Here are 100 books that She's Such A Bright Girl fans have personally recommended if you like
She's Such A Bright Girl.
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I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
From the very beginning of her career in the 90s, Mariah Carey, who is of Black and Irish ancestry, has had to deal with questions about her racial background and still today people are shocked to learn that she has Black heritage. In her memoir, Mariah talks about what it was like growing up as a mixed child as well as her struggles as an adult in the music industry.
The global icon, award-winning singer, songwriter, producer, actress, mother, daughter, sister, storyteller and artist finally tells the unfiltered story of her life in The Meaning of Mariah Carey.
It took me a lifetime to have the courage and the clarity to write my memoir. I want to tell the story of the moments - the ups and downs, the triumphs and traumas, the debacles and the dreams - that contributed to the person I am today. Though there have been countless stories about me throughout my career and very public personal life, it's been impossible to communicate the complexities and…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Set in Georgia in 1958, Tang Mae is the darkest of ten fatherless children and considered by her mother the ugliest. However, she is selected to attend a white school because she is gifted. This gives her an opportunity to change her life, but she must first break free from her mother's grasp.
There were many times I wanted to put this book down and not finish it. The brutality and abuse were hard to bear. And yet, I felt compelled to read the entire thing because I wanted to see Tang Mae succeed.
It inspired me that she never gave up on her dream of completing her education despite all the abuse and loss she experienced. I spent a lot of time thinking about this book long after I read it.
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
But Tangy Mae has been selected to be part of the…
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
Unfortunately, colorism/racism issues are not limited to the Black community. The #StopAsianHate hashtag started trending in 2021 due to Covid19 being linked to China along with disparaging comments from Trump. This resulted in hate crimes against Asian people increasing. The personal accounts of Asian American women in this book highlight their experiences with skin color bias, aspirational Whiteness, anti-Blackness, skin bleaching, and plastic surgery.
Heartfelt personal accounts from Asian American women on their experiences with skin color bias, from being labeled "too dark" to becoming empowered to challenge beauty standards
"I have a vivid memory of standing in my grandmother's kitchen, where, by the table, she closely watched me as I played. When I finally looked up to ask why she was staring, her expression changed from that of intent observer to one of guilt and shame. . . . 'My anak (dear child),' she began, 'you are so beautiful. It is a shame that you are so dark. No Filipino man will ever…
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
I have been and always will be a huge Michael Jackson fan. And because my book was inspired by conversations about his children, I feel it only right to list his autobiography on my list. Michael Jackson is often accused of wanting to be White because of his various plastic surgeries and the change in his skin tone but what many people don’t know, or believe, is that he suffered from vitiligo, a skin disorder that causes pigment-producing cells to die or stop functioning.
The only book Michael Jackson ever wrote about his life
It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney,…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I wasn’t far into Love before it became crystal clear why its author fled her native Haiti after publishing it, in spite of the fact that the novella is ostensibly historical fiction. The narrator Claire’s depiction of a Duvalier-esque commandant is a scathing one, and in truth, no one escapes Claire’s acerbic wit, keen eye for detail, and incisive observations about colorism, class, and the perpetual violence that is engendered by colonial rule and persists long after its end. Claire is both an unreliable narrator—she is jealous, petty, and bitterly indignant about her treatment by her family—and yet, a trustworthy one. Love taught me how to create a Black woman narrator who does not have to be trusted (or even liked) to be listened to, believed.
The only English translation of “a masterpiece” (The Nation)—a stunning trilogy of novellas about the soul-crushing cost of life under a violent Haitian dictatorship, featuring an introduction by Edwidge Danticat
Originally published in 1968, Love, Anger, Madness virtually disappeared from circulation until its republication in France in 2005. Set in the barely fictionalized Haiti of “Papa Doc” Duvalier’s repressive rule, Marie Vieux-Chauvet’s writing was so powerful and so incendiary that she was forced to flee to the United States. Yet Love, Anger, Madness endures.
Claire, the narrator of Love, is the eldest of three daughters who surrenders her dreams of…
Emily Blejwas directs the Alabama Folklife Association. She is the author of The Story of Alabama in Fourteen Foods (UA Press) and two middle grade novels: Like Nothing Amazing Ever Happened and Once You Know This (Random House). Emily grew up in Minnesota, attended Auburn University, and now lives in Mobile, Alabama with her husband and four children.
