I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
I wrote
The Mutual Admiration Society: How Dorothy L. Sayers and Her Oxford Circle Remade the World for Women
If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.
Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?
The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.
For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.
In this frightening and surprising novel, the eccentric,wayward genius of Commissaire Adamsberg is pitted against the deep-rooted mysteries of one Alpine village's history, and a very present problem: wolves. Disturbing things have been happening up in the French mountains; more and more sheep are being found with their throats torn-out. The evidence points to a wolf of unnatural size and strength. However Suzanne Rosselin thinks it is the work of a werewolf. Then Suzanne is found slaughtered in the same manner. Her friend Camille attempts, with Suzanne's son Soliman and her shepherd, Watchee, to find out who, or what is…
Why does the past speak to us? What do the 1920s – those decadent years of jazz and cocktails and sex – have to offer the 2020s?
When I was writing my book, I was obsessed with the interwar decades – Sayers’ Golden Age of Crime – and with the detective-like quality of my own work, as I chased scraps of information about my subjects’ lives in scattered archives.
In Lote, we meet Mathilda, who has what she calls Transfixions: fragments of the past, especially the Black queer past, that mesmerize and absorb her. Mathilda’s quest for contact with that past takes her into surreal, extravagant adventures.
This is an intoxicating novel and a must for anyone who has ever swooned before a black-and-white photo, a handwritten letter, or a claret-coloured dress.
WINNER of The Republic of Consciousness Prize 2021.
Lush and frothy, incisive and witty, Shola von Reinhold's decadent queer literary debut immerses readers in the pursuit of aesthetics and beauty, while interrogating the removal and obscurement of Black figures from history.
Solitary Mathilda has long been enamored with the 'Bright Young Things' of the 20s, and throughout her life, her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things…
This set of interlocked novellas opens with a comatose detective – a legend in his time – apparently conducting an interrogation through means of electrical signals sent from his brain to a computer. I was skeptical.
I’m a fan of the rules that Sayers and the Detection Club developed: no magic, no ‘jiggery-pokery’, no mystery poisons or miracle drugs, only the fair play of putting the evidence before the reader and letting them practice deduction. My skepticism was totally misplaced.
Chan Ho-Kei’s brilliant work tells the history of twentieth-century Hong Kong through the careers of two policemen. Each novella pays homage to the classic genres of crime fiction, and they build up to twists and revelations that are both shocking and completely faithful to fair play as Sayers knew it.
Six interlocking stories.
One spellbinding novel.
The year is 2013, and Hong Kong's greatest detective is dying. For fifty years, Inspector Kwan quietly solved cases while the world changed around him. Now his partner Detective Lok has come to his deathbed for help with one final case.
Where there is murder, there is humanity. This bold and intricate crime novel spans five decades of love, honour, race, class, jealousy and revenge in one of the most intriguing nations in the world.
This is the story of a man who let justice shine in the space between black and white. This…
Rudolph Fisher was a contemporary of Sayers, but working in a very different context: the Harlem Renaissance.
This novel, reputed to be the first detective novel written by a Black American, opens with the mysterious, apparently impossible murder of a Harvard-educated fortune-teller, N’Gana Frimbo, the ‘conjure-man’ of the title. Then the body disappears, and Frimbo (apparently) reappears – throwing medical and police investigations into chaos.
There’s a surfeit of suspects and lots of talking; what I really love about this novel is the sense of being plunged into a vivid, fully-populated world. This book wins my vote for most overlooked mystery novel from the Golden Age.
This book is a wild ride, start to finish, and there is nothing I could write that would prepare any reader for it. I wasn’t prepared when I picked it up.
It opens with a conventional-enough discovery of a murder victim. From there, there’s astrology, William Blake, animal rights, mushroom foraging, feminism, violence, beauty, and small-town politics in an overwintering resort town on the Polish-Czech border.
The narrator’s voice is utterly unique: if she walked into my house, I’d know her right away. And I’d be slightly alarmed and thrilled, exactly how I felt while reading this transcendent, angry, funny novel. Like Sayers, Tokarczuk writes with sly, smart humour; she adds, in a way I think Sayers would have appreciated, a pulsing undercurrent of rage at injustice.
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
In 1912, Dorothy L. Sayers and five friends founded a writing group at Somerville College, Oxford; they dubbed themselves the 'Mutual Admiration Society.' Brilliant, bold, serious, and funny, these women were also sheltered and chaperoned, barred from receiving degrees despite taking classes and passing exams. But things for women were changing - they gained the right to vote and more access to the job market. And in October 1920, members of the Mutual Admiration Society returned to Oxford to receive full degrees, among the first women to be awarded such honours.
Sayers and her classmates remained lifelong friends and collaborators as they battled for a truly democratic culture that acknowledged their equal humanity. They pushed boundaries in reproductive rights, sexual identity, queer family making, and representations of women in the arts - despite the casual cruelty of sexism that still limited women's choices. Historian Mo Moulton brings these six indomitable women to vivid life, as they navigate the complexities of adulthood, work, intimacy, and sex in Interwar England.
A celebration of feminism and female friendship, Mutual Admiration Society reveals how Sayers and the members of MAS reshaped the social order - and how, together, they fought their way into a new world for women.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
