Here are 90 books that The Dragon's Path fans have personally recommended if you like
The Dragon's Path.
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My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I loved this book for its combination of fantasy and sci-fi, the gritty and grim world Lawrence has created, and the high-energy and higher-stakes action sequences that fill the book.
I loved that it was unexpected. Lawrence's post-apocalyptic world concept was unique and fresh, compellingly combining the technology of a dying world with supernatural themes. I certainly did not expect the convent setting and nun-in-training protagonist in a sci-fi storyline, and yet that’s what I got in his main character, Nona Grey.
I love the tension and suspense created in the frequent action sequences Nona finds herself in, which left me wanting more and more. This leads to the last thing I really loved about this book: that it continued across two more books: Grey Sister and Holy Sister.
It's not until you're broken that you find your sharpest edge.
"I was born for killing - the gods made me to ruin."
At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.
But even the mistresses of sword and shadow don't truly understand what they have purchased when Nona Grey is brought…
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Sometimes we think we are reading fiction as an exercise in entertainment, and fantasy as a guilty pleasure. Abercrombie is a favorite writer of mine because his work does all that, but he also surprises with sharp insight every single time. Last Argument of Kings ends his First Law Trilogy with the most surprising reveal of all—that the moral center does not exist. Not at all. All the blood and death that his characters have dealt out and survived are not in service to some higher good. More than just an exercise in cynicism or a service to violence, this story shines a light on power, politics and the people who stand atop the heap. And somehow Abercrombie does this all while making you laugh and shake your head in amazement.
Logen Ninefingers might only have one more fight in him - but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home.
With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him.…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
Generally speaking, I hate anything that hints at theory. But this slim volume, which investigates the relationship between states of war and how we understand time, is grounded solidly in reality and does not require mental gymnastics to understand.
Using the examples of World War II, the Cold War, and the Global War on Terror, Dudziak made me rethink how we define when it’s “wartime” vs. when it’s “peacetime” and why that matters. Her argument is about how war has not been a time out of time or aberration, so treating war as a period when different rules apply has real consequences.
The book pushed me to rethink how and when I silo ideas, time, and events and how dangerous silo’ing can be.
When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," when it is no longer easy to distinguish between wartime and peacetime. In this inventive meditation on war, time, and the law, Mary Dudziak argues that wartime is not as discrete a time period as we like to think. Instead, America has been engaged in some form of ongoing overseas armed conflict for over a century. Meanwhile policy makers and the American public continue to view…
I've always been a reader. In my childhood, I read Hardy Boys novels by the bucketload. I loved scholastic book fairs, pouring over the lists to find new books to read. Then my uncle gave me The Hobbit followed by giving me a hardback set of Lord of the Rings for Christmas of the 6th Grade. After that, my mother gave me Pawn of Prophecy, which cemented my love of the genre. I write fantasy because of all the books I listed. Each one led me down a path that ended with me publishing my first novel.
I picked this book up as a lark at the SeaTac Borders Bookstore while waiting to fly down to my grandparents' 50th wedding anniversary celebration. I can't really say why I bought it, but I have never had a book series that challenged me more.
The philosophy and metaphysics of this world had me thinking like no other books did. It pushed me to write far more gray characters and to see a human as a flawed yet beautiful amalgamation of strengths and weaknesses. Bakker is fearless in his subject matters, and I try to be as well. I write about the best and worst of humanity because of the depths of Bakker's broken characters.
The Darkness That Comes Before is the first book in R. Scott Bakker’s epic fantasy trilogy The Prince of Nothing. Set in a world scarred by an apocalyptic past, four people are swept up in the launch of an imminent crusade, during which they are ensnared by mysterious traveler Anasûrimbor Kellhus, whose magical, philosophical, and military talents have origins in a distant time.
