Here are 75 books that Inked fans have personally recommended if you like
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I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
Kelley Armstrong has long been one of my favorite authors, but this book in particular struck a positive chord with me. The quirky heroine, Kennedy, is an actual adult without being a middle-aged divorcee. A twenty-something entrepreneur, she runs a small business selling formerly cursed antiques (which she can verify, since she’s a curse weaver who unmakescurses.) Of course, things get complicated when a new client tries to coerce her into a job that sets her at odds with the rest of the magical community. I loved the fresh contemporary setting—no dark and seedy urban underground—and the surprising twist on ancient mythology. All in all, it was a really fun, clean, modern fantasy for grown-ups.
Struggling curse weaver Kennedy Bennett's motto is Carpe Diem. Wealthy luck worker Aiden Connolly has never leapt without looking—usually twice. Forced together on an adventure, they're going to drive each other crazy...in all the best ways.
Kennedy Bennett comes from a long line of curse weavers. For centuries, her family has plied their trade in Unstable, Massachusetts, an unconventional small town that’s welcomed paranormal practitioners since the dawn of spiritualism. Kennedy has recently struck out on her own, opening an antiques shop in Boston, where her speciality is uncursing and reselling hexed objects. Then Aiden Connolly walks into her life…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
The Elf Tangent is an adorable (yet surprisingly dangerous) romp through the woods. Our heroine, Aldari, is an intellectual princess who has reluctantly agreed to marry the prince of a neighboring kingdom (sight unseen!) to save her own people. As she travels to her wedding day, her party is attacked and she and her bodyguard are kidnapped by elves who need her help to break a generations-old curse. For once, someone needs—and appreciates—her brains! Caught between the needs of her people and the intriguing puzzle presented by the elves (oh, and the enticing commander of their party), Aldari must use her wit—and at one point a shovel—to get out of her predicament.
As a princess in the impoverished kingdom of Delantria, it’s Aldari’s job to look pretty, speak little, and marry a prince.
Studying mathematics and writing papers on economic theory in an effort to fix her people’s financial woes? Her father has forbidden it. With war on the horizon, they must focus on the immediate threat.
Reluctantly, Aldari agrees to marry a prince in a neighboring kingdom to secure an alliance her people desperately need. All is going to plan until the handsome elven mercenary captain hired to guard her marriage caravan turns into her kidnapper. His people are in trouble,…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
Half witch, half…something else…Genevieve is a zombie hunter. Sort of. Undead are legal in this near-future alternate New Orleans, but only if they consent to be raised. So when a bunch of anti-draugr businessmen starts rising from their graves Genevieve is hired by both the Queen of the Undead and the wealthy son of one of the victims. Thing is, Genevieve isn’t entirely human, and her magic isn’t quite working properly. Fruit makes her drunk, and alcohol gives her energy. There’s only one person who can help—without getting caught in the crossfire and ending up dead himself—the local bar owner, Eli. With wicked action sequences and a unique twist on the vampire/zombie motif, I thought this one was more than worth the read.
In near-future New Orleans, draugar, again-walkers, are faster and stronger than most humans, but not venomous until they are a century old. Until then, they shamble and bite. Since not everyone wants to see their relatives end up that way, Geneviève Crowe makes her living beheading the dead.
But now, her magic's gone sideways, and the only person strong enough to help her is the one man who could tempt her to think about picket fences: Eli Stonecroft, a faery who chose bar-owner in New Orleans over a life in Elphame.
When human businessmen start turning up as draugar, both…
I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.
This book was an emotional rollercoaster ride filled with everything I love about epic fantasy, but without the stereotypical cookie-cutter women. Set in an alternate ancient middle east, where sultans rule and magic is elemental, Naime is the only child of the declining sultan. She’s smart, self-controlled, a powerful air mage, and dedicated to the prosperity of her kingdom. Unfortunately, the king’s council is mired in tradition and opposed to a woman on the throne. With the threat of invasion from a technologically superior anti-magic nation, Naime must navigate the web of political intrigue to broker an alliance with the neighboring warrior realm. Enter Makram, brother to their king and one of the powerful (and feared) death mages. As obstacles are thrown in Naime’s way, success is not guaranteed. There were moments I had to pause to breathe, the tension was so high. I loved every minute.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I am a sucker for fairy tale retellings. Beauty and the Beast especially. Throw in the fae, magic based on a flower language, and an assassin who just wants to be a very proper lady, and it’s really no wonder that I was hooked.
The characters are what really made this book shine. I may not be languishing alone in a sentient castle or trying to find my place in high society, but I could still relate to Briannis and the fae king. A perfect romance to showcase that, sometimes, proper manners are the villain.
Killing a fae king is hard. Doing so politely is even harder.
Briannis Iavi – well-bred lady and accidental assassin – is so close to securing the life of her dreams. All she needs to do is complete one last job: make her way into fae territory, sneak into the enchanted halls of Rosethorn Keep, and kill the king of Faerie.
But her plan goes disastrously wrong, and Briannis finds herself a captive at her target’s mercy instead.
