The most puzzling murder mysteries

Dorothy L. Sayers was one of the founding crime writers of the Detection Club, and this book of hers was written in the classic era of detective fiction, when such works followed the Ten Commandments of Detective Fiction, devised by Ronald Knox, a fellow author.

These various constraints allowed the reader a fair chance of solving the puzzle inside a murder mystery. For instance a supernatural solution is not allowed and the criminal should be one of the several characters mentioned reasonably early on in the novel. This permutation of the classic puzzle is disseminated in various documents presented to the reader.

It’s a tribute to the author that this device is so engaging and enrapturing. Every clue is there for the reader to solve. There’s a remote and glorious Devon setting to explore, and tension in every mushroom encountered!

An atmospheric, taut, and stylish novel – it was first published in 2009 in Poland and written by a clinical psychologist who won the Nobel Prize for literature in 2018.

It has an atmospheric setting in rural Silesia. You can feel the glistening dampness of the forest where the main character, Janina, has a shack. This intriguing woman, a virtual hermit, places value only on poetry, astrology, and animal welfare. The forest is all around; claustrophobic and threatening.

In the few homes near the shack, people are being killed. Janina’s response is to immerse herself even deeper in the works of William Blake. The novel’s title is a line from Blake’s poem, "Proverbs of Hell”.

From a technical perspective the mystery doesn’t quite adhere to the rules of the Whodunnit, but it is a compelling read imbued with poetic lucidity and taut imagery. 

For the clarity and precision of her prose and its perfectly chosen words, I always enjoy PD James.

James started writing to help support herself and her children after her doctor husband returned from the war, and was disabled by mental illness and consigned to a series of psychiatric institutions. The Lighthouse is the penultimate installment of her Adam Dalgleish series.

Dalgliesh is a somewhat aloof, poetic, and intellectual Commander of the Metropolitan Police, whose first outing was in 1962. The setting of The Lighthouse is vital to the structure, pace, and engineering of the novel. 
The action takes place on an island off the coast of Cornwall. I like this idea as it encloses the suspects and detective in a closed environment where suspense can build, rather as if it were a pressure cooker.

The island device was also employed by Agatha Christie in her 1939 work And Then There Were None, which features an island presumably not far away, just off the Devon coast.

I love the supernatural element to this much-loved murder mystery.

This mystery pushes against the constraints of Knox’s Ten Commandments for detective fiction by involving the supernatural, but the Commandments are never wholly transgressed. Sir Arthur Conan Doyle drew on the folklore of Devon where the book is set.

He drew on the legend of the cursed squire of Buckfastleigh and a hellhound, a variant of the local Yeth hound, a spectral black dog. The folklore infuses the mystery with a ghostly and altogether wonderful hinterland. Dartmoor becomes a liminal space where the living and the dead are mingled. Conan Doyle used this otherworldly backstory to return his classic detective Sherlock Holmes to the living.

Conan Doyle’s many readers had recently mourned the death of Holmes in The Final Problem. Conan Doyle chooses to set this novel in 1899, preceding events in The Final Problem. The Hound of the Baskervilles is the third of only four Sherlock Holmes novels, but there are fifty-six glorious Holmes short stories to explore.

I love the mosaic of characters and the feeling that time has stood still in this 1962 novel, set in a female-only apartment block, the K Apartment for Ladies, in 1950s Tokyo.

It’s a world away from the settings of the last few books in places like Devon and Cornwall. I love Masako Togawa’s vignettes of the denizens of the 150 rooms; they are like pieces of a jigsaw puzzle – separate but interacting with each other in surprising ways.

Only by considering all the multiple portraits of the puzzle – the compelling secret lives of the widows, teachers, eccentrics, professors, violinists, and receptionists who people the apartment block – can the reader assemble a coherent picture of what has been going on.

It’s a unique and stylish accomplishment by an author who also mastered the entertainment world as a chanteuse, TV star, and nightclub owner, drawing on her experience of the Ikebukuro, Tokyo’s commercial and entertainment district.