Here are 52 books that Selected Stories fans have personally recommended if you like
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I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
On any given day, this is my favorite book with one of my favorite bars, The Vine, a dive that Johnson describes as “like a railroad club car that had somehow run itself off the tracks into a swamp of time where it awaited the blows of the wrecking ball.” Is it a nice place? No. Would you take a date here? Not if you wanted them to respect you. Could you find yourself in mortal danger? Absolutely. But amongst the addicts and runaways, the small-time crooks and ne’er do wells, you’ll find moments of beauty that transcend the pain of everyday life, becoming, in its best moments, like reading scripture.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I spent my early childhood in a rural, isolated, multi-generational household. During summers we rarely saw anyone unrelated to us. My twin sister and I spent our days reading, hiding, and naming our menagerie of barn cats (final count: 36). In my career as a lifestyle journalist, I’ve gotten to interview famous eccentrics ranging from Loretta Lynn to David Sedaris. I live in the North Carolina mountains with my husband, our teenage son, and my aforementioned twin sister. This past summer, a black bear walked the 22 steps up to our front porch and stared in the window, raising his huge paws high in exasperation.
Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.
First published in 1949, THE GOLDEN APPLES is an acutely observed, richly atmospheric portrayal of small town life in Morgana, Mississippi. There's Snowdie, who has to bring up her twin boys alone after her husband, King Maclain, disappears one day, discarding his hat on the banks of the Big Black. There's Loch Morrison, convalescing with malaria, who watches from his bedroom window as wayward Virgie Rainey meets a sailor in the vacant house opposite. Meanwhile, Miss Eckhart the piano teacher, grieving the loss of her most promising pupil, tries her hand at arson.
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This book takes you on a rollercoaster through contemporary lives and dilemmas, moving and inspiring you on the way.
From a young woman teacher with a big alcohol problem and a mess of a relationship through a lonely middle-aged male whose use of sex workers damages his ability to relate to regular women, this is a no-holds-barred exploration of how we live now.
Moshfegh shows us the pain, the humour, the sorrow, and the potential joy, in beautifully written prose with a real edge to it.
An electrifying first collection from one of the most exciting short story writers of our time
"I can't recall the last time I laughed this hard at a book. Simultaneously, I'm shocked and scandalized. She's brilliant, this young woman."-David Sedaris
Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won…
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I know most people’s favorite Shirley Jackson haunted house book is The Haunting of Hill House, but I find the mystery in this book even more compelling.
Give me two sisters, a family killed by poison under mysterious circumstances, a suitor, an angry mob filled with class envy, and an unreliable narrator, and I will be filled with that peculiar combination of happiness, unease, and dread that all of us haunted house readers desire. I love this novel.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
Life well-being has many domains beyond finances, including family, friends, health, work, education, religion, and more. I know that financial well-being is necessary for life well being but it is not sufficient. Our older daughter lives with bipolar illness. Our life well-being was decimated years ago when my daughter’s illness was diagnosed. But we’ve learned to alleviate well-being injuries in one domain from well-being medicine from the same domain and from other domains. Our younger daughter loves her sister and cares for her, and our ample finances domain lets us support our older daughter without constraining our own budget.
Kathryn Edin and Maria Kefalas’ book helped me understand the financial and life well-being of the poor as it compares the marriage and childrearing norms among them to those of the elite.
Elite mothers raise their children as “hothouse plants” and measure their success by their children’s educational and career accomplishments. Poor mothers raise their children as “field plants,” expected to grow naturally, expecting few educational and career accomplishments.
Poor women know that marriage is fragile, and so they make their primary emotional investments in their relationships with their children. A poor mother of a four-year-old son described him as her heart. She’ll have her son even if her marriage goes sour. She’ll say to her husband, ‘You leave! This boy is mine.’”
Millie Acevedo bore her first child before the age of 16 and dropped out of high school to care for her newborn. Now 27, she is the unmarried mother of three and is raising her kids in one of Philadelphia's poorest neighborhoods. Would she and her children be better off if she had waited to have them and had married their father first? Why do so many poor American youth like Millie continue to have children before they can afford to take care of them? Over a span of five years, sociologists Kathryn Edin and Maria Kefalas talked in-depth with…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
I have rarely encountered a book that captures the local impacts of mining as well as Lianne Leddy’s Serpent River Resurgence. I was impressed with how the author, a Serpent River First Nation member, used oral history and family stories to document how the uranium rush at Elliot Lake, Ontario, irrevocably altered the ability of Serpent River members to hunt, fish, and gather off the land.
To me, the book's real strength was the author’s refusal to depict her fellow community members as victims, highlighting their successful campaign for environmental cleanup of the toxic legacies that remained long after the uranium mines had closed.
