100 books like Little Reunions

I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.

I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.

I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.

I’m a Chinese Vietnamese American author who writes about the Asian girls I never saw in books as a kid. Growing up in Southern California, I was part of an Asian community that was extremely diverse—a reality that was rarely reflected in American pop culture. For years, I longed to see messy, flawed, fully humanized Asian characters in all different kinds of stories, not just the typical child-of-immigrant narratives. As a result, I now spend a lot of time thinking about representation (whether I want to or not!), and I’m always looking for writers who pull it off with nuance and realism. I hope you’ll find these books are great examples of that.

Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience. 

A Seattle-based author, I have written eight books, including When the Red Gates Opened: A Memoir of China’s Reawakening, about the eight years I spent as Business Week’s reporter covering China, 1982-1990. In it, I give readers an inside look at China’s transformation from Maoism to modernity. A fluent speaker of Mandarin, I have traveled widely in China for over forty years and befriended Chinese people at many levels of society, leading me to a strong belief in the importance of direct cross-cultural communication and deepened mutual understanding.

“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”

I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built. I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.

A native of Nanjing (Nanking), China, Shouhua Qi has published extensively in both the United States and China on academic as well as transcultural issues. He is the author of more than twenty books, including fiction, nonfiction, literary translation, and scholarly monographs. Qi’s first novel, Purple Mountain, is about the Rape of Nanking, a horrendous tragic event that happened in his hometown in the winter of 1937-08. A screenplay Qi co-wrote based on the novel has been optioned for production.

Carl Molesworth’s interest in China and the Far East dates back to childhood memories of stories told by his mother and grandmother of their experiences living in China during the 1920s. He acquired his interest in aviation from his father. Carl began researching the air war in the China-Burma-India Theater while working as a newspaper editor in the late 1970s and published his first book on the subject, Wing To Wing – Air Combat in China 1943-45, in 1990. Of his 14 subsequent books, nine have covered various aspects of air combat in the CBI.