Here are 69 books that The Disenchantments fans have personally recommended if you like
The Disenchantments.
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My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
Wilco frontman Jeff Tweedy really, really wants everyone to write a song, and I find it terribly endearing.
I picked up his handbook amid a COVID-era creative block, and with Jeff as my songwriting sherpa, I was eventually able to drop some baggage and make my way up. I had already known that music would pay me back for the effort, but Jeff (I think he’d want me to call him Jeff) patiently walks through directly applicable strategies such as word-laddering, stealing, and the Dadaist cut-up technique for lyric writing.
His encouraging nudge made it easier to leave self-judgment and even good sense behind.
'A guide to rediscovering the joys of creating that we all felt as children.' NEW YORK TIMES
One of the century's most feted singer-songwriters, Wilco's Jeff Tweedy, digs deep into his own creative process to share his unique perspective about song-writing and offers a warm, accessible guide to writing your first song, championing the importance of making creativity part of your everyday life and experiencing the hope, inspiration and joy that accompanies it.
'Fascinating.' ROUGH TRADE 'Eloquent.' INDEPENDENT 'Nourishing.' PITCHFORK 'A proselytiser for the act of songcraft.' FINANCIAL TIMES 'A smart,…
As a Gex Xer who came of age in the 80s, I haunted record stores, collected albums, and listened to music to gain insight into the bands I loved. As a musician I’ve always been fascinated by the creative process of songwriting. I’m intrigued by the interpersonal dynamics that make and break bands. I’m drawn to the business side of the music industry and the way iconic bands and music were marketed to us. The five books I’ve recommended are my personal favorites for highlighting how the music so many Gen Xers love was created and how years later it can still move us and give meaning to our everchanging lives.
Being a musician in a band has been a hallmark of my life. When I first read Roddy Doyle’s book, I was amazed at how he expertly captured the exhilarating emotional peaks that come with starting a band. The early days of being in a band are some of the best, and Doyle writes exquisitely about the joy of shared dreams, spontaneous creativity, and the camaraderie that comes as you create a new musical family.
He also illustrates the inevitable tensions that can and do arise—egos clash, personalities differ, and the pressures of maintaining unity. But like Doyle, I agree that, in the end, the effort and energy are their own reward. The goal should always be making art for art’s sake.
First published in 1988, THE COMMITMENTS follows a small band of musicians from the Barrytown area of Dublin as they try to make the big time. From the author of THE SNAPPER, THE VAN and PADDY CLARKE HA HA HA.
Since childhood, I've been in love with musicians, the world they live in, and the fruits of their labor. I spent years listening to my parent's record collection, which covered everything from pop, rock, and country, to jazz and classical. Today, music continues to stir my passion like nothing else. Though an industry career was never in the cards for me personally, I've frequently hovered around its periphery. My goal was to write a band story, one that strayed from common tropes to explore, through humor and heartbreak, the many joys and pitfalls of life in this mercurial and often nonsensical industry. The result was my trilogy, Idol Pursuits. Enjoy.
You've read it all before. The standard trope of a rockstar genius turned slow-motion trainwreck through drug-fueled self-indulgence has become all too common in music fiction. The truth is a successful career in the music business requires lots of hard work and smart decision-making. This is especially so in today's world of rapidly shifting technological and social dynamics. Herstand, in plain language, tells it like it is, offering both a sobering assessment of the many challenges you'll face, but also practical real-world advice on how to overcome them. Even if you have no intention of becoming a musician, it's an eye-opener into how the modern business works.
How to Make It in the New Music Business has become the go-to resource for "do it yourself" musicians eager to make a living in a turbulent industry. Inspiring thousands to stop waiting around for that "big break", Ari Herstand returns, maintaining that a stable career can be built by taking advantage of the tools at our fingertips. Including the latest trends and developments in the bustling UK music scene, he offers inspiring success stories across media. With the overarching theme of making real connections with human beings, it is a must-have for anyone navigating the complex yet advantageous modern…
Since childhood, I've been in love with musicians, the world they live in, and the fruits of their labor. I spent years listening to my parent's record collection, which covered everything from pop, rock, and country, to jazz and classical. Today, music continues to stir my passion like nothing else. Though an industry career was never in the cards for me personally, I've frequently hovered around its periphery. My goal was to write a band story, one that strayed from common tropes to explore, through humor and heartbreak, the many joys and pitfalls of life in this mercurial and often nonsensical industry. The result was my trilogy, Idol Pursuits. Enjoy.
In many ways, my trilogy is an open love letter to the many female singers and musicians I've admired ever since I was young. While extensively referencing numerous artists as befitting the context of my story, it pained me I had to leave out many noteworthy examples for practical purposes. Women Who Rock goes a long way towards making up the difference. This powerhouse book represents a compendium of extraordinary ladies who have contributed to the evolution of pop music in our culture, but who rarely get as much credit as they deserve collectively. The assembled stories force you to sit up and take notice of their impressive accomplishments.
