Here are 67 books that The Lighthouse fans have personally recommended if you like
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I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.
Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.
I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction.
This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.
Agatha Christie's world-famous mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.
Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide.
The tension escalates as the survivors realise the killer is not only among them but…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
This was the first ‘grown-up’ book I ever read. I was seven. I can still remember the green Penguin Books cover and the smell of old paper that accompanied it. I immediately became captivated by Sherlock Holmes and this mystery on the lonely moors. I still get goosebumps when I read that line, “Mr Holmes, they were the footprints of an enormous hound!” Yikes!
I love Holmes’s brilliance and his friendship with ‘my friend and colleague, Dr Watson.’ I love his wry sense of humor, his untidy habits, and his Victorian manners. I’m a grandmother now, and I still love Holmes and this book as much as I did when I was a child.
When Sir Charles Baskerville is found dead, his face distorted with shock and horror, Sherlock Holmes and Dr Watson are faced with a sinister and difficult puzzle. A fearsome creature stalks the wild and barren hills of Dartmoor. Is it a demon from the spirit world? Will it defeat their skill and courage? Who is the tall, mysterious figure seen lurking on the moor at night? Can Holmes save Sir Henry, the new owner of Baskerville Hall, from the ancient family curse? Or will the terrifying hound claim yet another victim?
I’m an academic who has written medical textbooks and medical research papers, but I also have an enduring passion for murder mysteries. As Hugh Greene I have written the bestselling Dr. Power mystery series which follows forensic psychiatrist Dr. Power and Detective Lynch solving murders and exploring the minds that executed these crimes.
Dorothy L. Sayers was one of the founding crime writers of the Detection Club, and this book of hers was written in the classic era of detective fiction, when such works followed the Ten Commandments of Detective Fiction, devised by Ronald Knox, a fellow author.
These various constraints allowed the reader a fair chance of solving the puzzle inside a murder mystery. For instance a supernatural solution is not allowed and the criminal should be one of the several characters mentioned reasonably early on in the novel. This permutation of the classic puzzle is disseminated in various documents presented to the reader.
It’s a tribute to the author that this device is so engaging and enrapturing. Every clue is there for the reader to solve. There’s a remote and glorious Devon setting to explore, and tension in every mushroom encountered!
An epistolary crime novel from Dorothy L Sayers, creator of the classic Lord Peter Wimsey series - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries, and introduced by author and journalist Libby Purves.
The bed was broken and tilted grotesquely sideways. Harrison was sprawled over in a huddle of soiled blankets. His mouth was twisted . . .
Harrison had been an expert on deadly mushrooms. How was it then that he had eaten a large quantity of death-dealing muscarine? Was it an accident? Suicide? Or murder?
I’m an academic who has written medical textbooks and medical research papers, but I also have an enduring passion for murder mysteries. As Hugh Greene I have written the bestselling Dr. Power mystery series which follows forensic psychiatrist Dr. Power and Detective Lynch solving murders and exploring the minds that executed these crimes.
I love the mosaic of characters and the feeling that time has stood still in this 1962 novel, set in a female-only apartment block, the K Apartment for Ladies, in 1950s Tokyo.
It’s a world away from the settings of the last few books in places like Devon and Cornwall. I love Masako Togawa’s vignettes of the denizens of the 150 rooms; they are like pieces of a jigsaw puzzle – separate but interacting with each other in surprising ways.
Only by considering all the multiple portraits of the puzzle – the compelling secret lives of the widows, teachers, eccentrics, professors, violinists, and receptionists who people the apartment block – can the reader assemble a coherent picture of what has been going on.
It’s a unique and stylish accomplishment by an author who also mastered the entertainment world as a chanteuse, TV star, and nightclub owner, drawing on her experience…
A building full of secrets. A key that will unleash them all The K Apartments for Ladies in Tokyo conceals a sinister past behind each door; a woman who has buried a child; a scavenger driven mad by ill-health; a wife mysteriously guarding her late husband's manuscripts; a talented violinist tortured by her own guilt. The master key, which opens the door to all 150 rooms, links their tangled stories. But now it has been stolen, and dirty tricks are afoot. For a deadly secret lies buried beneath the building. And when it is revealed, there will be murder.
