Here are 27 books that The Betrothed fans have personally recommended if you like
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Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.
Thanks to my religious conservative upbringing, I grew up naive and innocent. I learned a lot about life really quick when I entered college. I partied and made mistakes and definitely have my fair share of shame and regret.
However, reading this book even as an adult was still eye-opening. Life of the Party follows Mia, a fashion student living in Milan who lives the most chaotic life imaginable. She parties hard. She drinks endlessly. She wears outfits I'd never dare try on.
Mia couldn't be anything like rigid careful me, but I still resonated with her choices. I empathized with her trauma. I reveled in every small victory she has. Mia helped me realize just how much of the female experience is universal.
Life of the Party will leave you with a hangover and a "VIP" stamp on your heart. Hacic crafts a Beat novel for the Instagram generation.
This dark comedy dives into the underbelly of Milanese fashion and nightlife, through the eyes of Mia, a young expat. She came to Milan to escape her problems but only found more glamorous ones... Mia indulges in the highs and lows Milanese decadence can offer. Between fashion class and clubbing, her narcissistic boss and abusive boyfriend push her to face bleak reality. Life of the Party asks, can you lose your innocence if you…
I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
A historical sapphic novella with women over 60? And they’re going to get revenge on a very bad man in very inventive ways? Do you really need me to sell this book harder to you?
Okay, fine: it’s Courtney Milan, whose wit, creativity, and compassion for humanity in general and her characters specifically always awe me. I’m pretty sure there’s nothing Courtney couldn’t do.
Mrs. Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew.Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone.Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss…
My sense of reality has always been tenuous and my work represents that. Almost everything I’ve written has been a blending of genres set in landscapes where things aren’t always what they seem. I’ve written a dark fantasy novel, a horror-Western, a horror-thriller, a literary novel with actual space aliens, and a modern horror novel with roots in historical western expansion in the U.S. And that’s just the books I’ve somehow managed to get published!
I’m a huge Franz Kafka fan. He was weird and troubled and wrote about feeling alienated from the world as well as any writer who ever lived. He was also funny and undeniably unique. He was so bizarre his last name became a phrase (“Kafkaesque”) that indicates something is oppressive or nightmarish. How cool is that? I chose The Castle because it’s his last, lesser-known novel, but also one of his most amusing and poignant, a novel he failed to finish before he died. Which is, of course, very fitting.
A study of relationships, particularly between the individual and society and between thought and action, The Castle is one of Kafka's most profoundly imaginative works. As fear and worry develop in a series of strangely illogical events and man's quest for freedom heightens, this classic novel confirms Kafka's reputation as one of the greatest creators of visionary fiction this century.
"Kafka discovered the hitherto unknown possibilities of the novel, and it is thanks to him that the very notion of the novel is not the same as it was before." --Milan Kundera
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
When I pick up a Courtney Milan historical romance, I know I will be hit in the heart with a story that is as insightful as it is moving.
The only question was which of her books to include in this list!
I choseThe Duke Who Didn’t because it explores class, race, and gender roles in the delightful setting of a small town in the English countryside hosting an annual sports festival.
The plot reckons with the aristocrat’s responsibility to his people, the challenges and joys of a working-class community, and the exploitation of non-British identities for profit.
And because it is a Courtney Milan novel, it does so with plenty of clever tropes and swoon-worthy romance!
I’m a lifelong sci-fi/fantasy reader who loves the way speculative fiction helps us explore who we are, what we could become, and how to troubleshoot the future before we get there. As a parent and active community member, I’m looking for fresh perspectives on how to tackle the increasingly complex challenges of our time, perspectives that go beyond simplistic solutions like finding bad guys and killing them in climactic battles. I hope books that showcase nonviolent social change in all its complexity can help us imagine better ways to make a difference in our own lives.
Along with authors like Alyssa Coleand Talia Hibbert, Courtney Milan is a luminary of romance’s liberatory wing. If love can conquer all, let’s aim it at something worthwhile! This book takes one of humanity’s deepest nonviolent instincts, the desire for one another, and shows how it gives people the strength to support each other through the hard work of building a better world. I want to recommend all of Milan’s books, but from a nonviolence perspective, The Devil Comes Courtingstands out because of the way it also wrestles with what reconciliation (the last step in Kingian nonviolence) really means.
Captain Grayson Hunter knows the battle to complete the first worldwide telegraphic network will be fierce, and he intends to win it by any means necessary. When he hears about a reclusive genius who has figured out how to slash the cost of telegraphic transmissions, he vows to do whatever it takes to get the man in his employ.
Except the reclusive genius is not a man, and she’s not looking for employment.
Amelia Smith was taken in by English missionaries as a child. She’s not interested in Captain Hunter’s promises or his ambitions. But the harder he tries to…
I’m a children's books author and a cartoonist. I’ve published more than 160 books, most of them are picture books but I’ve also published comics and novels. I work for many French magazines, writing comics and short tales. I usually travel the world to see kids at school or give lessons. I’m also an art director for a literary factory based in London. I play the electric guitar and sometimes I write songs.
