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Last Argument of Kings.
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My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.
There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.
War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I loved this book for its combination of fantasy and sci-fi, the gritty and grim world Lawrence has created, and the high-energy and higher-stakes action sequences that fill the book.
I loved that it was unexpected. Lawrence's post-apocalyptic world concept was unique and fresh, compellingly combining the technology of a dying world with supernatural themes. I certainly did not expect the convent setting and nun-in-training protagonist in a sci-fi storyline, and yet that’s what I got in his main character, Nona Grey.
I love the tension and suspense created in the frequent action sequences Nona finds herself in, which left me wanting more and more. This leads to the last thing I really loved about this book: that it continued across two more books: Grey Sister and Holy Sister.
It's not until you're broken that you find your sharpest edge.
"I was born for killing - the gods made me to ruin."
At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.
But even the mistresses of sword and shadow don't truly understand what they have purchased when Nona Grey is brought…
Betrayed. Hunted. Left for dead. But not even death itself can keep the last ranger from vengeance.
Leiyn "Firebrand" is no stranger to a fight. A brash ranger of the Titan Wilds, she takes up her bow to ward against the colossal spirit creatures known as titans, ever a threat to the colonies she has sworn to protect.
But no amount of skill can guard against treachery.
When tragedy strikes the rangers' lodge, Leiyn vows to avenge the fallen. But if she is to succeed, she must embrace a power within her she has long denied.
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
I stopped and blinked at the end of the first chapter, knowing the author had touched on something brilliant. His character, Kit, asked something I never expected to read in a fantasy novel. I broke out in goose bumps as I thought to myself, where will this go? An ending is a conclusion, and both feel best when they are strong and unquestionable. So, what happens when we find a book that makes us question what is true? Not an abstract quest towards the meaning of life or epistemology, but an indictment of human dogmatism, The Dragon’s Path will make you laugh at your own desire for simple, unquestionable answers.
"Everything I look for in a fantasy." -- George R. R. Martin
All paths lead to war. . .
Marcus' hero days are behind him. He knows too well that even the smallest war still means somebody's death. When his men are impressed into a doomed army, staying out of a battle he wants no part of requires some unorthodox steps.
Cithrin is an orphan, ward of a banking house. Her job is to smuggle a nation's wealth across a war zone, hiding the gold from both sides. She knows the secret life of commerce like a second language, but…
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
Harvard historian of science professor Lemov’s account of the history of behavioral science includes a chapter analyzing the work of three of the central figures in MKUltra, the CIA’s decade-long program of classified research into “mind control.”
Excellent on the scientific context out of which that research arose.
Deeply researched, World as Laboratory tells a secret history that’s not really a secret. The fruits of human engineering are all around us: advertising, polls, focus groups, the ubiquitous habit of “spin” practiced by marketers and politicians. What Rebecca Lemov cleverly traces for the first time is how the absurd, the practical, and the dangerous experiments of the human engineers of the first half of the twentieth century left their laboratories to become our day-to-day reality.
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Many human rights activists have to be focused intensely on the events of today and the consequences for tomorrow, this often allows little time for broader reading. Lynn Hunt offers a detailed and very readable analysis and argument of the history and development of contemporary human rights. I found all of her book illuminating and the connections she described eye-opening.
How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
One of the first accounts to connect the dots between the torture scandal that arose out the war on terror and the beginnings of the Cold War, when the United States first devised the interrogation techniques that became codified in the CIA’s interrogation manual KUBARK (1963), which provided the playbook for the “enhanced interrogation” of detainees in Guantanamo and elsewhere.
"An indispensable and riveting account" of the CIA's development and use of torture, from the cold war to Abu Ghraib and beyond (Naomi Klein, The Nation)
In this revelatory account of the CIA's fifty-year effort to develop new forms of torture, historian Alfred W. McCoy locates the deep roots of recent scandals at Abu Ghraib and Guantánamo in a long-standing, covert program of interrogation. A Question of Torture investigates the CIA's practice of "sensory deprivation" and "self-inflicted pain," in which techniques including isolation, hooding, hours of standing, and manipulation of time assault the victim's senses and destroy the basis of…
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
In many ways the best account of the history of modern torture.
As Rejali shows, this has all too often been mis-remembered as the history of Soviet and Nazi torture. Torture, in his account, has been widely practiced by modern democracies.
He identifies the French (in the context of the Algerian War of Independence) as the real innovators in the field of modern “stealth” or invisible torture, ie. torture designed not to leave marks: waterboarding and electro-torture.
I particularly like this for the way it explodes many of the myths surrounding the history of modern torture.
This is the most comprehensive, and most comprehensively chilling, study of modern torture yet written. Darius Rejali, one of the world's leading experts on torture, takes the reader from the late nineteenth century to the aftermath of Abu Ghraib, from slavery and the electric chair to electrotorture in American inner cities, and from French and British colonial prison cells and the Spanish-American War to the fields of Vietnam, the wars of the Middle East, and the new democracies of Latin America and Europe. As Rejali traces the development and application of one torture technique after another in these settings, he…
A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.
The work of this rightfully acclaimed Haitian-American writer spans nonfiction and fiction, weaving historical memory in with present-day Haiti. This 2004 novel, told through related short stories, draws its title from the name of torturers under the regimes of the Duvaliers, father and son: François “Papa Doc” from 1957 to 1971 and Jean-Claude “Baby Doc” from 1971 until a popular uprising sent him into exile in 1986. Danticat draws on that period as well as contemporary issues like the ordeals of immigrants; the police killing of Haitian immigrant Patrick Dorismond in New York in 2000; the FRAPH government thugs who terrorized Haitians after the ouster of President Jean-Bertrand Aristide; the experiences of Haitian women; and the impact of trauma on families and relationships.
We meet him late in life: a quiet man, a good father and husband, a fixture in his Brooklyn neighborhood, a landlord and barber with a terrifying scar across his face. As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat’s brilliant exploration of the “dew breaker”--or torturer--s an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
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