Fans pick 100 books like The Gothic Revival

This is my most personal choice. The architectural historian and critic Gavin Stamp, who died in 2017, was my husband. This was one of his best and most deeply felt books. It tells the story of the memorial arch at Thiepval in Belgium designed by Edwin Lutyens, which bears the names of 73,000 men whose bodies were never found after the catastrophic Battle of the Somme in July 1916. It shows how architecture can bestow dignity on loss, how it can both embody grief and to some extent relieve it. Gavin’s book looks beyond the monument itself to meditate on the greater tragedy of the First World War. 

Architectural history can be fun -or at least it can be funny. Lancaster, who invented the term ‘Stockbroker Tudor’ tells the story of the imaginary town of Drayneflete as it supposedly evolved from the days when ‘sabre-toothed tigers prowled though the tropical undergrowth where now stands Marks and Spencers’. This typical British town has its grand family, the Earls of Littlehampton, its notables the Parsley-ffidgets and a proud if not always very accurate sense of its history. Writing in 1949 Lancaster’s brilliantly witty drawings show the same spot over the centuries from Romans in togas dodging chariots outside the senate to women with pushchairs dodging cars outside the cinema.  

The 1960s saw Britain destroy more of its own built environment than all the bombing of the second world war. The car was king, the high rise and the shopping precinct transformed city centres. In many cases this is now seen as a disaster. Otto Saumarez Smith, one of the brightest of the rising generation of architectural writers, tells us how and why it happened, why it stopped and why he has come to love some of it. 

Platt calls this ‘a biography of the A40’ and it is about the road that most people coming and going between London and Oxfordshire drive along without looking. The suburban houses that line it, many scheduled for demolition, some empty and some squatted, intrigued Platt and he began visiting them, talking to the inhabitants and finding out how they became stranded in this hinterland. Their accounts are funny, poignant and sometimes astonishing.  The A40 tells a story about the history of London and the visions and failures of urban planning in the 20th century.

What I admire about this gothic mystery is how it alternates between three narrators—a high school English teacher, her teenage daughter, and a detective—without losing tension and suspense.

The plot is beautifully interwoven. The English teacher, who’s writing a biography of an author of gothic tales, learns that her best friend is murdered, and that a line from the gothic writer’s story is found near the murder victim. Her diary becomes an outlet for her fears and suspicions, until someone writes in it. 

Published in February, 2022, this is the most modern of my five choices. An impressive debut by an author who lives in a one-hundred-and-fourteen-year-old haunted house, The Hitman’s Daughter embodies modern Gothic, with its atmospheric setting in a haunted, historic, past-its-prime hotel/chateau, a gruesome murder, a whiff of the supernatural, and a kick-ass heroine (Mave) plagued by her past (and daddy issues.) Thanks to a massive New Year’s Eve blizzard that traps Mave and the chateau’s high-society guests at the scene of a crime, this felt like a twisted, claustrophobic game of Clue.

This is another period piece, this one a classic Victorian gothic that appeals to my secret nostalgia for the old original horror pieces such as Dracula, Jekyll and Hyde, or Jane Eyre. The main character finds herself enmeshed in a strange and dark world where right and wrong become blurred as she struggles to find the place she fits in. You won’t be able to stop reading between one chapter and the next. 

This book quickly became my favorite novel by Woolf, perhaps because it depicts a large Victorian family over time.

When her mother dies, Eleanor keeps the home fires burning for her siblings, Morris in the law courts, Edward at Oxford, Delia, Milly, and the younger Martin and Rose. We watch them grow and, fifty years later, deduce what has become of their lives when they talk to each other at a party.

Woolf’s narrative sweeps across England, across London, giving us vignettes of her characters from which the reader must make up the whole. My copy of this book is tattered from re-reading. I loved following along with Woolf’s attempt to gather everything she knew into her story of the Pargiter family.

A teasingly insightful glimpse of the Victorian Oxford of Lewis Carroll and Alice Liddell, the two protagonists – and yet they aren’t! Yes, there is an Oxford University don with a penchant for photography, and yes his favourite subject is a ten-year-old local girl, and yes the text is scattered with subtle Wonderland and Looking-Glass references, but this is otherwise a quite different, very cleverly contrived, story. Structured as the inner thoughts of the main characters, After Such Kindness engagingly explores the dilemmas posed by the unusual friendship between a mature clergyman bachelor – Arnold convincingly captures Carroll’s playful sense of humour – and an inquisitive and trusting young girl, while sustaining a lurking sense of foreboding through to a thought-provoking finale.

What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.