Cursed to a life of loneliness and slow decay, the monstrous fae king seems hell-bent on revenge – and if he can’t…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
This book, the first in a trilogy, ticks off several of my favorite genres and tropes. It’s a retelling of the Scottish ballad of Tam Lin (which I love), it’s set in a small college town, and it deals with a strange otherworld community beneath the surface. Following her older sister’s suicide, Finn Sullivan and her father relocated to upstate New York. Here, Finn’s path crosses that of the powerful, mysterious Fata family, and gets herself pulled into a strange new world that’s as beautiful as it is threatening.
Combining the sorcery of The Night Circus with the malefic suspense of A Secret History, Thorn Jack is a spectacular, modern retelling of the ancient Scottish ballad, Tam Lin-a beguiling fusion of love, fantasy, and myth that echoes the imaginative artistry of the works of Neil Gaiman, Cassandra Clare, and Melissa Marr. In the wake of her older sister's suicide, Finn Sullivan and her father move to a quaint town in upstate New York. Populated with socialites, hippies, and dramatic artists, every corner of this new place holds bright possibilities-and dark enigmas, including the devastatingly attractive Jack Fata, scion of…
I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic?
While in a style all her own, Emma Bull’s War for the Oaks mirrors de Lint’s ability to bring the thrill of magic and danger into our world against the backdrop of our mundane reality. I love the idea that magic exists alongside the reality most think is the be all and end all. To believe that the things we see out of the corner of our eye actually exist, perhaps just in an alternate realm that lies beside ours. I have to say I believe in magic. I thoroughly enjoy this book and have read it more than once.
Eddi McCandry has just left her boyfriend and their band when she finds herself drafted against her will in a faerie war between the Summer and Winter Courts, the WAR FOR THE OAKS. While trying to cope with her new otherworldly bodyguyard, the Pooka, Eddi also struggles to build a new life, a new band, survive the schemes of the Queen of Air and Darkness -- and discover the magic that is truly her own. Emma Bull and Will Shetterly write novels, short stories, screenplays, comic books, poetry and essays. Emma was a finalist for the Hugo, Nebula and World…
Mary Losure is the author of The Fairy Ring, or Elsie and Frances Fool the World. Though she doesn’t happen to believe in fairies herself, when she went to Cottingley, England, and explained that she was writing a children’s book about the girls who took the Cottingley Fairy Photographs, she met a surprisingly large number of people who did. Plus, she’s always been interested in imaginary worlds. Her most recent book, Isaac the Alchemist: Secrets of Isaac Newton, Reveal’d, is the story of a magic-seeking boy who grew up to become the world’s greatest alchemist. Oh, and also discovered the secrets of the universe….
For a serious look at English fairy lore, try The Fairies in English Tradition and Literature by K.M. Briggs. It’s only one of the author’s many books on fairies, so if you’re interested in English fairy lore, the work of Katharine. Briggs is a gold mine.
Fairies fascinate young and old alike. To some they offer tantalizing glimpses of other worlds, to others a subversive counterpoint to human arrogance and weakness. Like no other author, Katharine Briggs throughout her work communicated the thrill and delight of the world of fairies, and in this book she articulated for the first time the history of that world in tradition and literature.
From every period and every country, poets and storytellers have described a magical world inhabited by elfin spirits. Capricious and vengeful, or beautiful and generous, they've held us in thrall for generations. And on a summer's morn,…
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
This Final Fantasy and DnD-inspired contemporary fantasy has 5 POVs, but we’re really here for prickly leather queen Nausicaä. Nos is a sarcastic ex-Fury with a short temper, a sword, and a serious grudge against the Deities who exiled her to the mortal realm. She’s old, she’s cranky, and she’s totally soft for Arlo, an adorable half-fae girl on a mission to uncover the mystery behind unsolved magic murders in Toronto. I seriously can’t resist a grump and sunshine team-up.
“Beautifully written and deliciously complex…I couldn’t get enough.” —Nicki Pau Preto, author of the Crown of Feathers series
The Cruel Prince meets City of Bones in this thrilling urban fantasy set in the magical underworld of Toronto that follows a queer cast of characters racing to stop a serial killer whose crimes could expose the hidden world of faeries to humans.
Choose your player.
The “ironborn” half-fae outcast of her royal fae family. A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge. A dutiful fae prince, determined to earn his place on the throne. The…
Mary Losure is the author of The Fairy Ring, or Elsie and Frances Fool the World. Though she doesn’t happen to believe in fairies herself, when she went to Cottingley, England, and explained that she was writing a children’s book about the girls who took the Cottingley Fairy Photographs, she met a surprisingly large number of people who did. Plus, she’s always been interested in imaginary worlds. Her most recent book, Isaac the Alchemist: Secrets of Isaac Newton, Reveal’d, is the story of a magic-seeking boy who grew up to become the world’s greatest alchemist. Oh, and also discovered the secrets of the universe….
Yeats, a mystic poet, travelled across Ireland in the late 1800s and early 1900s, asking country people if they’d ever seen fairies and taking down their stories. “I believe when I am in the mood that all nature is full of people whom we cannot see,” he wrote in an earlier book, The Celtic Twilight. “Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing….” Yates believed the songs and stories "handed down among the cottages” were “Folk art [which]… because it has gathered into itself the simplest and most unforgettable thoughts of the generations… is the soil where all great art is rooted.” His own poetry bears this out.