From Bessie Smith and The Supremes to Joan Baez, Madonna, Beyonce, Amy Winehouse, Dolly Parton, Sleater-Kinney, Taylor Swift, and scores more, women have played an essential and undeniable role in the evolution of popular music including blues, rock and roll, country, folk, glam rock, punk, and hip hop. Today, in a world traditionally dominated by male artists, women have a stronger influence on popular music than ever before. Yet, not since the late nineteen-nineties has there been a major work that acknowledges and pays tribute to the female artists who have contributed to, defined, and continue to make inroads in…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I absolutely loved King’s novel Writers & Lovers, and her story collection did not disappoint! Here, too, are the struggles of writers—to find the right words and something meaningful from loss.
There’s nothing typical in King’s diverse array of characters, and her intimate portrayal of their desires—their strengths and failings, their glimmers of hope as they brave new starts—drew me in and kept me turning the pages.
"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett
By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories
Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.
Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts…
Janet and I have traveled extensively and found inspiration and story ideas at every destination. As writers for more than 10 years and as fans of classic detective stories, we feel qualified to tackle this genre.
Not a detective story, but one that will get your heart racing and blood boiling. Set in New York City a rich family hires a babysitter who goes off the deep end. Women authors give a different point of view to crime stories and this one is proof of that.
A child is left in the care of a disturbed babysitter in “surely one of the finest pure terror-suspense stories ever written” (The New York Times).
Bunny’s parents shouldn’t have brought her to New York City, but her father has an important speech to make, and her mother couldn’t bear to be away from their darling nine-year-old daughter. And when her mommy and daddy leave for the speech, Bunny will stay in the hotel with a babysitter, sound asleep and perfectly safe. What could possibly go wrong?
The sitter is Nell, a plain young woman from Indiana. She puts Bunny…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
Simone de Beauvoir met Nelson Algren in Chicago in 1947.
A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.
But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book.
Sharp and intimate, Douglas Cowie’s reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France’s feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating…
Mystery and crime novels have always been my favorite genre. I love the suspense and intrigue, the intricate storylines, and the clever plot twists. In middle school, while my friends were reading more age-appropriate books, I was reading The Godfather and The Spy Who Came In from the Cold. Is it any wonder then that Siena Ricci, the main character of my debut novel Gullible, is a shrewd and cunning female con artist? I had so much fun developing Siena’s story arc and creating the criminal world she inhabits that I decided to continue her narrative in a sequel, with plans for a third novel to round out the trilogy.
Harrison Burns is haunted by the twenty-year-old unsolved murder of teenager Winifred Utley. His firsthand knowledge of what happened the night of Winifred’s death would, if revealed, ruin Constant Bradley, his boarding school friend whose prominent family would do anything to keep their dark secrets hidden. What Burns does with his well-guarded information is the catalyst for a story inspired by a real-life politically powerful family and their close ties to a true 1975 murder.
I judge the richness of a novel by asking two questions: Will I remember this story for years to come, and will I read other books written by this author? A Season in Purgatory gets a thumbs-up on both counts. Thirty years after my first read, this novel still sits on my bookshelf.
They were the family with everything. Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. They were the Bradleys, America's royalty. But an outsider refuses to play his part. And now, the day of reckoning has arrived.
Praise for A Season in Purgatory
“Highly entertaining.”—Entertainment Weekly
“Stunning.”—Liz Smith
“Compelling.”—New York Daily News
“Mesmerizing.”—The New York Times
“Potent characterization and deftly crafted plotting.”—Publishers…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
I was fortunate to cross paths with Curtis when I went to work for what were called the women’s pages” of The New York Times,which she had written for and edited before rising to the exalted op-ed page. When I got that job, my soon-to-be wife gave me a copy of this book—a collection of Curtis dispatches from the front lines of Society—and said, “This is what you can do if you’re good at it.”
If you told me as a kid, growing up in the suburbs of Long Island, that I would someday spend nearly all my working hours reading and writing about skyscrapers and skylines, I would have thought you were nuts. But somehow, in my twenties, as I spent more time in New York City, I came to feel a deep connection with the metropolis. Its skyscrapers and skyline speak to its history as a city of strivers. I’ve been lucky that I’ve been able to merge my personal passions with my professional life as an economist. My recommended books are ones that excited me in my journey to understand better the city that I love.
A great account of the interaction between economics and architecture in the rise of the New York and Chicago skylines. Willis is the founder and director of the Skyscraper Museum in New York City. This book was one of the first that I read as I started to do research on the economics of skyscrapers. I was fascinated by Willis' account. Arguably, this book, more than any other, helped to define my 15 years of research on the topic.
Although fundamental factors of program, technology, and economics make tall buildings everywhere take similar forms, skyscrapers in New York and Chicago developed very differently in the first half of the twentieth century. In contrast to standard histories that counterpose the design philosophies of the Chicago and New York "schools," Willis shows how market formulas produced characteristic forms in each city"vernaculars of capitalism"that resulted from local land-use patterns, municipal codes, and zoning. Refuting some common clichs of skyscraper history such as the equation of big buildings with big business and the idea of a "corporate skyline," Willis emphasizes the importance of…
