Here are 86 books that The Dew Breaker fans have personally recommended if you like
The Dew Breaker.
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I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
For me Graham Greene is the master of the literary novel of political intrigue, the literary political thriller writer who spans the globe in his narrative reach. It is difficult to focus on only one of his novels, all have influenced, moved, and taught me, but for the purposes of this list I chose The Comedians.
When I discovered Graham Greene decades ago, I started reading his many novels and then rereading them, immersed in his worlds, trying to learn how he did what he did, but of course, what he did was unique to his perspective, experience, and talent.
The Comedians spins out its story in the dangerous landscape of Haiti under the regime of Papa Doc and the Tontons Macoute secret police. I still remember the sinister tone and compelling narrative drive of the book on my first reading as the innocent American, the sophisticated returning hotel…
Three men meet on a ship bound for Haiti, a world in the grip of the corrupt "Papa Doc" and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American and Jones the confidence man are the "Comedians" of Graham Greene's title.
A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.
It’s impossible to understand contemporary Haiti without recognizing the impact of the 2010 earthquake that devastated the country, taking an estimated 300,000 lives and destroying many of the iconic historical sites in the capital city, Port-au-Prince. Chancy’s powerful novel of tragedy and resilience depicts the lead-up to and aftermath of Haiti’s 2010 earthquake via the interlinked stories of ten characters from different walks of life. These stories drive home both how different the experience of Haiti can be depending on socioeconomic class and race; yet also how connected so many Haitian stories are to each other.
A NPR, Boston Globe, New York Public Library, Chicago Public Library, and Library Journal Best Book of the Year
“Stunning.” —Margaret Atwood
At the end of a long, sweltering day, an earthquake of 7.0 magnitude shakes the capital of Haiti, Port-au-Prince. Award-winning author Myriam J. A. Chancy masterfully charts the inner lives of the characters affected by the disaster—Richard, an expat and wealthy water-bottling executive with a secret daughter; the daughter, Anne, an architect who drafts affordable housing structures for a global NGO; a small-time drug trafficker, Leopold, who pines for…
A love of literature and a summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues. Today I write about risk, drawing on psychology, culture, policy, and economics, as in Why the Cocks Fight. My third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. The sequel, You Are What You Risk, explores risk perceptions and attitudes through a comparative, socio-cultural lens.
The Haitian writer narrates this 1955 novel about the 1937 massacre of Haitians in the Dominican Republic via a laborer, Hilarion, who is thrown into prison for petty theft and politically awakened by a fellow inmate (a stand-in for the author). After he is released, he meets his love, Claire-Heureuse. Political upheaval sends them across the Dominican border, where he cuts cane then joins in a strike. When the Dominican dictator Rafael Trujillo orders an ethnic cleansing, Hilarion is mortally wounded as he tries to return to Haiti across the Massacre River along the northern border.
An English translation of "Compere General Soleil", published in France in 1955. This novel depicts the nightmarish journey of a labourer and his wife from the slums of Port-au-Prince to the cane fields of the Dominican Republic, and personifies the sun as friend and leader of the workers.
I fell in love with Latin American literature when I was in the Peace Corps in the late 1960s in the highlands of Colombia. My husband and I were in a program of rural community development. The Colombian writer, Gabriel García Márquez, published his now-famous novel, One Hundred Years of Solitude, while we were there (in 1967), and when I read it, I said, “This is the kind of fiction that I want to keep on reading and studying forever!” And so I have. I am on the faculty of the University of Houston, where I teach Latin American literature and history, including a course on Magical Realism.
The Kingdom of this World is written by a Cuban writer and pits two worldviews against each other—the Afro-Haitian and the French.
This short novel is set at the end of the eighteenth century in Haiti, and the French are trying to maintain control of their colonies in the Caribbean. We see these different world views from both points of view so that the same event can have disastrously different meanings.
We follow the Haitian slave, Ti Noel, who reports on “magical” happenings that stem from his Haitian belief in shape-shifting: men can take flight if necessary, or transform themselves into animals or insects, or otherwise do what the French consider “magic” and the Haitians consider normal. We see events from the French point of view of Pauline Bonaparte, sister of Napoleon and wife of a French general who was sent to Haiti to put down the slave revolt.
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
In many ways the best account of the history of modern torture.
As Rejali shows, this has all too often been mis-remembered as the history of Soviet and Nazi torture. Torture, in his account, has been widely practiced by modern democracies.
