Here are 63 books that Reign & Ruin fans have personally recommended if you like
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I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
Kelley Armstrong has long been one of my favorite authors, but this book in particular struck a positive chord with me. The quirky heroine, Kennedy, is an actual adult without being a middle-aged divorcee. A twenty-something entrepreneur, she runs a small business selling formerly cursed antiques (which she can verify, since she’s a curse weaver who unmakescurses.) Of course, things get complicated when a new client tries to coerce her into a job that sets her at odds with the rest of the magical community. I loved the fresh contemporary setting—no dark and seedy urban underground—and the surprising twist on ancient mythology. All in all, it was a really fun, clean, modern fantasy for grown-ups.
Struggling curse weaver Kennedy Bennett's motto is Carpe Diem. Wealthy luck worker Aiden Connolly has never leapt without looking—usually twice. Forced together on an adventure, they're going to drive each other crazy...in all the best ways.
Kennedy Bennett comes from a long line of curse weavers. For centuries, her family has plied their trade in Unstable, Massachusetts, an unconventional small town that’s welcomed paranormal practitioners since the dawn of spiritualism. Kennedy has recently struck out on her own, opening an antiques shop in Boston, where her speciality is uncursing and reselling hexed objects. Then Aiden Connolly walks into her life…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
The Elf Tangent is an adorable (yet surprisingly dangerous) romp through the woods. Our heroine, Aldari, is an intellectual princess who has reluctantly agreed to marry the prince of a neighboring kingdom (sight unseen!) to save her own people. As she travels to her wedding day, her party is attacked and she and her bodyguard are kidnapped by elves who need her help to break a generations-old curse. For once, someone needs—and appreciates—her brains! Caught between the needs of her people and the intriguing puzzle presented by the elves (oh, and the enticing commander of their party), Aldari must use her wit—and at one point a shovel—to get out of her predicament.
As a princess in the impoverished kingdom of Delantria, it’s Aldari’s job to look pretty, speak little, and marry a prince.
Studying mathematics and writing papers on economic theory in an effort to fix her people’s financial woes? Her father has forbidden it. With war on the horizon, they must focus on the immediate threat.
Reluctantly, Aldari agrees to marry a prince in a neighboring kingdom to secure an alliance her people desperately need. All is going to plan until the handsome elven mercenary captain hired to guard her marriage caravan turns into her kidnapper. His people are in trouble,…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
The first chapter is titled "Butt Cobras". That was enough of a recommendation for me! I loved the sense of humor throughout this book, including the over-the-top Jewish mother and the fact that our heroine, Talia, is a tattoo artist who’s afraid of needles and has no tattoos of her own. Add in magical tattoos that come to life—including the titular butt cobra and a rainbow-colored bird named Biscuit—a trek through the fae lands where carnivorous magical plants try to eat her, vampires are real, and a siren saves her life in exchange for a vial of her blood... and well, you have an action-packed adventure that’s nearly impossible to put down.
When Zayn, your smoking hot boss, tells you never to touch the cache of deluxe tattoo ink locked away in his office, you listen to him… until the day you run out of your own ink, your squirming client is on the verge of peeing his pants, and your boss is nowhere to be found. Desperate times call for desperate measures, right?
I fully expected Zayn to yell at me when he returned to the shop. What I didn't expect was the fresh cobra tattoo on my client’s butt magically springing to life. Or the interdimensional filing cabinet hiding in…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
Half witch, half…something else…Genevieve is a zombie hunter. Sort of. Undead are legal in this near-future alternate New Orleans, but only if they consent to be raised. So when a bunch of anti-draugr businessmen starts rising from their graves Genevieve is hired by both the Queen of the Undead and the wealthy son of one of the victims. Thing is, Genevieve isn’t entirely human, and her magic isn’t quite working properly. Fruit makes her drunk, and alcohol gives her energy. There’s only one person who can help—without getting caught in the crossfire and ending up dead himself—the local bar owner, Eli. With wicked action sequences and a unique twist on the vampire/zombie motif, I thought this one was more than worth the read.
