82 books like Spellbound

Alix Harrow writes that “behind every witch is a women wronged.”

Here are three sisters wronged by an abusive father who have hurt and betrayed each other in the past, but the bonds of love and sisterhood and witchcraft are stronger.

This book is for every woman because every woman has felt powerless. Every woman has been marginalized and dismissed but these three sisters prove to all of us that there is great power when women come together as they have throughout history.

I was rooting like crazy for these the sisters to prevail. I was charmed by the spells they cast based on fairy tales, nursery rhymes, lullabies. This is a book rooted in feminist tradition told in the tradition of great folklore. 

Do not read after dark! At least, don’t do so if you’re a scaredy-cat like me when it comes to ghost stories. That said, I found this story lovely and fun and steamy—when it wasn’t scaring the daylights out of me, that is. The premise is fabulous: a man moves to York, England, because he has inherited an old house there, which turns out to be super haunted. So who does he turn to for help? One of the many ghost-tour guides who roam the city telling their tales, of course. Turns out this particular guide—aside from being a highly sexy fellow with dyed-blue hair—can in fact see ghosts. And the ones in this house would rather murder the living than be politely ushered out.

The story of Persephone and Hades is my favorite Greek myth—and a lot of other people’s, to judge from how many of us have written about it. Therefore I’ve read lots of the novels that retell it, but The Dark Wife stands out for being the only Sapphic version I’ve found! Here Hades is a goddess rather than a god, and rather than abducting Persephone, she shelters her in the Underworld, where Persephone can avoid the sexual predators among the gods above. (Of which there are a lot, in canonical myth; let’s be honest.) Though set in the deliciously spooky land of the dead, the romance between the two goddesses is sweet and comforting, and the writing is as lyrically pretty as a classical poem.

This book was a wonderful queer reimagining of the story of Peter Pan.

A friend lent me this book years ago and I devoured it. Many of Disney’s villains are queer-coded, and Hook in particular seems to embrace femininity—but his cultured dandyism only hides his evil.

Moreover, the original story of Peter Pan grapples with the desire for childhood immortality and the lack of adult responsibility, but Chant’s Peter is a trans man: not only is he avoiding his adulthood, but also the expectations of his gender.

The rivalry between Hook and Peter becomes something more, blurring into sensuality. But both Hook and Peter have to figure out what they mean to one another outside of the roles of Neverland. Such a gripping story!

I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.

In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.

This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor. 

The night before September 11, 2001, I was in New York City, and my now-husband proposed to me. We woke up the next morning to a whole new world. Any book set in Manhattan that relates to September 11th instantly speaks to me. This romance story is one you will never see coming, and I can’t recommend it more highly.

It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.   

I loved the originality of The Impossible Girl. Cora Lee is a resurrectionist—she steals bodies from cemeteries for medical dissection in 1850s New York City. This isn’t really a sympathetic activity, however. Would you love a grave robber? So, to add flavor, bodies with unusual physical traits bring in extra money, and Cora specializes in stealing these.

But she’s got a unique malady of her own—she has two hearts. And people want to kill her to cash in on her body. Now we have a reason to cheer for her.

The story has many twists as Cora learns who she can (and can’t) trust. Add to that some romance, the vibrant setting of 1850s New York City, and some twisted characters, and this is a fun book.

This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.

The book is an engaging memoir about what it was like in the 1950s for a single woman just out of college to balance life and relationships while starting a career in magazine publishing in the Big Apple and follows her career and family relationships through to the 1970s.

Though things like finding an apartment in a trendy neighborhood back then were significantly easier than they are in modern day, the hilarious accounts about the challenges of adapting to small living conditions still ring true.

It’s an entertaining glimpse into the golden age of the print magazine industry, but it’s also a brutally honest account of women’s mental health issues, and what it’s like to seemingly have it all but still feel the constraints imposed by choosing to live in NYC. Any aspiring writer should read this book.