Here are 100 books that Sorry Now? fans have personally recommended if you like
Sorry Now?.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
I love this book because it’s a fascinating portrait of a gay cop that focuses more on his background growing up in a religious community than on his sexuality. The TV series does a better job of connecting the two, but I’m delighted that a best-selling author has dipped her toe into this genre. It’s also a cleverly-plotted mystery that kept me guessing.
AN INSTANT NEW YORK TIMES BESTSELLER! NOW A BRITBOX SERIOUS STARRING BEN ALDRIDGE AND PEARL MACKIE
The Long Call from Ann Cleeves―bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows―introduces the first in a gripping new series, told with deep compassion and searing insight.
“In Matthew Venn, Ann has created a complex, daring, subtle character.” ―Louise Penny
"Matthew Venn is a keeper. A stunning debut for Cleeves’ latest crimefighter."―David Baldacci
In North Devon, where two rivers converge and run into the sea, Detective Matthew Venn stands outside the church as his estranged…
My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
Doug Orlando is a conflicted New York City detective with a past, and that gives him a lot of psychological depth. Originally published in 1992, this was one of the best of the wave of gay mysteries. I loved it because the police procedures seemed so authentic and Doug seemed like a guy I’d want to know, and want on my side in case of trouble.
LAMBDA LITERARY AWARD FINALIST FOR BEST MYSTERY! The bestselling crime novels of New York life in the early nineties are back. Gruff, weary, gay Brooklyn Homicide cop Doug Orlando is facing his most shocking case: Rabbi Avraham Rabowitz lay in a pool of his own blood, a prayer shawl stuffed down his throat, and his beard shaved off. The question for Detective Orlando isn’t who hated the right wing religious sect leader—Rabowitz had been the open enemy of blacks, gays, pro-choice women, even fellow Jews. In a case that moves from the depths of the ghetto to the high-rise office…
My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
Daniel Owen is a cop in a small Welsh town where everyone knows everyone else, and it seems like everyone is holding secrets. I love this book because of the atmosphere and the chance to see a different culture. Daniel is a great guy and I’ve enjoyed all the books featuring him so far.
Why don’t the local police want to find out who dumped the body in the woods?
Just how unpopular will Daniel be if he investigates the murder himself? Why is DCI Kent always there when Daniel needs rescuing, and why is he so hostile the rest of the time?
The abandoned mine shafts give Daniel the creeps, especially when he finds another dumped body. No one wants Daniel around. And no one wants DCI Kent around either.
Unless the two men work together the murderer will go free.
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
I’ve been a longtime reader of romantic historical and fantasy fiction, and I love to see positive queer representation in those genres. Regardless of who we love, we all need a little escapism in our lives, and it’s even better when it has heart and depth as well as romance and humor and happy ever afters (and plenty of plot). My favorite relationship dynamic is not quite enemies-to-lovers and not quite opposites-attract…it’s more direct-vs-sneaky. I hope you enjoy my five favorites in this very specific niche!
There’s a reason this book is called Slippery Creatures (aside from all the Shakespeare references), and it’s not because of straightforward, upright, just-a-bit-stroppy ex-soldier Will Darling.
Having accidentally inherited a highly sought-after secret along with his uncle’s bookstore, he’s practically surrounded by slippery creatures, not least of whom is Kim, a helpful aristocrat with unclear intentions, a shady past, a delightful fiancée, and an awful lot of baggage.
I became so invested in their relationship that I actually looked into whether Will would be eligible to be drafted in WWII. And no matter how often I re-read it, I laugh whenever I get to certain little jokes or witty exchanges. It’s funny, clever, touching, and so engaging.
Will Darling came back from the Great War with a few scars, a lot of medals, and no idea what to do next. Inheriting his uncle’s chaotic second-hand bookshop is a blessing...until strange visitors start making threats. First a criminal gang, then the War Office, both telling Will to give them the information they want, or else. Will has no idea what that information is, and nobody to turn to, until Kim Secretan—charming, cultured, oddly attractive—steps in to offer help. As Kim and Will try to find answers and outrun trouble, mutual desire grows along with the danger. And then…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.
In July 1919, an explosive race riot forever changed Chicago. For years, black southerners had been leaving the South as part of the Great Migration. Their arrival in Chicago drew the ire and scorn of many local whites, including members of the city's political leadership and police department, who generally sympathized with white Chicagoans and viewed black migrants as a problem population. During Chicago's Red Summer riot, patterns of extraordinary brutality, negligence, and discriminatory policing emerged to shocking effect. Those patterns shifted in subsequent decades, but the overall realities of a racially discriminatory police system persisted.
Paul Bass is the co-author with Douglas W. Rae of Murder in the Model City: The Black Panthers, Yale, and the Redemption of A Killer. Paul has been a reporter and editor in New Haven, Conn., for over 40 years. He is the founder and editor of the online New Haven Independent.
The era of COINTELPRO and Black Power is filled with stories that can become muddier to tease out as more gets revealed. Not Fred Hampton’s story — this was clear-cut, brutal FBI and Chicago police overreach to silence dissent. Haas’s book offers a firsthand account by an attorney who helped dig out the facts, and preserved the poignancy of what it felt like to experience the events.