In near-future New Orleans, draugar, again-walkers, are faster and stronger than most humans, but not venomous until they are a century old. Until then, they shamble and bite. Since not everyone wants to see their relatives end up that way, Geneviève Crowe makes her living beheading the dead.
But now, her magic's gone sideways, and the only person strong enough to help her is the one man who could tempt her to think about picket fences: Eli Stonecroft, a faery who chose bar-owner in New Orleans over a life in Elphame.
When human businessmen start turning up as draugar, both…
I love food and drink! I am an avid cook and kitchen creator. Since moving to an island five years ago, far from mainland stores, I’ve learned to craft much more myself. I make limoncello, fresh ice creams, shrub (sipping vinegar); I roast and saute and barbecue and preserve; and I belong to a “bean club” which sends me a box of interesting dried beans every quarter. (No, really.) Combine this with my love of imaginative literature, and you end up with Arouf’s “spicy sweetprawn stew” in Our Lady of the Islands…a recipe I’ll have to actually invent someday.
Chaz is my favorite foodie; many of his books (and other writings) display his vast and enthusiastic expertise on the universe of foods and how to enjoy them. But the description of the preparation and consumption of the ortolan in Bridge of Dreams is epic: it takes six dense, rich, gorgeous, deeply revealing pages…for one bite.
For a thousand years, the great city of Sund stood impregnable while its enemy, Maras, remained outside the walls. Then the Marasi harnessed the powers of magic. Erecting an otherworldly bridge whose foundations were rooted in sorcery, the Marasi overran the walls of Sund and threw them down...
Now, in the city known as Maras-Sund, magic has been outlawed. Yet there are hcildren being born with raw mahical talent—and there are those who would rally behind them to rebel against their hated overlords. Issel, a young water-seller from the poorest part of the city, possesses the gift for magic. And…
It took me a long time to realize that the books I write have always (always) been about trauma. (I write fantasy, so the link wasn’t immediately apparent to me.) But now that I’ve seen it, I can’t unsee it. Likewise, it took me a long time to notice that all my favorite magical books were the ones that seemed to be trying to find a new language for the terrible things that can happen to and around us. Magic provides a powerful language for psychological pain. It can make it more real. It can make it more digestible. It can help us to see it more clearly. Fiction tells lies that make reality bearable and understandable—and magical fiction is no different. Which is why it will probably always be my favorite kind.
Karen Foxlee is—hands down—one of my favorite writers ever. She writes so beautifully and compassionately about what it feels like to be lost or sad or afraid, and Ophelia and the Marvelous Boy is no exception. This retelling of The Snow Queen takes place in a snowbound museum filled with arcane objects. The main character, Ophelia, is grieving the loss of her mother. And even though she doesn’t consider herself very brave, she volunteers for a quest that will change the world—and begin to heal her heart. I love this book for its gentleness, its beauty, its snowy cosiness, and its powerful portrayal of a girl moving within—and through—grief.
“Magic is “messy and dangerous and filled with longing,” we learn in this brave tale of grief, villainy and redemption that borrows from the story of the Snow Queen. Set in a vast, chilly museum, the tale brings together a valiant girl, a charmed boy, a magical sword and a clock ticking down to the end of the world.”—The Wall Street Journal
This is the story of unlikely heroine Ophelia Jane Worthington-Whittard who doesn't believe in anything that can't be proven by science. She and her sister Alice are still grieving for their dead mother when their father takes a…
I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
Sometimes, you just want to retire and have a nice, quiet cup of tea. And world-ending magical plots keep getting in the way. Adoulla Mahmoud, once the best Ghul hunter alive, is just trying to retire. Unfortunately, the world has other plans for him. Alongside the pious warrior Raseed bas Raseed, and the shapeshifting Zamia Badawi, Adoulla faces the greatest threat yet. One that could destroy not just his favorite teahouse, but the world.
While there is some good-natured humor within this book, Saladin Ahmed establishes right away with a torture-scene prologue that Throne of the Crescent Moon will be dark and gory. I love the magic system and the Arabia-inspired world. The only downside to this book is that Ahmed doesn’t seem to be working on the sequel.
