Here are 100 books that The Chicken-Chasing Queen of Lamar County fans have personally recommended if you like
The Chicken-Chasing Queen of Lamar County.
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As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
The Day You Beginis a lovely, lyrical reminder that we all have unique experiences and moments of not belonging, but we find connections through sharing our stories. Jacqueline Woodson’s repetitive phrase, “There will be times,” paired with the use of a 2nd person narrator, instantly draws us into the story. As a result, we feel part of the story as we think of times when we didn’t fit in or people didn’t understand our experience. So powerful!! I am a huge proponent of the power of sharing personal stories, and I often speak to groups about how sharing stories can serve as a bridge that might connect us. The Day You Begin is a glorious reflection of this truth.
There will be times when you walk into a room and no one there is quite like you.
There are many reasons to feel different. Maybe it's how you look or talk, or where you're from; maybe it's what you eat, or something just as random. It's not easy to take those first steps into a place where nobody really knows you yet, but somehow you do it.
Jacqueline Woodson's lyrical text and Rafael Lopez's dazzling art reminds us that we all feel like outsiders sometimes and how brave it is that we go forth anyway. And that sometimes, when…
From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
Your Name Is A Song is a deeply personal book for anyone who's ever felt their name was misunderstood. This story celebrates the melody and significance of names from various cultures, encouraging children to take pride in their identities.
Having grown up with a unique name myself, I understand the importance of this affirmation. This book is a powerful tool for empowerment and inclusivity, teaching both children and adults to appreciate the diversity and beauty of names and the stories they carry.
Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name is a Song is a celebration to remind all of us about the beauty, history, and magic behind names.
I love increasing the diversity seen on our family’s bookshelves but also on the TBR (to-be-read) piles of relatives, babysitters, educators—everyone who might come across my little list of five books. I’m a very visual person, which is why picture books have always been my thing, even back in college when my roommate and I used to spend our study breaks in the children’s area of the public library reading stacks and stacks of picture books. It’s only natural, then, that my list should mix books written and illustrated by people of color* with my love for picture books. *with the exception of Mary Jo Udry and Eleanor Mill
Every child should grow up with a neighbor like Miss Tillie to run to for support. She’s just the right mix of confidante and responsible adult. Starting with the art on the endpapers—nine gorgeous children, each with a different hairstyle, alternating with images of different plants—and ending with vibrant colors in the garden when the little girl sees the beauty in both short and long hair, this book reminds us to take a look inside & be happy with what we’ve got—and to take care of it along the way.
After a day of being taunted by classmates about her unruly hair, Mackenzie can't take any more and she seeks guidance from her wise and comforting neighbor, Miss Tillie. Using the beautiful garden in the backyard as a metaphor, Miss Tillie shows Mackenzie that maintaining healthy hair is not a chore nor is it something to fear. Most importantly, Mackenzie learns that natural black hair is beautiful.
I love increasing the diversity seen on our family’s bookshelves but also on the TBR (to-be-read) piles of relatives, babysitters, educators—everyone who might come across my little list of five books. I’m a very visual person, which is why picture books have always been my thing, even back in college when my roommate and I used to spend our study breaks in the children’s area of the public library reading stacks and stacks of picture books. It’s only natural, then, that my list should mix books written and illustrated by people of color* with my love for picture books. *with the exception of Mary Jo Udry and Eleanor Mill
I discovered a tattered book in my mom’s basement that had the sweetest illustrations—little did I know there were 3 books by the same author/illustrator pair. Since finding the book in the basement, I have found all three books: What Mary Jo Wanted is all about Mary Jo’s obsession with dogs and her campaign to convince her parents she should get a dog. The illustrations of this sweet child with the baby-doll dresses are wonderful; What Mary Jo Shared is about a girl determined to find just the right thing to show at show-and-tell. It was reprinted with new artwork some time ago, but we prefer the original. Mary Jo and her Grandmother has a different tone—about Mary Jo’s first overnight at her grandmother’s house and what happens when her grandmother falls and hurts her ankle.
