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As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In the space of two years, D. Watkins published two stunning books about Baltimore. The second, The Cook Up: A Crack Rock Memoir, is sharp and smart, but if I had to only choose one, it would be The Beast Side. In this slim volume of essays, Watkins invites us to explore the two worlds he lives within and between. He grew up on the tough east side, known locally as the beast side, and sold drugs, but also went to college and now teaches creative writing.
While there are many books by Black authors that use stories of poverty and despair to titillate or move white audiences to pity, Watkins does none of that. He speaks first to Black audiences, especially those who maybe don’t love to read, because literacy, he says, is a step towards liberation. The Beast Sidemay be the best way to see…
A New York Times Best Seller! Baltimore, one of our country's quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins
To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order.
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
As a longtime reporter in a small state with big politics, I’ve become fascinated by how sly intrusions of power can distort what should be routine police investigations. One of my sources observed, “Sometimes the cover-up is more interesting than the crime.” With that in mind, I began writing books to examine cases whose outcomes didn’t seem to make sense. It’s become a genre I call “crime after crime.”
Fenton climbed a mountain here and reached the top. Freddie Gray has died in the back of a police van in Baltimore. Something’s wrong with that picture, but who’s going to question the city’s elite Gun Trace Task Force—a vanguard unit in the war on crime—when most civic leaders hold it in awe? Fenton, a reporter for the Baltimore Sun, digs in, doing the meticulous research and insightful writing that expose powerfully guarded secrets and plant a flag for accountability.
NEW YORK TIMES EDITORS’ CHOICE • The astonishing true story of “one of the most startling police corruption scandals in a generation” (The New York Times), from the Pulitzer Prize–nominated reporter who exposed a gang of criminal cops and their yearslong plunder of an American city
NOW AN HBO SERIES FROM THE WIRE CREATOR DAVID SIMON AND GEORGE PELECANOS
“A work of journalism that not only chronicles the rise and fall of a corrupt police unit but can stand as the inevitable coda to the half-century of disaster that is the American drug war.”—David Simon
God gave me a life-long calling to help anyone affected by sexual violence. Words often fail when I try to describe the pain that results from sexual abuse and what it truly means to me to make a positive difference in the lives of survivors. My heart and soul break for those who are suffering from evil crimes, and yet I continuously see people disclosing, expressing, growing, and healing. From my many years working as a counselor and advocate, I've learned that very often people just need someone to be with them and listen. I'm committed to supporting others in this area for as long as I can be helpful.
I had the good fortune to meet Kenny Rogers at the Gaithersburg Book Festival and I was immediately struck by his kindness and gentle spirit.
Raped Black Male: A Memoir is a moving book that offers vivid details of his childhood rape, but the book is about more. Rogers also provides compelling fictional anecdotes and reflections on his internal struggles—from homelessness to what it means to be a black man in America.
Rogers is a powerful human being and his story is another reminder that a person can overcome the painful effects of sexual violence to live a healthy and productive life.
Raped Black Male tells my story of being homeless and struggling to overcome depression while coming to terms with being sexually assaulted by my sister at age eight. Beginning in my middle school years, the novel weaves its way through the '90s to present day, as the stress of exceeding expectations of what it means to be a black male and the crippling unspoken belief that says (without saying) - it's impossible for a man to be raped - has forced one mental breakdown after another, resulting in thoughts of suicide. This memoir is filled with depth, humor, and honesty…
Anime and manga have always been the biggest influences on my own writing, from the drastic tonal shifts and bizarre scenarios to the frenetic pacing and strange characters. Underdogs fighting tooth and nail against increasingly overwhelming foes in a perpetual struggle to take the slightest step forward—those are the characters I relate to, the stories I want to tell.
The story takes place within a 12-hour time frame, in which our protagonist—fresh out of prison—must navigate cosmic horrors and old habits on his way to the halfway house.
The whole time, we as the reader are given in-depth historical and cultural insight into the city of Baltimore. The classic “first day out” narrative is given an anime-flavored spin with the inclusion of mech battles, mysterious gimp-suited beings, and eldritch gods.
In Baltimore, Worm has just returned from a two year stretch in prison. When he finds out that his hometown is being brutally destroyed by a dangerous new chemical, Worm is reluctantly catapulted into a phantasmagoric journey filled with chaos and destruction. Can one man save the city before his 9:00 p.m. curfew at the halfway house?
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“Ghosts of East Baltimore is like The Wire meets Bloodborne directed by Takashi Miike. The wildest time I had reading a book in recent memory.” - J. David Osborne, author of Black Gum and Our Blood…
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
In this memoir, Petula talks about the light-skin privilege and pain she suffered through growing up in the 70s and 80s in Paterson, New Jersey and Baltimore, Maryland with a dark-skinned mother and a light-skinned father. Her father, Walter, raised her to be as “White” as possible by neglecting her Black heritage which caused her to have a huge identity crisis.
"She's Such A Bright Girl: An American Story" is a story of respectability politics gone very wrong. Petula Caesar is raised in the 1970s and 1980s in Paterson, New Jersey and Baltimore, Maryland. Petula's Black parents, dark-brown skinned Christine and a very light-skinned Walter – migrate north from the south to find work. Once their light-skinned daughter is born, Walter realizes her complexion could give her a great advantage in her life if used correctly. Walter raised Petula to be as "White" as possible by straightening her hair, surrounding her with White dolls, only exposing her to culture created by…
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Captivating, well-drawn characters and an intriguing, twisty storyline that keeps you guessing and turning pages. There’s plenty of action and excitement, as well as lighter moments of dark humor. This story has everything I want from a cop thriller. A great opening to a new series. I am definitely a fan!
Judith Anderson’s no-nonsense attitude and confidence served her well in her climb to homicide lieutenant in the Baltimore County PD, but that confidence is shaken when she finds herself one step behind a serial killer—just eight days into her new job as Chief of Police in a small Florida city.
The first victim, a female college student, may be a case of wrong place, wrong time. But the bodies keep coming, with a mishmash of MOs, and the murders may be linked to various cases in nearby Jacksonville.
While Judith assumed the CoP job would be challenging, she’s finding it…
