides to try her hand at private detective work—but she gets much more than she bargained for when she takes on the case of a celebrated painter found dead in a downtown loft.
When Margot Starling’s body was found, the cause of death was assumed to be suicide. Despite her beauty, talent,…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.
His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story.
In The Far Side of the Dollar, private investigator Lew Archer is looking for an unstable rich kid who has run away from an exclusive reform school—and into the arms of kidnappers. Why are his desperate parents so loath to give Archer the information he needs to find him? And why do all trails lead to a derelict Hollywood hotel where starlets and sailors once rubbed elbows with two-bit grifters—and where the present clientele includes a brand-new corpse? The result is Ross Macdonald at his most exciting, delivering 1,000-volt shocks to the nervous system while uncovering the venality and depravity…
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.
This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.
X is the New York Times number 1 bestseller and thrilling, twenty-fourth book in the Kinsey Millhone Alphabet series from Sue Grafton.
In hindsight, I marvel at how clueless I was . . . What I ask myself even now is whether I should have picked up the truth any faster than I did, which is to say not fast enough . . .
When a glamorous red head wishes to locate the son she put up for adoption thirty-two years ago, it seems like an easy two hundred bucks for private investigator Kinsey Millhone. But when a cop tells…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.
In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.
In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross…
