57 books like General Sun, My Brother

For me Graham Greene is the master of the literary novel of political intrigue, the literary political thriller writer who spans the globe in his narrative reach. It is difficult to focus on only one of his novels, all have influenced, moved, and taught me, but for the purposes of this list I chose The Comedians.

When I discovered Graham Greene decades ago, I started reading his many novels and then rereading them, immersed in his worlds, trying to learn how he did what he did, but of course, what he did was unique to his perspective, experience, and talent.

The Comedians spins out its story in the dangerous landscape of Haiti under the regime of Papa Doc and the Tontons Macoute secret police. I still remember the sinister tone and compelling narrative drive of the book on my first reading as the innocent American, the sophisticated returning hotel… show more.

It’s impossible to understand contemporary Haiti without recognizing the impact of the 2010 earthquake that devastated the country, taking an estimated 300,000 lives and destroying many of the iconic historical sites in the capital city, Port-au-Prince. Chancy’s powerful novel of tragedy and resilience depicts the lead-up to and aftermath of Haiti’s 2010 earthquake via the interlinked stories of ten characters from different walks of life. These stories drive home both how different the experience of Haiti can be depending on socioeconomic class and race; yet also how connected so many Haitian stories are to each other.

The work of this rightfully acclaimed Haitian-American writer spans nonfiction and fiction, weaving historical memory in with present-day Haiti. This 2004 novel, told through related short stories, draws its title from the name of torturers under the regimes of the Duvaliers, father and son: François “Papa Doc” from 1957 to 1971 and Jean-Claude “Baby Doc” from 1971 until a popular uprising sent him into exile in 1986. Danticat draws on that period as well as contemporary issues like the ordeals of immigrants; the police killing of Haitian immigrant Patrick Dorismond in New York in 2000; the FRAPH government thugs who terrorized Haitians after the ouster of President Jean-Bertrand Aristide; the experiences of Haitian women; and the impact of trauma on families and relationships.

The Kingdom of this World is written by a Cuban writer and pits two worldviews against each other—the Afro-Haitian and the French.

This short novel is set at the end of the eighteenth century in Haiti, and the French are trying to maintain control of their colonies in the Caribbean. We see these different world views from both points of view so that the same event can have disastrously different meanings.

We follow the Haitian slave, Ti Noel, who reports on “magical” happenings that stem from his Haitian belief in shape-shifting: men can take flight if necessary, or transform themselves into animals or insects, or otherwise do what the French consider “magic” and the Haitians consider normal. We see events from the French point of view of Pauline Bonaparte, sister of Napoleon and wife of a French general who was sent to Haiti to put down the slave revolt. 

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This is one of my long-time favorite books because of the relationships of these sisters and the way they react to a vicious dictatorship in their home country, the Dominican Republic.

Birthed from a true story, this author deftly weaves the tensions of the times with the real impact the violence has on each character. The bravery of these woman calls me to reread the dramatic, beautifully crafted book from time-to-time. 

Professor McPherson’s stellar history paints an incredibly rich portrait of protracted U.S. interventions—the Dominican Republic, Haiti, and Nicaragua, most critically—during the so-called Banana Wars in the first decades of the 20th century. This painstaking researched and lucidly penned tome demands that we take the Latin American side of the story when we study the searing history of Uncle Sam interventionism. 

This is an incredibly touching book! Mitch Albom is the author of other excellent books, but Finding Chika has become my favorite. The story of how he and his wife brought a little Haitian child into their orphanage in Haiti, and then eventually when it was discovered she had brain cancer, into their own home, was hard to put down. As an author who has visited Haiti many times and played with children orphaned by the 2010 earthquake, I strongly empathized with this story of a suffering Haitian child. Albom’s prose is flawless, and his ability to draw in the reader is inspiring, and you will not regret checking this book out. 

This is the definitive biography on Toussaint. First published in 1863, it clearly showed me why Toussaint L’Ouverture was one of the most admired world leaders of his time. They called him “the Black Napoleon!” Reading this book brought back to mind that I did a report on Haiti and Toussaint back when I was in junior high (“a long time ago in a universe far, far away!") Even at the time I was impressed by how much the Haitian Revolution influenced our own Civil War.  

I find this book as enlightening as it is useful. In a single volume, Dubois provides a sweeping history of the Haitian Revolution and its legacy. He recounts not only how Haitians rose up against slavery to establish their own independent nation, but how that nation struggled internally to define itself while contending externally with a racist and hostile world order.

I wasn’t far into Love before it became crystal clear why its author fled her native Haiti after publishing it, in spite of the fact that the novella is ostensibly historical fiction. The narrator Claire’s depiction of a Duvalier-esque commandant is a scathing one, and in truth, no one escapes Claire’s acerbic wit, keen eye for detail, and incisive observations about colorism, class, and the perpetual violence that is engendered by colonial rule and persists long after its end. Claire is both an unreliable narrator—she is jealous, petty, and bitterly indignant about her treatment by her family—and yet, a trustworthy one. Love taught me how to create a Black woman narrator who does not have to be trusted (or even liked) to be listened to, believed.