Here are 100 books that Rule of the Bone fans have personally recommended if you like
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I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
Arnold, known as Junior, is a fourteen-year-old aspiring artist from the Spokane Indian Reservation, who tells us his story in a combination of hilarious cartoons and acerbic narration. Junior’s intimate self-revelations shocked me with their brutal honesty; this kid holds nothing back! Which is why younger readers are so in love with this character and this book: he tells all the things about being a teenager that most young people are too afraid to see. In the end, this is the most honest examination of identity that I know of. What does it mean to be Indian? American? Human and alive?
Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he…
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
I saw this quirky little book on the “New Titles” table, “little” being the keyword. Algonquin published this short novel’s first edition in a smaller format, and I was, honestly, drawn to the size and to its evocative cover art—rumpled lines on an ornate cast iron bed. Inside I found feisty eleven-year-old Ellen, abused and ill-treated her family, abandoned to the foster care system. This wise and smart and funny narrator holds her next to the best talkers in all of literature. Among other things, Ellen (by way of Kaye Gibbons) taught me some of what I needed to know to write my own book. I fell in love with Ellen Foster and you will too!
"Filled with lively humor, compassion, and intimacy." —Alice Hoffman, The New York Times Book Review
"When I was little I would think of ways to kill my daddy." With that opening sentence we enter the childhood world of one of the most appealing young heroines in contemporary fiction. Her courage, her humor, and her wisdom are unforgettable as she tells her own story with stunning honesty and insight. An Oprah Book Club selection, this powerful novel has become an American classic.
Winner of the American Academy of Arts and Letters' Sue Kaufman Prize for First Fiction and the Ernest Hemingway…
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
Ah, these juvenile narrators: they think they know it all. Lucille Odem has it all figured out. She can fix her broken family and heal her parent’s broken hearts—because of course she can. For me, the pleasure of a great young adult narrator is watching as even the smartest of these smarty pants comes to learn that we all have blind spots and that it’s often the things we can’t see or don’t know that are the most important part of the equation. What a sweet book this is.
At the age of seventeen, Lucille Odom finds herself in the middle of an unexpected domestic crisis. As she helps guide her family through its discontent, Lucille discovers in herself a woman rich in wisdom, rich in humor, and rich in love.
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
The “big girl” of our title is Malaya Clondon, whose mother shames her endlessly about her weight. Malaya struggles to fit into all her worlds, be it the expected perfection of her mother and grandmother, the upper-class standards of her prep school peers, or a rapidly gentrifying Harlem. Malaya's clear-eyed and wise narration of her plight was an eye-opener for me. Big Girl is one of the most honest depictions I know of a young woman talking about what it feels like to be constantly judged because your body does not conform to the expectations of others. This book will stick with you for a long time.
"Alive with delicious prose and the cacophony of '90s Harlem, Big Girl gifts us a heroine carrying the weight of worn-out ideas, who dares to defy the compulsion to shrink, and in turn teaches us to pursue our fullest, most desirous selves without shame." -Janet Mock
Malaya Clondon hates when her mother drags her to Weight Watchers meetings in the church's stuffy basement community center. A quietly inquisitive eight-year-old struggling to suppress her insatiable longing, she would much rather paint alone in her bedroom, or sneak out with her father for a sampling of Harlem's forbidden street foods.
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
I’ve been to India three times and I love to share books that show its complex, beautiful, and sometimes brutal culture. When sisters Viji and Rukku leave home to escape their abusive father, readers are given a detailed look at what living on the streets of India is like for many children. It’s a realistic lesson on the caste system and abject poverty, all wrapped in a compelling story; and I am always a fan of books that show siblings that care deeply for one another. I also hope it sparks an interest in that amazing country and its inhabitants.
"Readers will be captivated by this beautifully written novel about young people who must use their instincts and grit to survive. Padma shares with us an unflinching peek into the reality millions of homeless children live every day but also infuses her story with hope and bravery that will inspire readers and stay with them long after turning the final page."--Aisha Saeed, author of the New York Times Bestselling Amal Unbound
Cover may vary.
Four determined homeless children make a life for themselves in Padma Venkatraman's stirring middle-grade debut.
Life is harsh in Chennai's teeming streets, so when runaway sisters…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
This whole book is a powerful exploration of alcoholism, homelessness, and the father-son relationship, but it was a single chapter that made me write “WOW” in the margins.
“Same Again” is a four-page chapter composed of nothing but short sentences that contain only euphemisms for alcohol, from “the usual” to “same again.” That sounds like it wouldn’t work, but it does. It’s poetic, gripping, and follows a narrative arc through a single evening at the bar.
Read the whole book, but don’t skip this mesmerizing chapter.