Read the story behind the award-winning film Judas and the Black Messiah
On December 4, 1969, attorney Jeff Haas was in a police lockup in Chicago, interviewing Fred Hampton’s fiancée. Deborah Johnson described how the police pulled her from the room as Fred lay unconscious on their bed.
She heard one officer say, “He’s still alive.” She then heard two shots. A second officer said, “He’s good and dead now.” She looked at Jeff and asked, “What can you do?” The Assassination of Fred Hampton remains Haas’s personal account of how he and People’s Law Office partner Flint Taylor pursued…
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
I love Sarah Paretsky’s novels because her private investigator V.I. Warshawski is a vulnerable badass. This 21st installment is classic Warshawski who, like me, is now a woman of a certain age. She may be a bit slower to recover from physical challenges, but her passion for justice is as strong as ever as she confronts Chicago corruption and mobsters from the cold waters of Lake Michigan to her childhood Southside neighborhood, one we’ve come to love as much as she does.
On her way home from an all-night surveillance job, V.I. Warshawski's dogs lead her on a mad chase that ends when they find a badly injured teen hiding in the rocks along Lake Michigan. The girl only regains consciousness long enough to utter one enigmatic word. V.I. helps bring her to a hospital, but not long after, she vanishes before anyone can discover her identity.
As V.I. attempts to find her, the detective uncovers an ugly consortium of Chicago power brokers and mobsters who are prepared to kill the girl. before VI can save her. And now V.I.'s own life…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My novel received a Stonewall Honor, which was one of the great thrills of my life. But the winner of the Stonewall Award that year was The Black Flamingo by Dean Atta, and let me tell you, this is the book you want to lose to, the book you want to laugh to and cry to and cling to.
I’ve read it multiple times. Written in brilliant poetic verse, it’s a celebration of Blackness and queerness and all the complex emotions that make us human. I love it and cherish it, and you will too.
'Atta's bold verse novel calls to its readers to find their own blazing, performative inner truth' - Guardian
WINNER OF THE STONEWALL BOOK AWARD
A boy comes to terms with his identity as a mixed-race gay teen - then at university he finds his wings as a drag artist, The Black Flamingo. A bold story about the power of embracing your uniqueness. Sometimes, we need to take charge, to stand up wearing pink feathers - to show ourselves to the world in bold colour.
I believe that the gap between the amount of LGBTQIA+ and heterosexual erotica is far too large in the mainstream. Queer people deserve to have quality, well-written, spicy romance just as much as the mom in Utah reading her Danielle Steel novels does. This includes, gay, bisexual, lesbian, queer, panromantic, polyamourous, and non-binary people just to list a few. People who don’t adhere to cis, heteronormativity deserve to know that they can love, have steamy sex, maintain healthy relationships, and do whatever it is they want to do. Through my books and queer activism, I intend to rectify this by normalizing queer romance novels and increasing accessibility of the genre.
Unlike the other recommendations I’ve given so far, this one is an ongoing series… and a manga.
Now, before you pull back. What if I told you that in addition to the beautiful art, this series had some of the most incredible and complex characters that I’ve seen in queer romance? What if I told you that it touched upon important topics like grief, internalized homophobia, familial expectations, depression, and what it’s like growing up gay in Japan?
Not to mention the sweet, spicy scenes between the two main characters as they grow together in their relationship. It’s one of my all time favorites and even if you aren’t a big manga reader or into anime, it truly is worth it.
A love story between an openly gay novelist and a young man coping with grief that was recently turned into an anime film!
Ever since his parents disowned him for being gay, Shun has been living with his aunt on a small island near Okinawa. One day, he meets Mio, a high school student who recently lost his own parents and now spends his days sitting by the sea. The two young men begin to open up to each other...until Mio reveals that he's leaving. Three years later, an adult Mio returns to the island to confess his true feelings,…
Cleo Cooper, a cross-cultural psychology professor, is living the dream on the Big Island of Hawaii. With ocean-dipping weekends, she enjoys her dog, her job, and her boyfriend Ben - until the day she’s on a research vessel and a dead body is caught in the dragline.
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
You know what I like about Donald Strachey? His boyfriend. I’m kidding—Strachey’s fine.
He’s a smart, tough detective in the hard-boiled tradition so of course I like him, but do you ever think way more of someone because they had the good taste to pick the partner they did? Timothy Callahan is a Jesuit-educated political aide, former Peace Corps volunteer and one of those characters who gets called a “moral centre” because they are one.
I was half in love with him before he (accurately) dissed Mother Teresa but I adored him after that. I came to the Strachey books for canny, realistic and never twee gay detective fiction but I’ve stayed for Timmy. He’s a soothing, reaffirming, hilarious wonder and you never know—he might smack-talk Gandhi next.
Shocked to discover the body of the grandson of the godfather of Albany's political machine in his car, P.I. Donald Strachey knows he is in for trouble. But when he learns that the murder victim left a $2.5 million legacy with instructions that it be used to destroy that machine, along with a personal letter to Strachey asking for his help, his suspicions are confirmed. Faced with power-brokers at all levels, Albany's only gay P.I. tries to fulfill the dead man's mission-with his own survival at stake.