“[An] impressive, challenging debut . . . [the book’s] willingness to take chances and avoid the usual genre clichés should win many discriminating readers.” —Publishers Weekly
I am a retired, Scottish, NHS consultant forensic psychiatrist, who worked with mentally disordered offenders in prisons, hospitals, and in the community. I am passionate about raising awareness, destigmatisation of mental illness, and introducing the human beings behind the sensationalist newspaper headlines. They are all someone's son or daughter, who didn't ask to get ill. Occasionally mental illness makes good people do bad things. It was my job to find, treat and rehabilitate them. I believe entertaining medical memoirs can engage readers and inform thinking by challenging attitudes and assumptions.
I loved this book as it gave a vivid, no holds barred glimpse into the world of a general/vascular surgeon volunteering in a war zone.
It was written with passion and an eye for detail which captured the imagery and emotions for me, in a way that transported me right into the frontline of the war zone beside him.
This book highlights the necessity for medical services to be provided in war zones and the superhuman personal attributes of those brave staff who venture in there. I am not sure I would have been so brave.
The #1 internationally bestselling, gripping true story of a frontline trauma surgeon operating in the world s most dangerous war zones
For more than 25 years, surgeon David Nott has volunteered in some of the world s most dangerous conflict zones. From Sarajevo under siege in 1993 to clandestine hospitals in rebel-held eastern Aleppo, he has carried out lifesaving operations in the most challenging conditions, and with none of the resources of a major metropolitan hospital. He is now widely acknowledged as the most experienced trauma surgeon in the world.
War Doctor is his extraordinary story, encompassing his surgeries in…
Books have been with me all my life as my father was a librarian and fed me books from an early age; I cannot remember being taught to read, I just could. Adventure and detective were my favourites. Then I found my local library and the horizons expanded; when I worked in a library there was the joy of being able to ‘stop’ a book I wanted to read but couldn't find. I graduated as a Biochemist and then got into computer programming. I completed my first novel in 1980 but put it away for thirty years before rewriting and publishing it. I got the writing bug and four more books followed as a series.
More magic and another enchanting new world to explore. Again I found I could dissolve into the story and be there with the characters. You are taken on adventures through this strange land where magic creeps from every stone. Start with a young girl who must face trials, partake in battles and defeat those who would enslave her people. She inherits the Kystrel a magical pendant with which she can both give and take. The first of three books which I could not put down.
In a world full of magic and mystery, eighteen-year-old Maia is the exiled princess of Comoros and rightful heir to the throne. Forced to live as a servant in her enemy's home, Maia flees her captors and begins a perilous quest to save her people. To survive, she must use magic she has learned in secret-despite the fact that women are forbidden to control it. Hunted by enemies at every turn, Maia realizes that danger lurks within her, too. Her powers threaten to steal not only her consciousness but also her sense of right and wrong. Can she set herself…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated…
A big motivation for writing Cursedwas what I saw as a dearth of authentic disability and chronic illness rep in books for kids. Where were the characters who were angry, messy, scared? Where were the kids in real pain—physically, emotionally, socially—who maybe weren’t surrounded by supportive friends and family and maybe didn’t handle their diagnoses with grace? When I was first diagnosed with juvenile arthritis at thirteen, I was all of the above—and then some. I’ve identified as disabled for 30+ years and am active in various disability groups and spaces. It’s my pleasure to champion kids’ books with authentic disability and chronic illness representation.
Confession: I’m not a big fantasy reader. I was drawn to this book because there was a disability rep in it—and thank God!—as it ended up being one of my favorite books in recent years. Part steampunk dystopian war story, part feminist manifesto, We Rule the Nightis riveting the entire way through. One of the dual protagonists, Revna, is an amputee whose prosthetic legs are made of sentient metal—one of two different kinds of magic in the utterly fascinating world Bartlett has created. Renva and her flight partner in the war effort, Linné, are both completely badass and unapologetic.
After a century of growth, trade union membership and influence have begun to decline in most of the economically advanced countries. This comprehensive analysis of membership trends covers developing as well as industrialized countries. The author's thesis is that the unions have failed to pay sufficient attention to the concerns of a labor force that is more educated, with a higher participation of women, and with a greater concern for job security than was true in the past.
