Here are 100 books that Wandering Souls fans have personally recommended if you like
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A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.
Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."
It's 1947, and India, newly independent of British rule, has been separated into two countries: Pakistan and India. The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders.
Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
The book is a dizzying mix: the grim realities of displacement are intertwined with speculative fiction – fantasy even.
A love story of two migrants, Saeed and Nadia, who traverse the globe to escape conflict and try and find a way to be together. Oftentimes, they find their way across borders through a series of ‘doors’ – a device reminiscent of CS Lewis (in The Lion, The Witch and The Wardrobe) and one which takes the protagonists across the world. Elegant, spare prose; brutal realities, and electrifying flights of fancy – Exit West has it all.
One reason I like the book is that the author, Mohsin Hamid, has found a way to bring the desperate, timely topic of refugees out to a wider audience. His previous book, The Reluctant Fundamentalist, was made into a film and Exit West is being adapted for Netflix.
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
How can one not love this book? The sensitivity with which Steinbeck renders his lead characters, broody, sensitive George, and childlike, powerful Lenny, is unparalleled. The reader can’t help but love them and feel their pain as their dreams inevitably slip away from their grasp.
The only fitting ending for this masterpiece is Steinbeck’s heartrending ending, foreshadowed throughout the book. It will leave you in tears, but make you a better person in the process.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
When his mother disappears, ten-year-old Enaiatollah Akbari embarks on what would end up being a five-year journey that would take him from Afghanistan, through Iran, Greece, and Turkey, and eventually to Italy where he would meet and be befriended by the family of the book’s author, Fabio Geda.
This is a novelisation of a true story – one that beggars belief – as young Enaiatollah works dangerous jobs and has to deal with unscrupulous people-traffickers as well as making perilous crossings across several borders. This is a story, nevertheless, of hope and so I feel it is something that will inspire as well as inform, and yes, entertain.
What would you do if, when you were ten, you were left to fend for yourself, and, in order to survive, you had to undertake a harrowing journey all the way from Afghanistan to Italy?
In early 2002, Enaiatollah Akbari’s village fell prey to the Taliban. His mother, fearing for his life, led him across the border. So began Enaiat’s remarkable and often publishing five-year ordeal—trekking across bitterly cold mountains, riding the suffocating false bottom of a truck, steering an inflatable raft in violent waters—through Iran, Turkey, Pakistan, and Greece, before he eventually sought political asylum in Italy, all before…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
This set of interlocked novellas opens with a comatose detective – a legend in his time – apparently conducting an interrogation through means of electrical signals sent from his brain to a computer. I was skeptical.
I’m a fan of the rules that Sayers and the Detection Club developed: no magic, no ‘jiggery-pokery’, no mystery poisons or miracle drugs, only the fair play of putting the evidence before the reader and letting them practice deduction. My skepticism was totally misplaced.
Chan Ho-Kei’s brilliant work tells the history of twentieth-century Hong Kong through the careers of two policemen. Each novella pays homage to the classic genres of crime fiction, and they build up to twists and revelations that are both shocking and completely faithful to fair play as Sayers knew it.
Six interlocking stories.
One spellbinding novel.
The year is 2013, and Hong Kong's greatest detective is dying. For fifty years, Inspector Kwan quietly solved cases while the world changed around him. Now his partner Detective Lok has come to his deathbed for help with one final case.
Where there is murder, there is humanity. This bold and intricate crime novel spans five decades of love, honour, race, class, jealousy and revenge in one of the most intriguing nations in the world.
This is the story of a man who let justice shine in the space between black and white. This…
I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.
Janice Y.K Lee marries historical fiction with music and passion in this epic story set in Singapore in the 1940s and 1950s. Like all the best historical novels, this book highlighted aspects of history not always discussed, and did it with a thread of beautiful music woven through the story. This book is all-consuming.
Ambitious, exotic, and a classic book club read, 'The Piano Teacher' is a combination of 'Tenko' meets 'The Remains of the Day'.
Sometimes the end of a love affair is only the beginning...
In 1942, Will Truesdale, an Englishman newly arrived in Hong Kong, falls headlong into a passionate relationship with Trudy Liang, a beautiful Eurasian socialite. But their love affair is soon threatened by the invasion of the Japanese, with terrible consequences for both of them, and for members of their fragile community who will betray each other in the darkest days of the war.
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
This novel brings readers up close and personal with Hong Kong. Clarke is a young Englishman doing a banking stint in the fabled city. He lives a relatively sedate existence in his corporately antiseptic neighborhood. But one day he decides to get off his beaten path and winds up having his life changed dramatically. He becomes enamored with a shantytown prostitute, embroiled in the geopolitical struggle with Mainland China, and involved in a potential swindle of international proportions. In addition to spinning an interesting tale, Craft is also able to weave in the ticking time bomb of environmental hazards that plague the area without pious preaching and totally within the confines of the story he’s telling.
