100 books like The Deep Sky

Much of the general public knows the great performance of the segregated Nisei (2nd generation Japanese American) unit in World War II, but few are still familiar with the Nisei draft resisters.

Eric Muller’s book tells the story of these men, who were drafted from incarceration camps—and then imprisoned in federal prisons for refusing to serve. Over 80 of these resisters came from Heart Mountain, where they had organized around a group called the Heart Mountain Fair Play Committee, but men from other camps also resisted. Their message was unanimous: they love the United States but will not serve before their families are freed.

Peter Irons, at attorney, investigated the incarceration of US citizens of Japanese descent during World War II. He became so upset that he devoted his own legal career to securing a rare Supreme Court reversal of its infamous Korematsu decision. This book tells that story.

This book features Bill Manbo’s original photographs from the Heart Mountain incarceration camp, weaved in with the historical narrative of the camp and the time period.

What is remarkable about the photos is that they are not part of government propaganda but depictions of everyday events by an amateur photographer. Moreover, inmates weren’t supposed to have cameras in camp, so Manbo’s photos are also an act of resistance.

Since I’m always on a quest to really “feel” history, I love how these photos bring me that much closer to the people and the place. Eric Muller and others’ writings provide useful contextualization to both the art and the era. 

I read this book after having already read dozens of books on Japanese American history and immediately felt that this was the one book that one truly needs to read.

Spickard not only explains and interprets on behalf of the community but also really seeks to understand how and why the Japanese Americans became the type of ethnic community they are.

More importantly, this book doesn’t only focus on the surface story of the racism that led to incarceration but delves much deeper into race relations, including those between Japanese Americans and other minorities.  

My Spice Girl-loving heart would have died to be in an SG fan club at my school. Back in my day, we had to settle for quick half-memorized dance routines under the monkey bars during recess. But in Akemi Dawn Bowman’s sweet story of niche interests and building a community person by person, the characters’ shared love of a music group is only the tip of a huge and fulfilling friendship iceberg. 

This novel is the reason I became a writer, for it showed me that we Japanese/Asian Americans had stories to tell, and we could write them.

Its protagonist is one who was labeled a “No-No Boy” for his response to two questions on the “loyalty questionairre” required to be answered in the World War II camps as to whether the respondent would be willing to serve in the U.S. military. Those who refused were not only members of a reviled race after the war, but were also ostracized by their own Japanese American community.

The novel’s powerful writing, questioning one’s place in America, is often spoken aloud in stage readings and, like me, became a catalyst for members of my generation to follow creative pursuits.

As I set about the task of writing political thrillers, I read many gifted novelists in this genre. I found that the plots often revolved around shoot-‘em-ups and egregiously evil militant groups. Barry Eisler is an exception. He is a superb writer who casts a talented and likeable character into a career as an assassin. John Rain chooses this life because his actions deter greater acts of violence. And isn’t that the choice many of us face in the modern world? Isn’t going to war about saving lives by killing the bad guys? In my books, I try to be sensitive to the issue that peace does not come easy in a violent world, and sometimes the trade-offs to secure peace are not at all pleasant.

Another powerful collection of photographs, this book shows us the images by the famous photographer Dorothea Lange.

The War Relocation Authority (a civilian agency that ran the 10 civilian incarceration camps) hired Lange to “document” life in the camps. They were expecting to receive material that would be useful as propaganda, that would prove to the outside world that the conditions were decent and inmates happy. What they got instead were depictions of harsh conditions and institutionalization. Therefore, many of Lange’s photos were never published until this volume.

Where Billy Manbo’s photos showed us an inmate’s perspective, Lange’s photos can be read as a wordless attempt to criticize the government.

But the memoirs didn’t delve into the emotional and psychological impact of the forced removal and incarceration──until this unflinching one from 2005, and it’s another among the best.

Removed along with her family from their farm on Vashon Island, Washington and incarcerated at the Minidoka camp in Idaho, Matsuda Gruenewald, like most of those who underwent this experience, remained silent about what happened to them until she refused to be further confined by “the self-imposed barbed-wire fences built around my experiences in the camps.”

During a 2004 return to the Minidoka site, she wrote about her pilgrimage: “I had been saddled by feelings of paralyzing helplessness for so long. I wondered, Once I open up and start talking, will I also cry? And if I do so, will I be able to stop?”

I did not initially include this book until I took a class of middle school English students to the library and more than half of them went to the graphic novel shelves. Who better to tell the story of the U.S. version of concentration camps – internment camps for loyal U.S. citizens of Japanese descent – than George Takei of Star Trek fame (and more)?

Pictures really do tell more than a thousand words. Takei’s autobiographical novel offers moments of joy but paints an infuriating picture of the United States at its worst in the Twentieth Century. The loyalty of Takei’s father to the nation that imprisoned the family and so many others can seem like a contradiction, but it is perhaps the most rewarding component of the book. The illustrations are excellent.