I’ve always been fascinated by the sea. I grew up near the gentle waters of England’s Kent coast, then went to St Andrews University, surrounded by the treacherous North Sea. Finally, I discovered the Devon shores, which inspired Agatha Christie. In island thrillers like hers, the power of the sea becomes overwhelming. It holds suspects at bay, becomes a murder weapon, and constrains both innocent and guilty until justice is done. For me, this is the ‘locked room’ mystery in its purest form: an isolated location and a limited number of suspects–causing unlimited amounts of tension. I hope you love these stories as much as I do.
I’m not supposed to feature the same author twice–but I can’t help it, as I love the fact that Agatha Christie re-uses Burgh Island in Devon, the real-life setting for And Then There Were None, in this second brilliant whodunnit written two years later (1941).
This time, the island's geography is crucial for the complex plot, which involves scrupulous timing–and quite a lot of rowing–on the killer's part. I enjoyed the cast of characters, including the wonderful Hercule Poirot and a deliciously horrible actress cast in the role of a lifetime.
Above all, the book shows Christie’s amazing versatility. This is by no means a retread of her earlier hit, but it is an outstanding novel in its own right.
One of Agatha Christie's most loved mysteries, Evil Under the Sun remains one of her best and most delightfully cryptic murder mysteries ever, read by Poirot himself - David Suchet.
It was not unusual to find the beautiful bronzed body of the sun-loving Arlena Stuart stretched out on a beach, face down. Only, on this occasion, there was no sun... she had been strangled.
Ever since Arlena's arrival at the resort, Hercule Poirot had detected sexual tension in the seaside air. But could this apparent 'crime of passion' have been something more evil and premeditated altogether?
The greatest mystery I face in life is, how is it that when I've just packed the dishwasher, I have to pack it yet again? But I love stories. There’s nothing more healing than a well-told story with characters and jokes and twists and turns. Each of these books contains some form of fictionalized domestic world where murders happen, but marriages and babies and falling in love do, too.We live in a time when the world is hard to navigate. All of these writers bring a mystery, the best of company, and the idea that even in the darkest of times, everything can turn out quite spiffingly.
As anyone who has ever grown up in Glasgow will tell you, don't mess with short people. A short, angry Scottish woman can have your proverbial eye out when riled. Especially if they’re meant to be enjoying themselves at the seaside. And that's exactly the case with Lady Hardcastle’s loyal sidekick, Flo. Granted, Flo is Welsh, and the duo lives in Edwardian England rather than 20th-century Scotland, but this pair can sort matters out faster than my mother and her wee pal, Margaret.
Elizabeth Knowelden brilliantly reads this rollicking romp about disappearances, espionage, ice cream, and donkey rides. I like any story with a fearsome female sidekick. Fearsome sidekicks have for too long been dominated by scary blokes with muscles.
July 1910. Lady Hardcastle and her tireless sidekick Flo have finally embarked on a long-overdue seaside break. But just as they're wavering between ice creams and donkey rides, their fellow guests start to go missing-and the duo find themselves with a hysterical hotel manager and a case to solve.
The first to disappear is Dr Goddard, a scientist doing something terribly top-secret for the government. Gone too are his strongbox and its mysterious contents. By the time Lady Hardcastle has questioned the horde of international guests, her number-one suspect has been dispatched in grisly circumstances-and then the others start vanishing…
I am a Wiltshire-based writer with a passion for historical and literary fiction and a fascination for the role of “memory” in the autumn of our lives. My own novel was inspired by conversations with my late grandfather in his final years. But as a journalist for more than 20 years, I had many rich opportunities to talk to the elderly members of our communities–most memorably, taking a pair of D-Day veterans back to the beaches of Normandy. In many ways, memories are the only things we can take with us throughout our lives, carrying both the burden of regrets and the consolation of those we have loved.
John Banville's 2005 novel, tells the story of a widower who returns to the seaside town of his childhood family holidays and where he fell in love for the first time.
Banville artfully weaves together the strands of the different times in Max Morden's life to create a tapestry of love and loss. He paints a haunting portrait of the beachside community and its characters.
I found the language spellbindingly descriptive and evocative of a distinctive place and time. At times, it borders on poetry. There is humour and pathos aplenty. It is a beautiful but beautifully sad novel, filled with sad people. Ultimately, this symphony of sadness crescendos to a heart-wrenching ending.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • An “extraordinary meditation on mortality, grief, death, childhood and memory" (USA Today) about a middle-aged Irishman who has gone back to the seaside to grieve the loss of his wife.
In this luminous novel, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness…
