Here are 100 books that The Alchemy of Stone fans have personally recommended if you like
The Alchemy of Stone.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.
In a sparsely populated world settling into ruin, Makepeace patrols a city’s remains alone as the last sheriff. It isn’t until the shocking intrusion of people from the outside world that she realizes she will need to leave her quiet orbit and grapple with the problem of wider humanity.
One of the things I love best about this novel is how far into it you get before it’s even specified that Makepeace is a woman. Her thoughts, dreams, and ambitions are the defining points of her character rather than her gender and she won’t let any of the people around her forget it. This is a rough novel of survival but Makepeace is as tough as they come, at times providing the only positive human note.
Far North is a 2009 National Book Award Finalist for Fiction.
My father had an expression for a thing that turned out bad. He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.
Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins,…
As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.
Cancer was defeated, but at the accidental cost of longevity. Children no longer have time to grow up and are force-educated by viruses. All except for Milena, who is resistant and almost died from them; Milena with secret love in her heart, doesn’t yet know herself; Milena who, over her life, will become determined to set the children free.
The Child Garden is quite a challenging read with its non-linear structure and worldbuilding, and I admit it won’t be for everyone. But if you are up to trying something unusual you will find it richly rewarding and emotionally devastating (in the best way).
Winner of the Arthur C. Clarke and John W. Campbell Memorial Awards.
"An exuberant celebration of excess set in a resource-poor but defiantly energetic twenty-first century."—The New York Times
"A richly absorbing tale—with a marvelous premise expertly carried out."—Kirkus Reviews
"Excellent. . . . Dark and witty and full of love, closely observed, and sprinkled with astonishing ideas. Science fiction of a very high order."—Greg Bear
"One of the most imaginative accounts of futuristic bioengineering since Greg Bear's Blood Music."—Locus
In a future London, humans photosynthesize, organics have replaced electronics, viruses educate people, and very few live past forty. But…
As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.
Shannon is part of a clandestine division within the Navy utilizing possible versions of the future to solve crimes. But all timelines lead to Terminus, the end of humanity, and whenever Shannon dips into the future Terminus creeps inevitably nearer.
Leaning more heavily into science fiction is The Gone World, another complex but deeply rewarding novel. The story is grounded by Shannon’s lyrical, mournful perspective and her fierce determination to fight the injustice of a murder no matter where it takes her.
The Silence of the Lambs meets Interstellar. The terrifying, thrilling and ingenious science-fiction thriller from Tom Sweterlitsch. Film rights bought by Twentieth Century Fox with Neil Blomkamp (District 9, Elysium) to direct.
'Thrilling . . . [a] dark, page-turning thriller' The Guardian
A murdered family. A missing girl. Time is running out...
1997. Shannon Moss of the Naval Criminal Investigative Service is assigned to solve the murder of a Navy SEAL's family - and to locate the soldier's missing teenage daughter. When Moss discovers that the SEAL was an astronaut aboard the spaceship U.S.S. Libra - a ship assumed lost…
I’m a woman in a technology field dominated by men, a person with both mental and physical problems, and I’ve studied a dozen different martial arts. I’m a mean shot with a bow and love to hurl axes and spears. None of these things are contradictory. They’re just different aspects of me. Real people don’t fit in boxes and neither should good characters. My world is filled with my Hispanic grandkids, my bi daughter, my gay foster brother, my friends and family and people I love that don’t fit the Captain Awesome stereotype. Remember that we, too, can be heroes.
I fell in love with Murderbot in the first paragraph. Every book afterward in the series just made me love it more.
The hero of the Murderbot Diaries is part robot, part humanoid, and all done-with-everyone’s-crap. Everyone seemed to think that if a construct like it gained its freedom, it would rampage around killing everyone. Instead, it just wanted to be left alone to watch some good shows, and read a book or ten. Been there.
I cracked up at the sarcasm, got pulled in by the action, and felt the compassion that drove Murderbot to jump into the mouth of a deadly creature to save a human’s life. I went through the angst of Murderbot learning how to connect with people without compromising itself, and identified all too well.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I love encouraging kids to explore engineering, design, and technology! I am a former Google product designer for kids and families. I started writing to address a growing need for coding education, particularly for girls and kids of color. Stories are a wonderful way to demonstrate concepts and to invite kids to approach STEM with creativity and imagination. I picked a range of books for this post, from non-fiction to fantastic, because different kids will respond to different kinds of stories. Through these books, I hope that kids will find inspiration and tools for creative problem-solving, for STEM and beyond.
Josh Funk and illustrator Sara Palacios bring fun into coding with this cute picture book. Pearl and her robot figure out how to build a sandcastle using basic coding concepts such as commands, loops, and functions. It’s a wonderful introduction to code with a fun story that kids will enjoy. You can also check out another adventure with Pearl and her robot in How to Code a Rollercoaster.
Pearl and her trusty rust-proof robot, Pascal, need to build a sandcastle before summer vacation is over, and they're going to do it using code. Pearl breaks the big we-need-a-sandcastle problem into smaller steps, then uses sequences, loops, and other basic coding concepts to tell Pascal exactly what to do. There are a lot of humorous mishaps along the way, but just when it looks like the sandcastle might never get built, Pearl uses her coding skills to save the day and create something even better: a gorgeous sandcastle kingdom!