The premise is simple but ingenious. Winik catalogs the lives and deaths of people she’s known throughout her life, some well, others hardly at all. Each entry is no longer than a page or two, and her writing is stark and unruffled, creating moments of dark humor. She never glorifies the departed, yet her emotion buzzes below the surface. And you immediately wonder how your own page or two might go.
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death.
At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.
Featuring twelve additional vignettes along with a brand-new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.
God gave me a life-long calling to help anyone affected by sexual violence. Words often fail when I try to describe the pain that results from sexual abuse and what it truly means to me to make a positive difference in the lives of survivors. My heart and soul break for those who are suffering from evil crimes, and yet I continuously see people disclosing, expressing, growing, and healing. From my many years working as a counselor and advocate, I've learned that very often people just need someone to be with them and listen. I'm committed to supporting others in this area for as long as I can be helpful.
I had the good fortune to meet Kenny Rogers at the Gaithersburg Book Festival and I was immediately struck by his kindness and gentle spirit.
Raped Black Male: A Memoir is a moving book that offers vivid details of his childhood rape, but the book is about more. Rogers also provides compelling fictional anecdotes and reflections on his internal struggles—from homelessness to what it means to be a black man in America.
Rogers is a powerful human being and his story is another reminder that a person can overcome the painful effects of sexual violence to live a healthy and productive life.
Raped Black Male tells my story of being homeless and struggling to overcome depression while coming to terms with being sexually assaulted by my sister at age eight. Beginning in my middle school years, the novel weaves its way through the '90s to present day, as the stress of exceeding expectations of what it means to be a black male and the crippling unspoken belief that says (without saying) - it's impossible for a man to be raped - has forced one mental breakdown after another, resulting in thoughts of suicide. This memoir is filled with depth, humor, and honesty…
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In The Wire and Homicide: Life on the Streets, David Simon, also an author of nonfiction books about Baltimore, depicted Baltimore cops as Sisyphean figures trying to fight an endless wave of crime and failing. Baynard Woods and Brandon Soderberg tell a much less positive story about the police. They examine an elite unit called the Gun Trace Task Force which became, under its leader Wayne Jenkins, a criminal syndicate. Using their badges as weapons, these police officers robbed drug dealers of tens of thousands of dollars, planted weapons and evidence, and terrorized Black Baltimore residents.
As media pundits were wringing their hands about whether Baltimore’s people had gone out of control when they rioted after Freddie Gray’s death, we learn that these cops were literally robbing prescription drugs to sell them on the street. Even if you’re suspicious about the role of police in inner-city communities, this book…
The explosive true story of America's most corrupt police unit, the Gun Trace Task Force (GTTF), which terrorized the city of Baltimore for half a decade.
When Baltimore police sergeant Wayne Jenkins said he had a monster, he meant he had found a big-time drug dealer―one that he wanted to rob. This is the story of Jenkins and the Gun Trace Task Force (GTTF), a super group of dirty detectives who exploited some of America’s greatest problems: guns, drugs, toxic masculinity, and hypersegregation.
In the upside-down world of the GTTF, cops were robbers and drug dealers were the perfect victims,…
Anime and manga have always been the biggest influences on my own writing, from the drastic tonal shifts and bizarre scenarios to the frenetic pacing and strange characters. Underdogs fighting tooth and nail against increasingly overwhelming foes in a perpetual struggle to take the slightest step forward—those are the characters I relate to, the stories I want to tell.
The story takes place within a 12-hour time frame, in which our protagonist—fresh out of prison—must navigate cosmic horrors and old habits on his way to the halfway house.
The whole time, we as the reader are given in-depth historical and cultural insight into the city of Baltimore. The classic “first day out” narrative is given an anime-flavored spin with the inclusion of mech battles, mysterious gimp-suited beings, and eldritch gods.
In Baltimore, Worm has just returned from a two year stretch in prison. When he finds out that his hometown is being brutally destroyed by a dangerous new chemical, Worm is reluctantly catapulted into a phantasmagoric journey filled with chaos and destruction. Can one man save the city before his 9:00 p.m. curfew at the halfway house?
…
“Ghosts of East Baltimore is like The Wire meets Bloodborne directed by Takashi Miike. The wildest time I had reading a book in recent memory.” - J. David Osborne, author of Black Gum and Our Blood…
