Here are 28 books that Star Wars Propaganda fans have personally recommended if you like
Star Wars Propaganda.
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I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
Not only do I absolutely adore this book, my own would not exist without it. Try to imagine just how complicated an undertaking it must be to convert the entirety of the Star Wars‘Skywalker Saga’ into an in-universe journalist-style biography while still making it exciting, insightful, and readable.
Kristin Baver brings her real-world experience and background as a journalist and applies them to a fictional world in a way that lends it real gravitas. That’s why I love this book: It enhances your enjoyment and understanding of the films and, through its very existence, has paved the way for other ‘fictional nonfiction’ style books in the Star Wars franchise.
Uncover the secrets of the Skywalkers: the family that shaped a galaxy far, far away ...
The Skywalker story has everything: passion, intrigue, heroism, and dark deeds.
This revelatory biography explores every twist and turn of the Skywalker dynasty: the slow seduction to the dark side of Anakin; his doomed marriage to Padme Amidala; the heroics of Luke and Leia; the fall and redemption of Han Solo and Princess Leia's son, Ben; and the struggles of his dyad in the Force, Rey.
Leaving no stone unturned in tracing the dynasty's trials and tribulations, this definitive biography of Star Wars' first…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
As someone who has played and enjoyed Massively Multiplayer Online Games (MMOGs) before, I find the way they walk the line between fiction and nonfiction to be absolutely fascinating.
In this book, Andrew Groen approaches the players of the game Eve Online as a historian and chronicler, aiming to record the monumental events that took place within the confines of the game. The way that Groen wins the trust of these players, enabling him to tell a sprawling story of battles and betrayals that exist within a strange space, reality, and fiction, is wonderful.
Empires of A History of the Great Wars of EVE Online is the incredible true story of the dictators and governments that have risen to power within the real virtual world of EVE Online. Since 2003, this sci-fi virtual world has been ruled by player-led governments commanding tens of thousands of real people. The conflict and struggle for power between these diverse governments has led to wars, espionage, and battles fought by thousands of people from nations all over the world. There have been climactic last stands, wars for honor and revenge, and spies who caused more damage than a…
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
Much of my background as a historian focuses on the First World War, and, as a result, I have a particular interest in the ‘invasion literature’ of the late 19th and early 20th centuries. This is a particularly fun and interesting example in that it creates newspaper and press reports to help grant a level of tactile reality to the unfolding invasion of England.
Books like this had a significant impact on British popular culture and mindset before 1914, and Le Queux’s decision to make his fictional work appear to be nonfiction where possible works incredibly well and, as it was serialized in the Daily Mail newspaper, he adapted the text to include many locations readers either lived or would recognize!
...No fewer than two hundred thousand Germans were already upon English soil! The outlook grew blacker every hour.
Eight years before the outbreak of the First World War, when national hysteria over the supposed presence of German spies in England gripped the country, the journalist and novelist William Le Queux imagined a catastrophic scenario in which the German army invaded Britain in a shock attack on the east coast. His novel, first published as The Invasion of 1910 and serialised in the Daily Mail, was intended as a warning to military strategists and the government of the time that England…
My name is Aer-ki Jyr and I’m the creator of the Star Force Universe. I started writing because most of the new books coming out just plain sucked, so I figured if I could do better, then I should…and I did. What people only partially realize is that Star Force is filled with references and homages to the past great works. There’s far more in there than they realize, but those who have also read them will know when they see them. This list gives you the biggest influences that shaped my childhood mind, and why there are literally statues in the Star Force Universe to a lot of this stuff.
Just as the Jade Phoenix Trilogy introduced me to mechs, Rogue Squadron is the book to explain starfighter combat. It’s the first of a long series that literally writes the book on the subject, and the tactics used actually make sense as opposed to books where they just fly around and shoot stuff.
But more than that, it’s about a squadron, a team that works inside the cockpit and outside to have an impact on a galactic war. They don’t win it themselves, but you can see the impact of a few people at the right time and with the right motivation and gear can do a lot of good. They also show how Jedi do not just come from a Temple as kids. Sometimes adults, who had no idea of their potential, rise to great things.
In this essential Star Wars Legends novel, discover the legacy of Rogue Squadron and its fabled pilots, who became a symbol of hope throughout the galaxy.
They are sleek, swift, and deadly. They are the X-wing fighters. And as the struggle rages across the vastness of space, the fearless men and women who pilot them risk both their lives and their machines. Their mission: to defend the Rebel Alliance against a still-powerful and battle-hardened Imperial foe in a last-ditch effort to control the stars!
Its very name strikes fear into enemy hearts. So when Rebel hero Wedge Antilles rebuilds the…
I have been an avid sci-fi/fantasy lover and tabletop gamer my whole life. Many of my best memories involve me inventing stories explaining why my buddy’s armies and mine were duking it out on the battlefield or interpreting what the dice rolls really meant for my character. Today, I write for one of my favorite game universes, Kings of War. I have made a living out of stories by writing them or teaching about them. I love making my universes believable while still maintaining integrity to their original source material. I also love making flawed, relatable characters to give readers hope as they read about them overcoming those flaws.
I, like many others, love Star Wars and was sad when it was announced that the old tie-in novels were being removed from canon. In particular this story made me the most upset. For me, this was the sequel trilogy that we never got.
It captured the universe that George Lucas set up for us so well that I never once felt like Luke, Han, or Leia were anything other than the characters we had seen in the movies. I loved how it took the lore and lovingly crafted it into a new story that fits within the parameters that had already been established without retreading the same old territory or falling into glorified fanfiction.
#1 NEW YORK TIMES BESTSELLER • In this essential Star Wars Legends novel—the first ever to take place after the events of the original trilogy—Grand Admiral Thrawn makes his debut on the galactic stage.
