100 books like The Piano Teacher

I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.

I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.

I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.

I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages. 

After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut novel until I was thirty-five. My work is inspired by my favorite authors from the 1940s: Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald. I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.

I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.

Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience. 

I am East-and-West. Born in British Hong Kong, studied in England, and worked for a US multinational in Beijing, I had a range of experiences that traversed Chinese and western cultures. Sucked into politics in Hong Kong prior to and post-1997, I had a ringside seat to colonial Hong Kong becoming a part of China. I too went from being a British citizen to a Chinese national. Along the way, I got interested in the environment and was appointed a minister in Hong Kong in 2012. I have always read a lot about the world and how things work or don’t work. I hope you like what I have enjoyed!

I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital. 

In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.