Here are 77 books that The Borrowed fans have personally recommended if you like
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I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
I remember an awards ceremony where Bjork described herself as “a musical scientist.” Most likely accepting some well-deserved award, she spoke in this odd sing-song way that made her seem genuinely like a mad scientist.
I think Olga Tokarczuk is a bit like Bjork. Her voice is utterly unique, with a texture and humor perfectly suited to this book's marvelous protagonist. I loved Janina Dusezjko, a cranky old Polish woman wandering the hills of her village trying to solve a mystery. I could have listened to her for the whole book even if there was no mystery, so the unraveling felt like an added bonus!
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.
Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?
The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.
For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.
In this frightening and surprising novel, the eccentric,wayward genius of Commissaire Adamsberg is pitted against the deep-rooted mysteries of one Alpine village's history, and a very present problem: wolves. Disturbing things have been happening up in the French mountains; more and more sheep are being found with their throats torn-out. The evidence points to a wolf of unnatural size and strength. However Suzanne Rosselin thinks it is the work of a werewolf. Then Suzanne is found slaughtered in the same manner. Her friend Camille attempts, with Suzanne's son Soliman and her shepherd, Watchee, to find out who, or what is…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
Why does the past speak to us? What do the 1920s – those decadent years of jazz and cocktails and sex – have to offer the 2020s?
When I was writing my book, I was obsessed with the interwar decades – Sayers’ Golden Age of Crime – and with the detective-like quality of my own work, as I chased scraps of information about my subjects’ lives in scattered archives.
In Lote, we meet Mathilda, who has what she calls Transfixions: fragments of the past, especially the Black queer past, that mesmerize and absorb her. Mathilda’s quest for contact with that past takes her into surreal, extravagant adventures.
This is an intoxicating novel and a must for anyone who has ever swooned before a black-and-white photo, a handwritten letter, or a claret-coloured dress.
WINNER of The Republic of Consciousness Prize 2021.
Lush and frothy, incisive and witty, Shola von Reinhold's decadent queer literary debut immerses readers in the pursuit of aesthetics and beauty, while interrogating the removal and obscurement of Black figures from history.
Solitary Mathilda has long been enamored with the 'Bright Young Things' of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
Rudolph Fisher was a contemporary of Sayers, but working in a very different context: the Harlem Renaissance.
This novel, reputed to be the first detective novel written by a Black American, opens with the mysterious, apparently impossible murder of a Harvard-educated fortune-teller, N’Gana Frimbo, the ‘conjure-man’ of the title. Then the body disappears, and Frimbo (apparently) reappears – throwing medical and police investigations into chaos.
There’s a surfeit of suspects and lots of talking; what I really love about this novel is the sense of being plunged into a vivid, fully-populated world. This book wins my vote for most overlooked mystery novel from the Golden Age.
I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
The setting is roiling Hong Kong just before the British turnover to China. A musician in the Hong Kong Philharmonic, searching for an unaccountably missing friend and colleague, becomes sucked into the back alleys of organized crime. Martin himself was a veteran professional orchestral string bass player in Hong Kong and has a consummate grasp of the pulse of the city and the vagaries of the music business. This gritty, rough-and-tumble page-turning thriller, with dialogue as spicy as the food and a noire feel, is an under-the-radar gem that in a fair world should be a best-seller. May be hard to find but so worth the effort.
The body of a young woman washes up in Hong Kong harbour. To Inspector Herman Lok of the Hong Kong Police Force it appears to be an acccidental death - a fisherwoman who drowned. But Lok soon discovers that the woman is linked not just to the triads, the city's infamous criminal societies, but also to an organization not usually associated with murder and conspiracy - the Hong Kong Symphony Orchestra.
Meanwhile Hector Siefert, an American musician living in Hong Kong, learns that his colleague for Leo Stern has disappeared. Enlisting the help of a newspaper reporter with the unlikely…
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
This novel brings readers up close and personal with Hong Kong. Clarke is a young Englishman doing a banking stint in the fabled city. He lives a relatively sedate existence in his corporately antiseptic neighborhood. But one day he decides to get off his beaten path and winds up having his life changed dramatically. He becomes enamored with a shantytown prostitute, embroiled in the geopolitical struggle with Mainland China, and involved in a potential swindle of international proportions. In addition to spinning an interesting tale, Craft is also able to weave in the ticking time bomb of environmental hazards that plague the area without pious preaching and totally within the confines of the story he’s telling.
Rivers had become toxic and the ocean shore is a sea of plastic: there's money to be made. But for Philip Clarke, handsome, clever, and decidedly available, that world seemed a distraction from an altogether different one, where the possibilities of pleasure overwrote the machinery of commerce.
Newly arrived in Hong Kong, his island world lay somewhere between the looming shadow of China, and its strange double downtown, where bankers and brokers breathed the same crowded air as a new breed of political activists. In his mind, he was thankfully immune from both.