Based on which one we read most often, it’s clear that What Mary Jo…
I write children’s books, both fiction and non-fiction, including One Duck Stuck, Big Momma Makes the World, Rattletrap Car, Plant a Pocket of Prairie, and, in collaboration with Jacqueline Briggs Martin and Liza Ketchum, Begin With A Bee, a picture book about the federally endangered rusty-patched bumblebee. Recently I have been putting my garden to bed for the winter, pulling tomato vines, harvesting beans that have dried on the vine, cutting herbs, and planting cloves of garlic to grow into heads in next year’s garden. In a couple of months snow will bury the garden beds, and the only gardens will be in the pages of books. Here are five of the children’s books that I love about growing things.
On a family farm, an old truck works long and hard. As the truck grows older, so does the young girl whose family owns the farm. When the truck is finally too worn out to work anymore, it rests and dreams. When the girl grows up and becomes a farmer, she works on the old truck until, Vroom, once again the truck is a working truck, helping the farmer on the farm. Created by two brothers who both wrote and illustrated the book (using more than 250 different stamps that they made) this book honors persistence and family.
When is an old truck something more? On a small, bustling farm, a resilient and steadfast pickup works tirelessly alongside the family that lives there, and becomes a part of the dreams and ambitions of the family's young daughter.
After long days and years of hard work leave the old truck rusting in the weeds, it's time for the girl to roll up her sleeves. Soon she is running her own busy farm, and in the midst of all the repairing and restoring, it may be time to bring her faithful childhood companion back to life.
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
I loved Betsy Byars’s books growing up. Being English, these American childhoods were so fascinatingly different! The Midnight Fox is a funny, bittersweet story of city boy Tom falling in love with the wildlife of the forest – and most of all with the beautiful midnight fox and her cub. But by making them more familiar with humans, he ends up attracting them closer to the farm and putting them in danger – it’s such a heartbreaking, beautiful book.
The Midnight Fox is an atmospheric and heartfelt story, and one of Betsy Byars' best-loved classics.
And then, this afternoon,' Uncle Fred said to me, 'you and I'll go after the fox.'
Tom, a town boy, is horrified when his parents tell him he has to stay on Aunt Millie's farm while they are away. He finds country life every bit as strange and uncomfortable as he feared. But soon, he discovers a rare black fox with green eyes, living with her cubs in the forest. Suddenly, the summer is full of excitement. That is, until Uncle Fred decides to…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
We are blessed right now with an abundance of farmers who have good stories to tell. Three hill farmers stand out: John Lewis-Stempel, James Rebanks, and Patrick Laurie, whose Native is so lyrical that it reads at times like a prose poem by Seamus Heaney. Laurie’s book is an account, season by season, of his relationship with a roughish bit of land in southwest Scotland. It is part love affair with his small farm, and the curlews and native Galloway cattle in which he has an obsessional interest, and part critique of modern farming and the industrial timber production that threatens much of the open moorland. Native is worth reading just for the quality of the prose, even if you’re not remotely interested in countryside matters.
Shortlisted for the Wainwright Prize for UK Nature Writing 2020
'Remarkable, and so profoundly enjoyable to read ... Its importance is huge, setting down a vital marker in the 21st century debate about how we use and abuse the land' - Joyce McMillan, Scotsman
Desperate to connect with his native Galloway, Patrick Laurie plunges into work on his family farm in the hills of southwest Scotland. Investing in the oldest and most traditional breeds of Galloway cattle, the Riggit Galloway, he begins to discover how cows once shaped people, places and nature in this remote and half-hidden…
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
My only fiction pick, this classic novel set in Florida in the 1870s is about 12-year-old Jody Baxter and his friendship with a fawn. I became familiar with this coming-of-age tale in an unusual way. In seventh grade, I was on a school speech team, and one of the other kids competed in the storytelling competition using an excerpt fromThe Yearling. That excerpt included the moment when Jody’s father talks to him about becoming a man: “What’s he to do when he gits knocked down? Why, take it for his share and go on.” That phrase stuck with me, and was even more powerful years later when I read the novel in its entirety and learned all that Jody had gone through by the time he and his father reached that moment.
The Yearling is a novel by Marjorie Kinnan Rawlings published in March 1938. It has been translated into Spanish, Chinese, French, Japanese, German, Italian, Russian and 22 other languages. It won the 1939 Pulitzer Prize for the Novel. Rawlings's editor was Maxwell Perkins, who also worked with F. Scott Fitzgerald, Ernest Hemingway, and other literary luminaries. She had submitted several projects to Perkins for his review, and he rejected them all. He advised her to write about what she knew from her own life, and The Yearling was the result.
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