Traditional swords & sorcery fantasy with an authentic middle-eastern spin.
The Crescent Moon Kingdoms, land of djenn and ghuls, holy warriors and heretics, Khalifs and killers, is at boiling point. A power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince is reaching its climax. In the midst of this brewing rebellion, a series of brutal supernatural murders strikes at the heart of the Kingdoms. Only a handful of reluctant heroes can learn the truth, and stop the killing.
Doctor Adoulla Makhslood just wants a quiet cup of tea. Three score and more years…
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
I loved this book because this was the first time I came across history in this way. Of course, historical fiction has a long history but this book moves away from that tradition and tells a story of a city in a manner that is somewhere between history and historical fiction, creating a genre of its own. The book is riveting and true to a lot of fascinating historical detail.
I return to Delhi as I return to my mistress Bhagmati when I have had my fill of whoring in foreign lands...' Thus begins Khushwant Singh's vast, erotic, irrelevant magnum opus on the city of Delhi. The principal narrator of the saga, which extends over six hundred years, is a bawdy, ageing reprobate who loves Delhi as much as he does the hijda whore Bhagmati-half man, half woman with sexual inventiveness and energy of both the sexes. Travelling through time, space and history to 'discover' his beloved city, the narrator meets a myriad of people-poets and princes, saints and sultans,…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
Visitors always go to Topkapı Palace and marvel at its elaborate ceremonial courts and beautifully sinister harem where women were sequestered away from prying eyes. It offers a tantalising glimpse into the world of the Ottoman elite but if you want to get a richer idea of what it was like, this book brings it to life. Author John Freely, a physicist and long-term resident of the city, combined historical fact with engaging writing and a blazing passion for all things Ottoman and Turkish to tell the story of the Sultans, their wives, children, and court followers. He drew from rare books in Turkish libraries and travellers’ records as well as letters and reports made by visiting foreign dignitaries of the period to capture moments when innocent amusements, gentle flirtations, and simple pastimes turned into brutal murders and dramatic intrigues.
This is the story of the House of Osman, the imperial dynasty that ruled the Ottoman Empire for more than seven centuries, an empire that once stretched from central Europe to North Africa and from Persia to the Adriatic. The capital of this empire was Istanbul, ancient Byzantium, a city that stands astride Europe and Asia on the Bosphorus. And it was in the great palace of Topkapi Sarayi that the sultans of this empire ruled. Inside the Seraglio a classic of Ottoman history takes us behind the gilded doors of the Topkapi and into the heart of the palace:…
I'm an author from New Zealand, who writes fiction and non-fiction for adults, but I'm also an accidental children's book writer. Accidental? I never thought I would write books for children, but the then 10-year-old in our family demanded a children's book, and the popular Elastic Island Adventures series was born. I always remember how much joy I got from discovering books as a child, so I'm interested in books that are fun for children but encourage creativity and literacy. I love when books are so enjoyable that children don't realize how much they are learning, where they can enjoy exploring the 'theater of the mind'.
There is everything to love about this novel! The King's Nightingale has it all – a feisty young heroine attempting to overcome terrible danger and injustice, sultans and sumptuous palaces, and a story about standing up against oppression, learning loyalty, and finding love. The story opens with Elowen and her younger brother being brutally seized by pirates from their peaceful village and suffering a terrible voyage that many others don't survive. Sold to a desert ruler who admires her beautiful singing voice, Elowen is given the title of the King's Nightingale. But she is determined to escape and rescue her brother and return home… Historical and inventive, this novel transports you to another world!
An epic fantasy by acclaimed author Sherryl Jordan, set in a land of sultans and kings, sumptuous palaces ... and slave markets. When Elowen and her brother are seized by pirates and sold, separately, in the slave market of a distant land, Elowen's enduring resolve is to escape, rescue her brother and return home.
Sold to a desert ruler who admires her sublime voice, Elowen is given the title of the King's Nightingale. Honoured by the king, and loved by his scribe, Elowen lives a life of luxury, until she makes a fateful mistake and finds herself sold to a…