Serpent River Resurgence tells the story of how the Serpent River Anishinaabek confronted the persistent forces of settler colonialism and the effects of uranium mining at Elliot Lake, Ontario. Drawing on extensive archival sources, oral histories, and newspaper articles, Lianne C. Leddy examines the environmental and political power relationships that affected her homeland in the Cold War period.
Focusing on Indigenous-settler relations, the environmental and health consequences of the uranium industry, and the importance of traditional uses of land and what happens when they are compromised, Serpent River Resurgence explores how settler colonialism and Anishinaabe resistance remained potent forces in…
I am a published author, memoir-writing instructor, and retired clinical psychologist. I wrote an initial memoir as a chronological account of my dysfunctional marriages and recovery from them, but lately, I have become very interested in what is termed “hybrid memoirs.” Hybrid memoirs combine personal memoirs with major incidents and research into issues similar to those in the memoir or the culture and laws surrounding them. Since my new book combines my memoir with an account of a crime that affected all the citizens in the country village where I grew up, I have gravitated to memoirs featuring crime as part of the story.
This is both a memoir and the story of a crime. I was interested in this book because the crime happened in the town where I went to university. A crime so close to home seems more frightening, more real.
The author writes a sincere, honest story about how you can be fooled by the person you most want to trust—your husband. I found this book hard to put down.
A remarkably compelling and harrowing story of love and betrayal and one woman’s pursuit of justice, redemption, and healing.
“One month into our marriage, my husband committed horrific violent crimes. In that instant, the life I knew was destroyed. I vowed that one day I would be whole again. This is my story.”
An impassioned, harrowing, and ultimately hopeful story of one woman’s pursuit of justice, forgiveness, and healing.
When Shannon Moroney got married in October 2005, she had no idea that her happy life as a newlywed was about to come crashing down around her. One month after her…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
I was moved by the profound look into a young man’s grief and guilt and confusion that Canadian author Matt Cohen offered us in this, his last novel. Carl’s mother is dead, killed at the age of 51 in a car accident for which Carl is (mostly) responsible. After the funeral, Carl fled. Now, three years later, he’s back in his hometown, population 684, attempting to start over and reconnect with his seven-year-old daughter. It’s a long, hard fight for redemption in a town where the habitants—a grand cast of them—have long memories of who Carl was and what he did. Matt Cohen died a few weeks after the book won the Governor General’s Prize for English-Language Fiction.
A touching and resonant story of a man who returns to the small town of West Gull, Ontario, to mend his family's legacy of alcohol and violence, to reconnect with his young daughter, and to reconcile himself with the spirit of his beautiful mother, killed several years earlier in a tragic accident. Elizabeth and After masterfully wraps us up in the lives of Carl and his family, and the other 683 odd residents of this snowy Canadian hamlet.
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I grew up in upstate New York near the Canadian border, and one of the crucial battles of this war was fought there. When I was growing up, we were told this war was a successful one for the United States, and Taylor shows how this was true in some ways but not very true at all in others.
This is a sprawling tale with a huge cast of characters, and it includes the perspectives of ordinary people from various groups.
In the early nineteenth century, Britons and Americans renewed their struggle over the legacy of the American Revolution, leading to a second confrontation that redefined North America. Pulitzer Prize-winning historian Alan Taylor’s vivid narrative tells the riveting story of the soldiers, immigrants, settlers, and Indians who fought to determine the fate of a continent. Would revolutionary republicanism sweep the British from Canada? Or would the British contain, divide, and ruin the shaky republic?
In a world of double identities, slippery allegiances, and porous boundaries, the leaders of the republic and of the empire struggled to control their own diverse peoples.…
I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me.
I absolutely love Blunt’s writing in this series. It is nuanced and beautifully paired with the troubled, multi-faceted characters. The books are set in the fictional town of Algonquin Bay, based in North Bay in Northern Ontario, a part of the country I know well having grown up a bit farther north and west. The setting permeates the stories—small town, dead of winter, lots of bush and conifer trees. The discovery of a body in a mine shaft fits perfectly. John Cardinal, lead cop, is struggling to help his clinically depressed wife and has recently been demoted. He’s a compelling character and so well drawn as is his new partner Lise Delorme. The books have been made into a gritty television series with superb acting, but I’d say read the books first because the writing is just that good.
"One of the best novels of [the year]. . . Giles Blunt has a tremendous talent." -Tony Hillerman
"Forceful . . . surprising . . . [Blunt's] insights into suffering and madness give his characters their true voice." -The New York Times
In the quiet Canadian town of Algonquin Bay, a frozen body has been found in an abandoned mine shaft. She is quickly identified as Katie Pine, a teenager who had disappeared months ago. At the time, Detective John Cardinal insisted that Katie was no ordinary runaway. His relentless pursuit and refusal to give up on the case got…
