18 books like Empires of EVE

This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.

This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.

Not only do I absolutely adore this book, my own would not exist without it. Try to imagine just how complicated an undertaking it must be to convert the entirety of the Star Wars ‘Skywalker Saga’ into an in-universe journalist-style biography while still making it exciting, insightful, and readable.

Kristin Baver brings her real-world experience and background as a journalist and applies them to a fictional world in a way that lends it real gravitas. That’s why I love this book: It enhances your enjoyment and understanding of the films and, through its very existence, has paved the way for other ‘fictional nonfiction’ style books in the Star Wars franchise.

Much of my background as a historian focuses on the First World War, and, as a result, I have a particular interest in the ‘invasion literature’ of the late 19th and early 20th centuries. This is a particularly fun and interesting example in that it creates newspaper and press reports to help grant a level of tactile reality to the unfolding invasion of England.

Books like this had a significant impact on British popular culture and mindset before 1914, and Le Queux’s decision to make his fictional work appear to be nonfiction where possible works incredibly well and, as it was serialized in the Daily Mail newspaper, he adapted the text to include many locations readers either lived or would recognize!

Given the circumstances, returning to the Star Wars universe feels natural! As a historian, I have spent much time looking at recruitment, public information, and propaganda posters from the 20th century.

These items, regardless of their overt content, always provide great insight into the wider context of their creation. This is something that Pablo Hidalgo reproduces to a remarkable level in this book. With images that bear many of the hallmarks and visual cues of our own world and then placed within a fictional context, this book ticks all of my boxes and is an absolute treat.

Getting Gamers shows us that the science of video games is the science of human interaction. In fact, some game development studios staff teams of psychologists and researchers, and sometimes those teams use virtual spaces as testing environments for psychology theories.

How does physical appearance prime social interactions (ie, the Proteus Effect), for example? With the wealth of avatar customization options available to gamers, we can carefully articulate and test our assumptions of interactions in groups using MMOs (massive multiplayer online games).

Tell your non-gaming friends: video games remind us that we are human!

The world of Otherland is Earth, and the people are human, but woven into that familiar landscape is a virtual world that hasn’t quite happened yet. Imagine a virtual, digital world in which your avatar can ‘feel’. Why would you ever want to leave?

I first read Otherland soon after I started playing MMORPGs [Massively Multiplayer Online Role Playing Games]. MMORPGs provide a ‘persistent’ world in which your character can fight, craft, build, or just socialize with other players. As such, it can become very immersive, and that’s just through the power of the imagination and some pixels on a screen. Now, imagine how immersive a virtual world would be. And how dangerous. 

Otherland started me thinking about technology and how humans relate to new innovations. It also inspired some of my own writing.

I first read this book back in 2004 when I was spending way too much time with MMO games. This YA novel is certainly a product of a time where the tech of today was within sight but social media and smartphones didn't exist as we know them now. But the story more than makes up for this unfortunate timing with its witty characters, a structure reminiscent of the old Choose Your Own Adventure books and a fantasy game setting that leads this book to cross genres. I’m a big fan of sci-fi stories that follow the “Groundhog Day” structure like Returnal and Edge of Tomorrow. Do-overs are a crucial part of gaming and this novel builds that idea into its core premise while adding a unique twist.

Shadeslinger is another LitRPG but belongs to the subgenre known as VRMMO.

The characters are playing a full-immersion, virtual reality MMO, and it’s the game world that provides the framework of levels, skills, and advancement. It’s not a subgenre that I always love, but Shadeslinger and its sequels are an exception to that rule!

I love how the author leans into the game nature of the world to create constant challenges and global threats, and I love the main character’s me-against-the-world attitude, which changes as he finds an in-game family beyond anything he had in the real world.

But my favorite aspect is one unique to this subgenre… as someone who played MMOs for decades, these books do an incredible job of capturing that atmosphere while injecting humanity and pathos into the mix.

I love epic heroes. From the first page, this author (who was actually two collaborators) presents a hero that is so larger-than-life, it’s just breathtaking. The heroes and villains in this imagined wasteland are so very fun to read, even when the carnage is eye-watering in severity. I’ve never experienced anything else like this. 

All of Vashti Hardy’s books are brilliant, but I recommend Crowfall because Hardy creates an incredibly immersive world – the island of Ironhold – and characters including a mechanical sea monster, a pet robot, and a very brave boy named Orin. When Orin discovers his island is under threat, and ends up being put to sea in a rickety boat, how can he save his family and home? An unforgettable adventure.