Nick Flynn met his father when he was working as a caseworker in a homeless shelter in Boston. As a teenager he'd received letters from this stranger father, a self-proclaimed poet and con man doing time in federal prison for bank robbery. Another Bullshit Night in Suck City tells the story of the trajectory that led Nick and his father onto the streets, into that shelter, and finally to each other.
I have a passion for novels with complex characters and a memorable sense of place. The setting is key to the overall ambiance of a novel: its colors, smells, architecture, terrain, weather, flora, and fauna. My novel, Weaving Dreams In Oaxaca, takes place in Oaxaca, Mexico. The story is unique to the location because it includes the zocalo, cathedrals, outlying pueblos, food, etc. My family and I moved there for six months in 2006, and I fell in love. I sent my mother audio tapes every two weeks describing our adventures as she had become blind. I later transcribed them into twenty-two pages of detailed description of this magical city which I used in my novel.
I think this book is a great read for all ages and the setting, Camp Green Lake, is not a lake, but a dusty dry desert.
This location informs the plot. It is a punishing environment as the boys sent there are being “reformed” by making them dig huge holes in the sun all day long. Digging holes is a metaphor for digging up the secrets of the camp and the threat of snake bites and dehydration and infighting enhance the tension.
WINNER OF THE NEWBERY MEDAL
WINNER OF THE NATIONAL BOOK AWARD
SELECTED AS ONE OF TIME MAGAZINE'S 100 BEST YA BOOKS OF ALL TIME
Stanley Yelnats' family has a history of bad luck, so when a miscarriage of justice sends him to Camp Green Lake Juvenile Detention Centre (which isn't green and doesn't have a lake) he is not surprised. Every day he and the other inmates are told to dig a hole, five foot wide by five foot deep, reporting anything they find. Why? The evil warden claims that it's character building, but this is a lie. It's up…
I have always loved children. I love tiny babies just discovering the world around them. I love elementary-age kids who are taking pride in developing new skills and learning how to deal with challenges. I love teens who are questioning and rethinking the things they thought they knew. I also love the science and practice of psychology (my profession for over thirty years) and, I love books. To date, I have written nine books. My audience ranges from preschool to high school and topics include strategies to understand and cope with problems as well as psychology as a topic of study.
Although this picture book has no words, its message of caring and compassion is clear and powerful. A small boy becomes aware of a homeless woman and simply, gently, acknowledges her. This innocent and kind book serves may serve as an opening to talk to children about homelessness. It also may help us all to remember not to ignore those less fortunate.
I See You is a wordless picture book that depicts a homeless woman who is unseen by everyone around her - except for a little boy. Over the course of a year, the boy is witness to all that she endures. Ultimately, in a gesture of compassion, the boy acknowledges her through an exchange in which he sees her and she experiences being seen. This book opens the door for kids and parents to begin a conversation about homelessness. In a "Note for Parents, Educators, and Neighbours", there are discussion questions and additional resources about helping the homeless. Ages 4-8.
I’ve been fascinated by nonfiction since my teens, by the idea of books about things that really happened. Fiction gets all the kudos, all the big prizes, all the respect. But as far as I’m concerned, trying to wrestle the unruly matter of reality onto the page is much more challenging – imaginatively, technically, ethically – than simply making things up! My book The Travel Writing Tribe is all about those challenges – and about the people, the well-known travel writers, who have to confront them every time they put pen to paper.
“Middle-class academic writes nonfiction about homeless substance abuser” – that sounds like a recipe for overweening earnestness at best, or at worst an exploitative catastrophe. But right from the first line of this astonishing book you know that the author isn’t entirely in control, that the subject, his troubled friend Stuart Shorter, has agency in these pages in a way he seldom did elsewhere in life. It’s a gut-crunchingly sad story, but also often very funny – which, you get the feeling, is exactly how Stuart would have wanted it.
A unique biography of a homeless man and a complete portrait of the hidden underclass. 'So here it is, my attempt at the story of Stuart Shorter, thief, hostage taker, psycho and sociopath street raconteur, my spy on how the British chaotic underclass spend their troubled days at the beginning of this century: a man with an important life. I wish I could have presented it to Stuart before he stepped in front of the 11.15 train from London to Kings Lynn.' Stuart Shorter's brief life was one of turmoil and chaos. In this remarkable book, a masterful act of…
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
Douglass is the kind of writer many of us are jealous of. Her skill with a pen is a marvel. Reading her sentences, I often wonder how she chose these words, how she came to think in this way, and how I could write less like myself and more like her. All of her books are worth reading, but this one’s tale of reincarnation and of life on the margins helped me see that the world is so much more magical than I often take it to be.
"Is me-Bob. Bob Marley." Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston's ghettoes to London, from Haile Selaisse's Ethiopian palace and back…
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