Rivers had become toxic and the ocean shore is a sea of plastic: there's money to be made. But for Philip Clarke, handsome, clever, and decidedly available, that world seemed a distraction from an altogether different one, where the possibilities of pleasure overwrote the machinery of commerce.
Newly arrived in Hong Kong, his island world lay somewhere between the looming shadow of China, and its strange double downtown, where bankers and brokers breathed the same crowded air as a new breed of political activists. In his mind, he was thankfully immune from both.
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
A fast-paced thriller set in Bangkok and (mainly) Hong Kong in 1991, prior to the retrocession of the Crown colony to Chinese rule.
The plot includes assassins, kidnapers, triads, gangs, and the police, in a well-researched book that is difficult to put down.
For readers who have lived in Asia, there is a ring of authenticity to what Leather writes, which shouldn’t come as a surprise given his previous life as a journalist on the South China Morning Post. Well worth a read, alongside Leather’s many other thrillers.
Hong Kong, 1991. The colony is preparing for Chinese rule.
Geoff Howells, a government-trained killing machine, is brought out of retirement and sent to there. His brief: to assassinate Chinese Mafia leader, Simon Ng. Howells devises a dangerous and complicated plan to reach his intended victim - only to find himself the next target.
Patrick Dugan, a Hong Kong policeman, has been held back in his career because of his family connections: his sister is married to Simon Ng. But when Ng's daughter is kidnapped and Ng himself disappears, Dugan gets caught up in a series of violent events and…
I was born in colonial Hong Kong, and my teenage rebellion was anti-colonialism. So I went on a journey to rediscover ‘mother China’ by reading and visiting the Mainland. What I saw and learned first-hand contradicted what I had read of China, primarily Communist Party propaganda. The realization that colonial Hong Kong treated its people so much better than in socialist China made me think, and started my interest in researching the history of Hong Kong. A Modern History of Hong Kong: 1841-1997 is the result, and based on years of research into the evolution of Hong Kong’s people, its British colonial rulers, as well as China’s policies towards Hong Kong.
This is a cogent book on how Hong Kong’s Government has squandered a magnificent inheritance, a vibrant, energetic, and entrepreneurial people willing to engage with the government by neglecting their social rights. Goodstadt does so by examining housing, medical services, and education policy, as well as Hong Kong’s all important relationship with Mainland China. It is a readable piece of serious scholarship by someone who had served as the head of the government’s Central Policy Unit for over a decade in British Hong Kong. It explains the background to the social discontent that underpinned the massive protests of 2019, which triggered a dramatic change in China’s policy towards Hong Kong.
A City Mismanaged traces the collapse of good governance in Hong Kong, explains its causes, and exposes the damaging impact on the community’s quality of life. Leo Goodstadt argues that the current well-being and future survival of Hong Kong have been threatened by disastrous policy decisions made by chief executives and their principal officials. Individual chapters look at the most shocking examples of mismanagement: the government’s refusal to implement the Basic Law in full; official reluctance to halt the large-scale dilapidation of private sector homes into accommodation unfit for habitation; and ministerial toleration of the rise of new slums. Mismanagement…
I was born in colonial Hong Kong, and my teenage rebellion was anti-colonialism. So I went on a journey to rediscover ‘mother China’ by reading and visiting the Mainland. What I saw and learned first-hand contradicted what I had read of China, primarily Communist Party propaganda. The realization that colonial Hong Kong treated its people so much better than in socialist China made me think, and started my interest in researching the history of Hong Kong. A Modern History of Hong Kong: 1841-1997 is the result, and based on years of research into the evolution of Hong Kong’s people, its British colonial rulers, as well as China’s policies towards Hong Kong.
This is a short and very personal account by a young journalist born and brought up in Hong Kong. As her parents are academics who had also played activist roles in Hong Kong, Hana got to know some of Hong Kong’s democracy activists and fighters from a very young age. She writes with passion about why the young people of Hong Kong fight for democracy in Chinese Hong Kong, where the prospect of success was very dim, if not non-existent. If you are interested in how Hong Kong’s young people think about democracy, this is a good starting point.
Journalist Hana Meihan Davis comes from a long line of democracy activists in Hong Kong. Today, they are either in exile or facing arrest.
Hong Kong, once a bastion of liberty and free speech, is now under the control of a repressive Chinese regime determined to silence dissent. In this searing, deeply personal memoir, Davis takes readers into the heart of her city that has come under siege -- and tells the astounding stories of the brave individuals who are resisting tyranny in a life-or-death struggle for freedom.
ABOUT THE AUTHOR
Hana Meihan Davis is a journalist and aspiring architect…
