Here are 32 books that Richard Scarry's Busy, Busy Town fans have personally recommended if you like
Richard Scarry's Busy, Busy Town.
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I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
I’ve tried to explain this book to people for years, with varying degrees of success. It’s odd considering I’ve read it ten times. Bachelard was a philosopher but this is a work of deeply-rooted poetry. It’s not really philosophy or analysis, this book. It’s more of a seductive, lyrical invitation inside Bachelard’s dreamy, passionate imagination.
It explores the concept of “home” and the distinctions of inside and outside. It has nothing to do with cities or urbanism at first glance, but the second time I read it I tried to superimpose it onto the urban context. The idea of a city as a home - a notion that the Nobel Prize laureate for literature, Johannes V. Jensen, planted in my head in his 1934 novel Gudrun. I still have trouble explaining how, but this book is the seed for many of my thoughts and philosophies about space and cities.
Beloved and contemplated by philosophers, architects, writers, and literary theorists alike, Bachelard's lyrical, landmark work examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.
Houses and rooms; cellars and attics; drawers, chests and wardrobes; nests and shells; nooks and corners: no space is too vast or too small to be filled by our thoughts and our reveries.
With an introduction by acclaimed philosopher Richard Kearney and a foreword by author Mark Z. Danielewski.
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life.
This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.
A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie…
"Take it with you to any cafe in any city, and Perec will be both your drinking partner and your tour guide, drawing your attention to each little detail coming and going.” –Ian Klaus, CityLab
One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one café window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and…
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
"Participatory democracy demands low-energy technology, and free people must travel the road to productive social relations at the speed of a bicycle."
Illich’s book - more of a long essay, really - remains astonishingly relevant almost fifty years on. It confirmed countless things that I sensed and suspected on the cusp of my career in urbanism many years ago. His rationality about transport, energy, and democracy is carved out of the finest literary granite. Criticism of this text merely runs off the rock like raindrops. It is my ultimate inspiration for working in urbanism and yet a constant source of dismay that our societies continue to neglect the wisdom within the words. The essay “The Social Ideology of the Motorcar” by André Gorz is a must-read companion to Illich’s visionary words.
A junkie without access to his stash is in a state of crisis. The 'energy crisis' that exists intermittently when the flow of fuel from unstable countries is cut off or threatened, is a crisis in the same sense. In this essay, Illich examines the question of whether or not humans need any more energy than is their natural birthright. Along the way he gives a startling analysis of the marginal disutility of tools. After a certain point, that is, more energy gives negative returns. For example, moving around causes loss of time proportional to the amount of energy which…
We’re picture book lovers and best friends that met in college at Washington University in St. Louis. Our friendship started out with long telephone conversations during the pandemic, and have now blossomed into a picture book partnership where we hope to write books that make people feel warm and fuzzy through the universality of the human experience. Vivienne is still currently a student at WashU, but will move to New York post-graduation. Eugenia has since graduated and is currently a designer in the children’s department at Chronicle Books in the Bay Area.
This heartwarming watercolored picture book follows a crocodile as he sets off into the great metropolis for his morning commute. With no words at all, this book expertly shows the bustling, dynamic city life with both human and animal inhabitants. Each page is compositionally unique, and it is a masterclass in pacing and paneling. Despite the urban landscapes, the illustrations are rendered in a way that feels like a breath of fresh air. And best of all, the last page will make you want to revisit the entire book from beginning to end.
Mr. Crocodile loves his job. Every morning he gets up with an alarm. He brushes his teeth. He chooses the right tie to match his outfit, eats a quick slice of toast, and heads off to work on a crowded train. But what is his job? The answer may surprise you. Readers will want to pore over this witty, wordless book again and again, finding new details and new stories with every reading.
I spent 10+ years in supply chain and analytics, but now I tell the stories that data doesn’t. I love exposing the hidden logic that makes the world work. Correction: I love discovering the hidden logic that makes the world work, and what I figure out, I love to share. Whether it’s getting kids interested in supply chain (e.g., how the things in the Amazon package actually get to their mailbox) or shedding light on corporate absurdity in funny novels (e.g., Firebrand), I figure that the more we can pull back the curtain and look behind the scenes, the more we can understand—and appreciate—the world around us.
Richard Scarry books are nostalgic gold. There’s so much going on on every page, and I remember it all like it was yesterday (which it probably was, because half of the illustrations are on Twitter as memes).