He identifies the French (in the context of the Algerian War of Independence) as the real innovators in the field of modern “stealth” or invisible torture, ie. torture designed not to leave marks: waterboarding and electro-torture.
I particularly like this for the way it explodes many of the myths surrounding the history of modern torture.
This is the most comprehensive, and most comprehensively chilling, study of modern torture yet written. Darius Rejali, one of the world's leading experts on torture, takes the reader from the late nineteenth century to the aftermath of Abu Ghraib, from slavery and the electric chair to electrotorture in American inner cities, and from French and British colonial prison cells and the Spanish-American War to the fields of Vietnam, the wars of the Middle East, and the new democracies of Latin America and Europe. As Rejali traces the development and application of one torture technique after another in these settings, he…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Many human rights activists have to be focused intensely on the events of today and the consequences for tomorrow, this often allows little time for broader reading. Lynn Hunt offers a detailed and very readable analysis and argument of the history and development of contemporary human rights. I found all of her book illuminating and the connections she described eye-opening.
How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.
My first two lessons as a geophysicist were confusing opposites. My supervisor told me that I must carry my investigations to professional conclusions, while the very best physicists showed me that good scientists are the most parsimonious about what they conclude. It's a battle between humility and the need to tell a story. We human beings crave a nice, neat ending, and we often only get one in fantasy, for the real world is complex. It was this insight that led me to start every story I ever wrote with at least a concept for the ending. If we are going to go anywhere with our narratives, we better first consider where that is.
Sometimes we think we are reading fiction as an exercise in entertainment, and fantasy as a guilty pleasure. Abercrombie is a favorite writer of mine because his work does all that, but he also surprises with sharp insight every single time. Last Argument of Kings ends his First Law Trilogy with the most surprising reveal of all—that the moral center does not exist. Not at all. All the blood and death that his characters have dealt out and survived are not in service to some higher good. More than just an exercise in cynicism or a service to violence, this story shines a light on power, politics and the people who stand atop the heap. And somehow Abercrombie does this all while making you laugh and shake your head in amazement.
Logen Ninefingers might only have one more fight in him - but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home.
With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him.…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
I studied psychology in college and am fascinated with the human mind. The psyche holds so many joys, wonders, and the deepest horrors imaginable, all compact and functioning within our skulls. My love for psychology grew into the horror realm, where I read and watched anything revolving around the character study of an individual driven to the brink. Now, I write stories about the morality of actions taken by those who have found themselves in a peculiar position. I believe there is more to the clean-cut view of right versus wrong regarding the decision-making of one’s self-preservation.
I could not predict this book. I love how dark and disturbing it was. It led me down a path of psychological vertigo. By the end, I had exhausted all possible predictions and guessed wrong.
The shock of the twist wrung me out dry. I’m a big fan of books that can take you on a turbulent journey and then deposit you onto uneven ground, leaving you to question your own reality. Was it all real, or was it a part of some awful, waking dream?
NOW A NETFLIX ORIGINAL FILM DIRECTED BY CHARLIE KAUFMAN AN NPR BEST BOOK OF THE YEAR 2016
“I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear).
I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.
Jake once said, “Sometimes a thought is closer to truth, to reality, than an…
I have been fascinated by this topic ever since the first newspaper stories exposing American involvement in torture began to appear in the early years of the so-called War on Terror. This fascination has persisted up to the present, as it remains clear – given recent accounts of Ron DeSantis’ time at Guantanamo – that this story refuses to die. Equally fascinating to me have been accounts revealing the extent to which this story can be traced back to the origins of the Cold War, to the birth of the National Security State, and to the alliance between that state and the professions (psychology and behavioral science) that spawned “enhanced interrogation.”
Harvard historian of science professor Lemov’s account of the history of behavioral science includes a chapter analyzing the work of three of the central figures in MKUltra, the CIA’s decade-long program of classified research into “mind control.”
Excellent on the scientific context out of which that research arose.
Deeply researched, World as Laboratory tells a secret history that’s not really a secret. The fruits of human engineering are all around us: advertising, polls, focus groups, the ubiquitous habit of “spin” practiced by marketers and politicians. What Rebecca Lemov cleverly traces for the first time is how the absurd, the practical, and the dangerous experiments of the human engineers of the first half of the twentieth century left their laboratories to become our day-to-day reality.
