Fans pick 100 books like Finks

This Times bestseller is a page-turner of true crime that combines our fascination with spy games and a real-world FBI detective story, an epic stretching from the 1920s to a "floodtide of espionage" in the late 1930s and the counterintelligence war through a foiled sabotage mission to blow up U.S. bridges and waterworks (which the FBI's Hoover nearly botched then spun for favorable publicity) to V-E day.

This is a sort of origin story for Breuer's characters, centered more tightly on a mid-1930s Nazi ring uncovered by the FBI's best investigator, Leon Turrou, and splashed across American newspapers’ front pages in 1938. Jeffreys-Jones' book, released in 2020, also shows why multi-stranded nonfiction has become a popular form.

McIntosh takes a fresh approach to espionage, putting aside the trench coats and Mata Haris for the real "Code-room Mata Hari" and other little-known heroines of the war. A veteran of CIA and OSS operations herself, McIntosh knows what she's writing about, and draws from more than 100 interviews with other women operatives. She portrays several dozen here, including the China escapades of Julia McWilliams (known today as Julia Child). It also features the Musac project, with broadcasts targeted at Wehrmacht troops with fake German news and music sung by agent Marlene Dietrichn designed to infiltrate their sympathies.

I grew up with lots of stories and books about WWII because my father was a veteran. What is different about this book’s narrative is Portugal’s position of neutrality during the Second World War and the resulting web of political intrigue. Salazar, Portugal’s dictator at the time, played both sides, aligning with the British, all the while selling off Portugal’s Tungsten, a metal used to produce armor-piercing projectiles (which apparently melted the British tanks), to the Germans for gold that the Nazi’s looted. And at the end of the war, all that gold helped Portugal emerge economically intact. 

During the first decades of the Cold War, the export of American popular culture – and in particular, music – played an important role in projecting soft power abroad.

Fosler-Lussier’s deeply researched and beautifully written book tells the story of the musicians who travelled abroad as part of State Department programs, and how they negotiated an image of the United States in – and through – the musical encounters they had worldwide. An essential Cold War history of how certain sounds became American. 

The Faustian Bargain is all about the art world inside Germany in the 1930s and 1940s. Petropoulos chronicles the artists, art dealers, art professors, art journalists, and many others who were forced to live under Hitler’s cultural rules, which forbade modernist art of any kind. Some profited from this arrangement, others subtly fought against it. This is an inside look at a culture choked and suppressed by its own leadership.

Kalman's book on Heritage Management provides a great introduction and overview to the topic. He embraces an integrated and modern understanding of cultural heritage and addresses the potential obstacles heritage managers meet at the crossing points between the different relevant factors.

By focussing on the process, he gives fruitful insights based on case studies from around the world. Climate change, sustainability, and resilience are also integrated into this useful book.

I found this book useful because it describes cases, focuses on transferable principles, and emphasizes that the process is equally important as the desired result. By reading this book and the introduced approach, I really felt encouraged to follow up on my own approach, which I always focus on extracting strategies and principles from good examples because I strongly believe that they can be transferred much better to different places.

I also enjoyed the attention that has been given to… show more.

Cultural sustainability is the study of how people’s worldviews, cultures, and beliefs impact their positive and negative environmental behaviors. This book makes an in-depth research contribution towards defining and activating human cultural dimensions of sustainability. As a writer with an interest in transdisciplinary ecological humanities, this book deeply resonates: If we are in the Age of Humans, the future is our shared responsibility - understanding ourselves, others, and our own choices - to protect the environment and develop sustainable social technologies. This book offers a compelling case that makes us realize that current standalone green policies of energy efficiency and carbon reduction will not make as significant a difference if humans continue to ignore aspects of cultural change, shared values, and learning through creative and cultural arts, philosophy, economics, and theology. 

The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.

It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.

I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.

This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.

The history of the CIA features many fascinating personalities and there are several excellent spy biographies, Thomas Powers on Richard Helms, for example, or Randall Woods on William Colby. But the most complex and compelling of all figures in the Agency’s past must surely be the legendary head of counterintelligence, James Angleton. Again, there are numerous works on Angleton and his obsessive hunt for a top-level Soviet agent in the CIA, but I enjoyed and benefited most from Tom Mangold’s Cold Warrior, an astonishingly detailed and penetrating portrayal of America’s real-life George Smiley.