I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.
Janice Y.K Lee marries historical fiction with music and passion in this epic story set in Singapore in the 1940s and 1950s. Like all the best historical novels, this book highlighted aspects of history not always discussed, and did it with a thread of beautiful music woven through the story. This book is all-consuming.
Ambitious, exotic, and a classic book club read, 'The Piano Teacher' is a combination of 'Tenko' meets 'The Remains of the Day'.
Sometimes the end of a love affair is only the beginning...
In 1942, Will Truesdale, an Englishman newly arrived in Hong Kong, falls headlong into a passionate relationship with Trudy Liang, a beautiful Eurasian socialite. But their love affair is soon threatened by the invasion of the Japanese, with terrible consequences for both of them, and for members of their fragile community who will betray each other in the darkest days of the war.
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A brutal but beautifully told fiction based on true events, it explores the aftermath of America’s withdrawal from Vietnam – folding into the narrative, such horrific events as the Koh Kra massacre.
The protagonists are 16-year-old Anh, her 13-year-old brother Minh and their 10-year-old brother Thanh. During an ill-fated sea crossing to Hong Kong, they are separated from their parents and siblings. After passing through camps and detention centres, they find themselves in the Britain of the 80s.
What follows is a clear-eyed, often heart-rending look at the immigrant experience. Pin’s writing style is precise and understated – and perhaps the more powerful it. Among the many elements that make the book so beguiling is the addition of Dao, one of the siblings’ lost brothers narrating parts of the story from limbo.
“A deeply humane and genre-defying work of love and uncompromising hope.” ―Ocean Vuong, author of On Earth We’re Briefly Gorgeous and Time Is a Mother
There are the goodbyes and then the fishing out of the bodies―everything in between is speculation.
After the last American troops leave Vietnam, siblings Anh, Minh, and Thanh journey to Hong Kong with the promise that their parents and younger siblings will soon follow. But when tragedy strikes, the three children are left orphaned, and sixteen-year-old Anh becomes the caretaker for her two younger brothers overnight.
I am East-and-West. Born in British Hong Kong, studied in England, and worked for a US multinational in Beijing, I had a range of experiences that traversed Chinese and western cultures. Sucked into politics in Hong Kong prior to and post-1997, I had a ringside seat to colonial Hong Kong becoming a part of China. I too went from being a British citizen to a Chinese national. Along the way, I got interested in the environment and was appointed a minister in Hong Kong in 2012. I have always read a lot about the world and how things work or don’t work. I hope you like what I have enjoyed!
The 1967 riots in Hong Kong were inspired by the Cultural Revolution in mainland China. It was a turbulent and violent period both on the mainland and in Hong Kong. British colonial rule was threatened but it survived, and it turned the people of Hong Kong away from the CCP. The story of this fascinating period is told by veteran journalist, Gary Cheung from Hong Kong.
Hong Kong’s Watershed The 1967 Riots is the first English book that provides an account and critical analysis of the disturbances based on declassified files from the British government and recollection by key players during the events. The interviews with the participants, including Jack Cater, Liang Shangyuan, George Walden, Tsang Tak-sing, Tsang Yok-sing, and Hong Kong government officials, left irreplaceable records of oral history on the political upheaval. The book analyses the causes and repercussions of the 1967 riots which are widely seen as a watershed of postwar history of Hong Kong. It depicts the prelude to the 1967 riots,…
I was born in colonial Hong Kong, and my teenage rebellion was anti-colonialism. So I went on a journey to rediscover ‘mother China’ by reading and visiting the Mainland. What I saw and learned first-hand contradicted what I had read of China, primarily Communist Party propaganda. The realization that colonial Hong Kong treated its people so much better than in socialist China made me think, and started my interest in researching the history of Hong Kong. A Modern History of Hong Kong: 1841-1997 is the result, and based on years of research into the evolution of Hong Kong’s people, its British colonial rulers, as well as China’s policies towards Hong Kong.
This is a short and very personal account by a young journalist born and brought up in Hong Kong. As her parents are academics who had also played activist roles in Hong Kong, Hana got to know some of Hong Kong’s democracy activists and fighters from a very young age. She writes with passion about why the young people of Hong Kong fight for democracy in Chinese Hong Kong, where the prospect of success was very dim, if not non-existent. If you are interested in how Hong Kong’s young people think about democracy, this is a good starting point.
Journalist Hana Meihan Davis comes from a long line of democracy activists in Hong Kong. Today, they are either in exile or facing arrest.
Hong Kong, once a bastion of liberty and free speech, is now under the control of a repressive Chinese regime determined to silence dissent. In this searing, deeply personal memoir, Davis takes readers into the heart of her city that has come under siege -- and tells the astounding stories of the brave individuals who are resisting tyranny in a life-or-death struggle for freedom.
ABOUT THE AUTHOR
Hana Meihan Davis is a journalist and aspiring architect…
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