100 books like The Master Key

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

This was the first ‘grown-up’ book I ever read. I was seven. I can still remember the green Penguin Books cover and the smell of old paper that accompanied it. I immediately became captivated by Sherlock Holmes and this mystery on the lonely moors. I still get goosebumps when I read that line, “Mr Holmes, they were the footprints of an enormous hound!” Yikes! 

I love Holmes’s brilliance and his friendship with ‘my friend and colleague, Dr Watson.’ I love his wry sense of humor, his untidy habits, and his Victorian manners. I’m a grandmother now, and I still love Holmes and this book as much as I did when I was a child. 

I have always been a huge fan of PD James’s writing style, and I had the pleasure of meeting her many years ago. She told me one of her earliest memories was hearing the nursery rhyme Humpty Dumpty at the age of three and immediately wondering, ‘Was he pushed?’

This book was her second-to-last whodunit and is a gripping reworking of the ‘murder on an island’ theme. Her detective, Adam Dalgleish, strives to solve the mystery and unravel his own complex feelings towards his life on the mainland. As always with one of her books, I felt in safe hands with a master storyteller who was never afraid to ask difficult questions. 

Dorothy L. Sayers was one of the founding crime writers of the Detection Club, and this book of hers was written in the classic era of detective fiction, when such works followed the Ten Commandments of Detective Fiction, devised by Ronald Knox, a fellow author.

These various constraints allowed the reader a fair chance of solving the puzzle inside a murder mystery. For instance a supernatural solution is not allowed and the criminal should be one of the several characters mentioned reasonably early on in the novel. This permutation of the classic puzzle is disseminated in various documents presented to the reader.

It’s a tribute to the author that this device is so engaging and enrapturing. Every clue is there for the reader to solve. There’s a remote and glorious Devon setting to explore, and tension in every mushroom encountered!

All of the five or six novels of Murakami’s that I’ve read feature an introverted protagonist not quite at home in the world, someone who wonders about reality and latches on to other strange people. Norwegian Wood, named after a song by the Beatles, may be the most accessible and this-worldly of his books.  It’s a coming-of-age story about a Japanese college student who falls in love at the end of the 1960s and never quite resolves his feelings. But after you read Norwegian Wood – assuming you like it – be sure to go on to Murakami’s Kafka on the Shore and IQ84, which I feel is his masterpiece.

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

This book is a collection of small, powerful but sentimental stories around serious and personal themes that will tug at your heartstrings. Each story left me wanting more as the characters are forced to wrap up their quick journey into the past before their coffee gets cold. The sense of longing, loss, nostalgia, and community are central themes of this book, and it certainly made me reminisce about people and memories dear to my heart. 

This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?

In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.  

From the start, the reader can’t help but notice a tower looming in the distance.

The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.

For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.

In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone… show more.

Ryu Murakami is a musician, writer, and film director. He deals in surrealism and the dark side of a rigid Japanese society – drugs, sex, alienation. 

In this book, Murakami relates the tale of Kenji, a young man who makes his living guiding foreigners through Tokyo’s red-light district. Kenji’s new client is an extremely odd American named Frank.

As Kenji leads Frank through a labyrinth of hostess bars and peep shows, he comes to suspect that Frank may be the serial killer who has been on a rampage, murdering and dismembering teenage girls.