Five years ago, the Rebel Alliance destroyed the Death Star, defeated Darth Vader and the Emperor, and drove the remnants of the old Imperial Starfleet to a distant corner of the galaxy. Princess Leia and Han Solo are married and expecting twins. And Luke Skywalker has become the first in a long-awaited line of Jedi Knights.
But thousands of light-years away, the last of the Emperor’s…
I always felt torn between the future and the past. I've been fascinated with space, aliens, and technology since I could remember. When I was too young to write, I could spend long hours drawing alien worlds, plants, and creatures. These hobbies from my childhood shaped my current passion for futuristic subjects, but the events from ancient and modern history still remain an important inspiration for my books. My country, Poland, experienced many wars, and history is a necessary subject at school. Historical books and documentaries let me discover and analyse how our society evolved and what mistakes did it make, so I can use this knowledge in my military sci-fi novels.
I always treated Star Wars as a fun series to watch. Lasers, spaceships, some cool droids, but that’s all.
I felt that some element is missing here: the “wars” in "Star Wars” were usually too clean, and the warriors were just some heroes going for some fun adventures. My view was violently changed by two things: Rogue One (movie) and Twilight Company (book). These two things presented wars from a completely different perspective.
Twilight Company tells a story of common soldiers, whose whole purpose is to die and become forgotten, while the famous heroes collect all the glory. This book shows that every epic victory has its ugly side.
The bravest soldiers. The toughest warriors. The ultimate survivors.
Among the stars and across the vast expanses of space, the Galactic Civil War rages. On the battlefields of multiple worlds in the Mid Rim, legions of ruthless stormtroopers-bent on crushing resistance to the Empire wherever it arises-are waging close and brutal combat against an armada of freedom fighters. In the streets and alleys of ravaged cities, the front-line forces of the Rebel Alliance are taking the fight to the enemy, pushing deeper into Imperial territory and grappling with the savage flesh-and-blood realities of war on the ground.
I’ve always been intrigued by politics and the tools and tactics people use in attempts to gain and maintain power. Since 2010, I’ve been researching and writing about propaganda and digital media. With collaborators at the University of Washington, the University of Oxford, and—currently—the University of Texas at Austin, I’ve done groundbreaking work on computational propaganda: the use of algorithms and automation in attempts to control public opinion. I’ve also worked with numerous think tanks, news organizations, policymakers, and private firms in efforts to make sense of our current informational challenges. In the summer of 2022 I testified before the U.S. congress on election-oriented disinformation challenges faced by communities of color.
This is another classic work in the subfield of propaganda studies, and it’s pretty dense. That said, its arguments on how technology and propaganda come together to enable mediated control of our very thought are powerful. Ellul’s point that propaganda is a sociological phenomenon—something that surrounds us in everything we do, everything we watch, everything we listen to—have also aided me in understanding why experimental or lab-based attempts to understand the specific effects of disinformation and propaganda often come up short. It’s difficult to study these things in a vacuum because they are so contextual, so tied to who is spreading the message, how they are spreading it, what their intentions are, and who they are targeting etc.
This seminal study and critique of propaganda from one of the greatest French philosophers of the 20th century is as relevant today as when it was first published in 1962. Taking not only a psychological approach, but a sociological approach as well, Ellul’s book outlines the taxonomy for propaganda, and ultimately, it’s destructive nature towards democracy. Drawing from his own experiences fighting for the French resistance against the Vichy regime, Ellul offers a unique insight into the propaganda machine.
I’ve been fascinated with propaganda and persuasion since childhood. Growing up in Detroit, our family would watch both American and Canadian TV channels. The TV commercials shown on the American TV channels were noisier, nosier, zanier, and more intrusive than the more sedate and polite forms of persuasion on Canadian shows. Because advertising and propaganda are kissing cousins, I've always appreciated how they shape politics, journalism, entertainment, activism, education, and the arts. Propaganda's greatest (and most dangerous) power is its ability to both unify and divide people, and there's never been a more important time to look carefully at how propaganda is shaping our understanding of reality through the many screens in our lives.
There’s no magic wand, no defensive armor, vaccine, or potion that can inoculate people against the influence of propaganda. But learning about propaganda is essential for people of all ages who want to hold on to their democracy in the face of threats. What will surprise you when you read this classic work, written in 1928, is how timely it remains. Bernays anticipates the rise of influencers and memes because he knows that people rely on thought leaders for most of their opinions and beliefs about the world. But the most important feature of this book is what he has to say about propaganda and democracy. Bernays convinces you that propaganda is not inherently evil, and he even makes the case that propaganda is necessary for democratic societies to flourish.
“Bernays’ honest and practical manual provides much insight into some of the most powerful and influential institutions of contemporary industrial state capitalist democracies.”—Noam Chomsky
“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country.”—Edward Bernays
A seminal and controversial figure in the history of political thought and public relations, Edward Bernays (1891–1995), pioneered the scientific technique of shaping and manipulating public opinion, which he famously dubbed “engineering of…
As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
Whitney gives a literary coda to World War II cloak-and-dagger, showing how its nests of spies and agencies pivoted and metastasised in the years afterward into the Cold War. The CIA took up where the OSS left off. Where Graham Greene and Kim Philby had run the haunts of Lisbon, then-young writers George Plimpton and Peter Matthiessen were cajoled to produce cultural propaganda in Paris and start the Paris Review. The CIA's literary operations continued into the 1960s when it launched a whispering campaign to prevent Pablo Neruda from receiving a Nobel prize, and launched Mundo Nuevo to engage Spanish-language readers.
When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America's best-loved literary figures-including Peter Matthiessen, George Plimpton, and Richard Wright-tarnished as their work for the intelligence agency has come to light.
Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship…