I am a farm girl who lives in rural Texas, surrounded by big blue skies, cornfields, and winding gravel roads. After avidly reading every children’s book and young adult novel I could find, including classics like Louisa May Alcott and J.R.R. Tolkien, I took to writing without thinking twice about it. I’ve published over 10 MG, YA, and New Adult books and I alternate between writing realistic family dramas and high fantasy, with a dose of science fiction that sprang up on its own and fits neatly somewhere between the other two. And then I read more books and plan to write more of them too.
This charming chapter book turns a typical story about three children and a new pet on its head by exploring a creative idea—the adoption of a stern, dignified small robot instead. And Sir Scrap Metal is no ordinary robot, but a secret agent working for an animal protection agency. While the kids solve a mystery with his help, the transfer of furry friend to cold titanium friend was very skillful. I never thought I could care about a robot as much as a dog or cat, but this book reminded me what pet stories are about. To those who love them, pets are both superheroes who complete special missions and also buddies who want to belong—whether they bark or meow or chirp or emit monotone robotic statements.
Young sister, Dree, saves a battered and broken robot from being recycled by a dubious store owner, Mr Fitch, while on vacation with her two older brothers at Grandma's cottage near Lake Superior. Her new companion turns out to be a very sophisticated robot, Sir_12.80, used to track illegal animal smuggling baring an inscription Sir_12.80. It is being sought for its black box data by its creator, Agent Rouso, after it was thrown from a helicopter and dragged along the rocky shore by a big slobbery dog. Renamed Sir Scrap Metal by Dree, and restored via solar energy the little…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
A Snow White who lives on a cold mining planet and often enters the fighting ring to earn cash? What’s not to love? Princess Essie fled her homeworld after the death of her mother, but the new queen isn’t the darkest threat she faced in the palace. She learned to survive by fighting, coding drones on a mining planet, and not trusting anyone. When Dane crash lands on her planet in the search of a lost treasure, she’s pulled into the war she tried so desperately to avoid. There is great world-building, exciting chases, and near escapes.
R.C. Lewis also tackles an ugly truth about child abuse in a way that keeps it real without splaying the guts all over the page. We can’t fix our world if we continue to pretend such things never happen.
Her home planet is filled with violence and corruption at the hands of King Matthias and his wife as they attempt to punish her captors. The king will stop at nothing to get his beloved daughter back-but that's assuming she wants to return at all.
Essie has grown used to being cold. Temperatures on the planet Thanda are always sub-zero, and she fills her days with coding and repairs for the seven loyal drones that run the local mines.
When a mysterious young man named Dane crash-lands near her home, Essie agrees to help the pilot…
I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.
Autonomous is one of those books you finish reading and then just want to sit and stare off into space for a while.
The story takes place in a future world where Big Pharma runs basically the entire show. The main character is a drug pirate, fabricating expensive drugs to provide them to the population on the cheap… but when one of her fabbed drugs causes some horrible side effects, it kicks off a domino effect of chaos and death.
Other characters include a military agent sent to hunt our drug pirate down and his robotic, AI-powered partner. Every character is riddled with absolutely deal-breaking flaws, so if you’re looking for heroes, you’ve come to the wrong place. The story raises questions about morality, freedom, AI, and more. I can’t recommend it enough!
'Autonomous is to biotech and AI what Neuromancer was to the internet' NEAL STEPHENSON
'Something genuinely and thrillingly new' WILLIAM GIBSON
'Holy hell. Autonomous is remarkable' LAUREN BEUKES
WINNER OF THE 2018 LAMBDA AWARD FOR SFF SHORTLISTED FOR THE NEBULA AWARD 2018 SHORTLISTED FOR THE LOCUS AWARD FOR BEST DEBUT 2018
Earth, 2144. Jack is an anti-patent scientist turned drug pirate, traversing the world in a submarine as a pharmaceutical Robin Hood, fabricating cheap medicines for those who can't otherwise afford them. But her latest drug hack has left a trail of lethal overdoses as people become addicted to their…
I was working installing solar panels in rural Maine when I first had the idea to write a climate crisis novel. I grew up in the woods of New England, and have always loved nature, but I was feeling pretty despondent about global warming. I started to wonder: what would it feel like to be part of a mass mobilization installing solar, wind, and so on, to save the planet? Those were the seeds of the novel. When I’m not writing, I’m a fourth grade teacher. I worry about the planet my students will inherit, and if I’m doing enough to make that world as hopeful as possible.
This is a really fun, slim novel set on a moon, Panga, where technology long ago achieved sentience and decided to leave humanity for the wilderness.
The novel opens with a tea monk, Dex, who lives in a gentle utopia and becomes the first human to meet a robot in distant memory. The robot, named Mosscap, asks Dex, “What do humans need?” and what proceeds is a marvelous rolling conversation between robot and monk that spans philosophy, theology, and ecology, providing so much food for thought regarding a happy, nurturing post-transition world.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
robots,
alchemy,
and
gargoyles.