The little vignettes cover all the traditional kids’ book themes—firemen, policemen, ship voyages, road construction—but then go further. Everyone is a Worker talks about how money flows through the economy, and Wood & How We Use It discusses a supply chain, from raw materials to production and manufacturing to transportation (albeit in grossly unrealistic trucks).
I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.
Not primarily a book about archaeology, but I’ve included this book because it explores the tricky matter of how we can gain access to the ordinary people of ancient Rome. Some of whom, such as the mint-workers, made the things that archaeologists discover in the 21st century in Italy. The author takes up the challenge of recovering these overlooked professions from funeral workers, through bakers and tanners, to criers who all featured in the ancient cities of Italy. There is a paradox running through the book that although these people were the ancient world’s “essential workers’, they were also stigmatised or taboo. This paradox explains much about Roman society and its contradictions.
Trade and Taboo investigates the legal, literary, social, and institutionalcreation of disrepute in ancient Roman society. It tracks the shiftingapplication of stigmas of disrepute between the Republic and LateAntiquity by following groups of professionals-funeral workers, criers,tanners, mint workers, and even bakers-and asking how they coped withstigmatization.
The goal of this book is to reveal the construction and motivations forthese attitudes, and to show how they created inequalities, informedinstitutions, and changed over time. Additionally, the volume shows howpolitical and cultural shifts mutated these taboos, reshaping economicmarkets and altering the status of professionals at work within thesemarkets.
My expertise and passion for the theme of children’s dreams for themselves and how they achieve them began with reading wonderful children’s picture books to my kids and grandkids when they were very young. After writing one young adult novel and four cozy mysteries for adults, I realize my true calling as a writer is to create books that little readers will not only love but return to again and again to reinforce their own dreams and sense of worth as well as awareness of others. Many picture books dwell on what elders dream for their children rather than what young ones wish for themselves.
Nigel dreamed large with three goals: to become an astronaut, a dancer, and a superhero, but he was too shy to tell anybody—except for the moon. He also felt his mom and dad would not understand his big dream.
Career week at school finally loosened his lips in a surprising way, which I loved as much as every child reader will.
From debut author Antwan Eady and artist Gracey Zhang comes a glowing tale about the young dreaming big. A perfect story to demonstrate how pride in where we come from can bring a shining confidence.
When Nigel looks up at the moon, his future is bright. He imagines himself as...an astronaut, a dancer, a superhero, too!
Among the stars, he twirls. With pride, his chest swells. And his eyes, they glow. Nigel is the most brilliant body in the sky.
But it's Career Week at school, and Nigel can't find the courage to share his dreams. It's easy to whisper…
I have never picked a peck of pickles, but I have been a crossing guard, pet-sitter, and professional gift-wrapper. I’ve worked in department stores, banks, libraries, colleges, and even a middle school cafeteria. Every job has taught me about the value of hard work, allowed me to pursue a passion, and inspired me to connect with all kinds of people. My current job - picture book author - is my favorite! I write to empower and inspire readers with new ideas and encourage them, like my characters, to succeed by maintaining a positive attitude and a growth mindset!
Vinny the dog is determined to find the perfect job in the big city. But washing dishes in a restaurant doesn’t mean licking the plates, watering the florist’s plants isn’t done by lifting his leg, and guarding the dinosaur bones at the museum doesn’t mean holding them in his teeth! Despite his initial errors, Vinny does find a job that is just right. Filled with humor, this book is also terrific for introducing map reading skills as Vinny crisscrosses the city.
The Secret Life of Pets meets Amelia Bedelia in this witty and sweet debut picture book about an overly-literal pup trying his paw at several different jobs and the hilarious mishaps that ensue.
When Vinny the dog decides he should get a job to contribute to his family, he knows exactly what to do. He puts on his best suit and his sharpest hat, picks up his briefcase, and hits the pavement. Vinny isn't completely sure what a job is, but with his can-do attitude, he's sure he can figure it out.
I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.
This book is about using some magic sprinkles one day and falling asleep, but waking up in your dreams as a doctor, lawyer, dentist, or even a firefighter is showing young Black kids that they can be all those things and to not let the color of their skin or how they chose to wear their hair stop them from achieving those goals and dreams.
Black Girl Magic Sprinkles is a story about a young girl named Trinity, who dreams of one day being a teacher. However, she is discouraged because she does not often see women who look like her in successful jobs. She stumbles upon a jar of Black Girl Magic Sprinkles, and is shown endless opportunities. It takes this encounter for her to realize that Black Girl Magic lives within her and she can be anything she wants to be."Even if you haven't seen it, doesn't mean you can't achieve it; because with just a sprinkle of your Black Girl Magic, you…