I love Marianna’s work. She has been one of my students and since she left school she’s doing great! Buz is a lucky dog. He lives in a luxury house, he got someone taking care of him and he got good and healthy food. Buz is a good dog, but sometimes, he would like to be free of running wild and rolling in the mud.
The ultimate kids' book about dogs, being good, being bad, and being yourself!
From the award-winning, critically acclaimed author of Petra.
Meet Buzz the dog.
He's such a good boy.
Buzz seems to have a perfect life .. .
and a lot of very well-behaved friends.
Buzz would never dream of being anything other than good.
Right, Buzz?
Buzz . . . ?
For
anyone who has ever felt pressure to be "good" at the expense of their
own self-expression, and for anyone who has ever owned and loved a dog,
this beautifully illustrated picture book from author-illustrator
Marianna Coppo…
Jason Webster is the international best-selling author of fifteen books on Spain, including Duende, Sacred Sierra, The Spy with 29 Names, Violencia: A New History of Spain, and the Max Cámara series of crime novels. He is a publisher, broadcaster, award-winning photographer, a board member of The Scheherazade Foundation, and is married to the Flamenco dancer Salud.
Hemingway (who might have fully ‘got’ Spain if he had been less obsessed with ‘being Hemingway’) once described Madrid as ‘the centre of the world’. Jules Stewart is a former reporter who knows the city like the back of his hand. In this book he provides a perfect guide for travellers (even of the armchair variety) around what is one of the most vibrant European capitals. From Dalí’s favourite café to the place where Cervantes drew his last breath, it brings the history of the place alive like nothing else.
Hemingway called Madrid 'the most Spanish of all cities' and the 'centre of the world'; it was a place that drew him back again and again. But he wasn't the only writer to have been inspired by this proud city which fizzes with energy and is so infused with art and literature. From the Cafe Gijon, a popular hang-out of Lorca, Dali and Bunuel, and the Bar Chicote, Hemingway's preferred watering hole and a popular haunt for bohemian Madrid during the Civil War, to the Hotel Florida where John Dos Passos and Antoine de Saint Exupery used to stay, to…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
Edward Bulwer Lytton's influential 19th century novel The Last Days of Pompeii was inspired by a painting he had seen in Milan. He immediately rushed to Pompeii, where his book was published in 1834, by coincidence exactly when Vesuvius erupted. It became an immediate success and is still being published. As Benjamen Disraeli wrote that November, "A trembling spectator, I watched the artists till I was overcome by the phantasma, and was glad to find myself once more in the solitude of my armchair." Available in economic form. The book became an immediate success and is still being adapted to today's media.
Edward Bulwer-Lytton (1803-1873) was a prolific novelist, poet and playwright in his day; in modern times, his work is considered much as Lovecraft described: “large doses of turgid rhetoric and empty romanticism.”
Originally published in 1834, "The Last Days of Pompeii" itself was probably the first novelization of the catastrophic event. The city was rediscovered in the mid-1700s and archaeological excavations followed soon after. Bulwer-Lytton was inspired to write his novel by the painting The Last Day of Pompeii by Karl Briullov, painted in the early 1830s.
"The Last Days of Pompeii" tells the story of the Athenian Glaucus, his…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
Where does persuasive writing start? Whether you’re writing fiction, journalism, or a business message, good sentences are the key. Write good sentences and you write well in all fields. Bad sentences doom your writing. This tight 76-page book shows how to achieve simple, clear sentences, and at the same time build in power and even drama. Euchner moves on to cover paragraphs: how to find the focus of each and create logical, one-idea units. This is the book I wish I’d been given somewhere along the line in school, or later—it would have saved me a lot of trial-and-error! Like Euchner, I believe you need not study grammar rules to write well—that route has always put me to sleep.
Ernest Hemingway one remarked that the ultimate challenge of writing is to produce "one true sentence." If you can write one great sentence, you can write two, three, and more great sentences. If you can write many great sentences, line after line, you can master any writing project from a school paper to a published book.
So: Can you craft “one true sentence,” again and again?
Sentences and Paragraphs, by Charles Euchner, is the completely updated best-selling and most authoritative book available on the essential two units of writing. Building on the foundation of The Golden Rule of Writing, Charles…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
It’s one thing to advocate for simple, clear writing—and another to do it consistently. For the most inspiring demonstration of these principles look to Ernest Hemingway. Read even one of his short stories, or any of his novels or reportage, for in-action proof of how convincing we can be by using the most basic English: short everyday words derived from English’s early Anglo-Saxon history, and unadorned, straightforward sentences. Note how the most profound ideas, emotions, and subtle interactions can be communicated with spare language, nearly absent of descriptive words. How to generate this kind of impact with the writing most of us do every day is a central goal of my own book. TIP: a helpful online resource for simplifying copy is found at…Hemingway.com.
The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” (The Washington Post) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” (Kirkus Reviews).
Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image.…
