93 books like The Crimson Petal and the White

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

My long-held obsession with Victorian sensationalist fiction is probably why I write psychological thrillers.

The Woman in White has always been an inspiration and for me one of its most intriguing characters is Laura Fairlie, whose emotional frailty, like that of so many women, makes her prey to the hideous machinations of abusers who seek to control her. Unlike modern women however, she is not merely at the mercy of people, she is at the mercy of the restrictive laws of the society in which she lives.

And yet, with the help of determined friends, her extraordinary stoicism, and some pretty outlandish coincidences she manages to survive against the odds. Hurrah!

I know, I know…this is a book you’re either going to love or hate, and it’s probably on a lot of lists. I love this book because before it was as common to “break the rules” and write frankly about taboo subjects, Katherine Dunn dove headfirst into an ocean of taboo and told a story that’s as exquisitely heart-wrenching as it is ghastly.

Despite her flaws (and I mean flaws in character–I don’t consider her physical traits to be flawed at all), the protagonist, Oly, is driven by devotion to her family as much as anything.

I love this book because a sense of unease fills this novel from page one. Camille returns to her hometown to cover the unsolved murder of a preteen girl. It’s not an assignment she wants, preferring to avoid her family and her memories. Her recollections of her disturbing, abusive childhood and the death of her sister make this a compulsive read.

Her own fragile mental state and self-harm force the reader to question her even as she questions herself. I loved this book because it made me so uncomfortable while I was reading it that I just had to know the truth about a fractured childhood.

Dickens was a great intuitive psychologist, and The Tale of Two Cities shows some brilliant insights into human behavior during and after revolutions. The wonderful dreams of French society being built on justice and fairness came crashing down after the revolution. This is because people driven by opportunism and pathological hatred took over society. These ‘revolutionaries’ had an intense desire for vengeance and violent retribution–as well as gaining power for themselves. 

This is a feature of revolutions that we see again and again after the collapse of the old regime: unprincipled opportunists jumping to power. The direction of change becomes more radical. Inevitably, a lot of innocent people became victims during this post-revolution period, as did many innocent French people during what became known as the period of ‘Terror,’ when the guillotine rapidly killed thousands and thousands.

Dickens shows that in this terrifying post-revolution period, some individuals make great sacrifices… show more.

Becky Sharpe is a character impossible to forget.

Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.

One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.

Its setting in suburban Philadelphia (near my old house) drew me to this book. But I loved it for the way Patchett unwinds the event that upends everything two siblings understand about and expect from their lives.

I’ve experienced how a single accident or illness can change the course of the future. What I recognized and connected with was this book’s portrayal of what I call the Grief Cha-Cha, two steps forward, three steps backward, and how sometimes what you grieve isn’t so much the person you’ve lost as the person that loss makes you. 

This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.

This is another modern venture into Victoriana, with a love affair straight out of Thomas Hardy, ruined by mutual misunderstanding. Its characters are heartbreakingly real and utterly original, and it closes with one of the most memorable set-piece scenes I’ve ever read. I won’t spoil the surprise because it occurs about 400 pages into this long, seductive novel, but it’s a stunningly sensory and dramatic moment.

Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.