Here are 59 books that See You in September fans have personally recommended if you like
See You in September.
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I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
When you live on a remote cattle station, you need to plan ahead to survive. There’s no supermarket around the corner, no emergency services, no telecommunications. I loved the intricate details of this isolated lifestyle related in The Lost Man, delivering the best of fiction by transporting me out of my own every day.
In this precarious setting, a farming family experiences a mysterious death and immediately begins investigating. There’s a long list of potential suspects and much foreshadowing.
Two brothers meet in the remote Australian outback when the third brother is found dead, in this stunning new standalone novel from Jane Harper
Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback.
Their third brother, Cameron, lies dead at their feet.
In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbors. Cameron was the middle child, the one who ran the family homestead. But something made him head out…
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
In The Last Thing to Burn, Will Dean is very clever in his choice of location and how it’s become a prison for Jane.
Jane lives in a small cottage with her farmer husband surrounded by paddocks. The whole book is set in the cramped confines of the small cottage, where Jane’s husband rules over her and punishes her if she does anything wrong. Jane’s completely cut off from the rest of the world. Her whole world is the cottage.
I love the way Jane slowly realises that she may have a way out, and we join her, heart in mouth, as she plans her escape. I’ve never raced through the last forty pages of a book so fast!
'Outstanding. The best thriller in years' MARTINA COLE 'One of the best thrillers I have read in years' THE OBSERVER 'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH 'Short, sharp shocker' THE TIMES 'an early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she…
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
Tama is a helpless magpie chick when he’s rescued by Marnie and taken into her home that she shares with her husband Rob.
As Tama thrives and grows under Marnie’s care he begins to talk, and so begins The Axeman’s Carnival, a story told through the eyes of a magpie. I think the best thing about this book (apart from a very entertaining Tama) is the huge disparity between Tama and Marnie’s social media fame and the physical and emotional isolation Marnie experiences.
The book is set on a sheep station in the South Island of New Zealand. And while Marnie occasionally sees her mother and sister and drives into town, her life is very isolated, made worse by her violent and erratic husband, but made better with her newfound love for Tama.
Everywhere, the birds: sparrows and skylarks and thrushes, starlings and bellbirds, fantails and pipits - but above them all and louder, the magpies. We are here and this is our tree and we're staying and it is ours and you need to leave and now.
Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. 'If it keeps me awake,' says Marnie's husband Rob, a farmer, 'I'll have to wring its neck.' But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is…
As the mother of four children, I have observed over the last twenty years how women are viewed and often judged under a stifling patriarchal lens. Writing about motherhood in all its glorious colours has been one way for me to channel my frustrations. Stories that reach out to women and give them a voice when they feel unheard are vital. In a world where appearances and facades are taking over our social media feeds, where filters blur out the rough edges of our lives, I’m more determined than ever to write female characters who are raw and flawed but also valued as an integral part of an evolving society.
I love any book that delves into the psychology of cults. This is a fictional account of a real-life cult that existed not far from where I live, and I have grown up hearing about the victims. The charismatic and highly disturbed female leader was an unusual twist on the standard stories we read about cults that are often led by men.
Her determination to be the ‘mother’ of every child, have them all look the same (blond hair cut into a bob), and worship her was infuriating and intriguing. Taking vulnerable women, who were also mothers, and luring them into her secret commune, forcing them to make sacrifices, including their own children, deeply affected me as a woman and a mother.
Set against a ticking clock, this "haunting" and "atmospheric" thriller that inspired the Hulu miniseries "The Clearing" pits a ruthless cult against a mother's love, revealing that our darkest secrets are the hardest ones to leave behind (Sally Hepworth, New York Times bestselling author of The Good Sister).
Four days to go Amy has only ever known life in the Clearing, amidst her brothers and sisters--until a newcomer, a younger girl, joins the "family" and offers a glimpse of the outside world.
Three days to go
Freya is going to great lengths to seem like an "everyday mum," even as…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
A writer of predominantly fantasy and historical fiction, Sheryl Jordan’s books have heart and soul. The Raging Quiet, a fantasy novel, introduces us to outsider Marnie, a young widow living in an isolated medieval community. Her only friends are a priest and a weird, "mad" youth called Raven, who she realizes is not mad at all, but deaf. When she teaches him "hand words" they are both suspected of witchcraft and find themselves under attack. It’s a book that pierces your heart and stays with you for a long time afterward.
OUTSIDERS Widowed just two days after her unwilling marriage to a man twice her age, Marnie finds herself an outsider in the remote seaside village of Torcurra. Spurned by the townsfolk who suspect her involvement in her husband's death, she has only two friends: the local priest and the madman known as Raver, even more of an outcast than Marnie herself. Marnie makes a remarkable discovers about Raver, whom she renames Raven, and the two forge a deep bond that begins to heal her own bruised heart. But the suspicious villagers see Raven's transformation as evidence of witchcraft, and suddenly…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This gripping psychological thriller centers around a girl who is caught up in a religious cult, her name changed and all her supports ripped away. How will she survive this? Will she be able to escape? Still in print after 20 years, this book won the Storylines Gaelyn Gordon Award for a Much-loved Book 2009.
A classic bestseller that's been in print for over 20 years, this gripping YA thriller follows a teenage girl caught in a religious cult.
Imagine that your mother tells you she's going away. She is going to leave you with relatives you've never heard of - and they are members of a strict religious cult. Your name is changed, and you are forced to follow the severe set of social standards set by the cult. There is no television, no radio, no newspaper. No mirrors. You must wear long, modest clothes. You don't know where your mother is, and you…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This book for younger YA’s has some of
the creepiest villains you’ll ever meet and knuckle-biting tension as the
heroes are chased by the evil Wilberforces, slug-like shapeshifters who live
under Auckland’s extinct volcanoes. Their goal is the destruction
of the world and only red-haired twins Rachel and Theo Matheson can stop them,
with the help of the strange Mr. Jones, who helps the twins unleash their
supernatural power.
Beneath the extinct volcanoes surrounding the city, giant creatures are waking from a spellbound sleep that has lasted thousands of years. Their goal is the destruction of the world. Rachel and Theo Matheson are twins. Apart from having red hair, there is nothing remarkable about them - or so they think. They are horrified to discover that they have a strange and awesome destiny. Only the Matheson twins can save the world from the terror of what is under the mountain. Also available as an eBook
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.
Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.
The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.
The fate of women in this time in history is completely held by the men of the family.
I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life…
An enthralling historical novel of immigration, courage and first love from an award-winning New Zealand author.
Eloise and her family must leave Cornwall on a treacherous sea journey to start a new life in 1870s colonial New Zealand. On the ship across, Eloise meets Lars, a Norwegian labourer travelling below decks, and their lives begin to intertwine. When her brother disappears, her father leaves and the family are left to fend for themselves in their new home, Eloise must find the strength to stand up for what she believes in and the people she loves.
