Here are 83 books that Pumpkin Soup fans have personally recommended if you like
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I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
Bill Wood’s engaging and accessible book is a must-read for anyone who is interested in travelling to Mexico or Mexican arts and crafts. Based on research with Zapotec weavers from Teotitlán del Valle, Oaxaca, Made in Mexico shows how it is impossible to understand how and why such items are made today without also knowing about the ways that Oaxaca and Zapotec people are marketed as part of an industry that sells authenticity and “Zapotecness.” Through clear analysis of the marketing of Oaxaca as a tourism destination and the making and marketing of Zapotec textiles as indigenous art and artifacts in both Mexico and the United States, Made in Mexico shows how Mexican craftworks today are very much global cultural commodities.
Made in Mexico introduces us to the people, places, and ideas that create Zapotec textiles and give them meaning. From Oaxaca, where guides escort tourists to weavers' homes and then to the shops and markets where weavings are sold, to the galleries and stores of the American Southwest, where textiles are displayed and purchased as home decor or ethnic artwork, W. Warner Wood's ethnographic account crosses the border in both directions to describe how the international market for Native American art shapes weavers' design choices. Everyone involved in this enterprise draws on images of rustic authenticity and indigenous tradition connecting…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
I love this book because it combines an account of the historical development of the market for acrylic paintings by Pintupi Aboriginal Australian artists with a critical analysis of the ways that contemporary art markets create the idea of the ‘Aboriginal artist’ in the first place. Because Myers had already conducted research on Pintupi culture, rituals, and personhood before he came to write this book, he is able to fully explore the aesthetic and cosmological processes that underpin the actual practices of painting that his research participants use in their work.
By also investigating how dealers, museum curators, and collectors in Australian and international Aboriginal art worlds view and value Pintupi painters and their works, Myers shows very clearly the changes in meaning and value that take place when indigenous material culture circulates as artistic and ethnic commodities in national and international markets.
Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied-often as a participant-observer-the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
In Thiefing a Chance, Rebecca Prentice shows us what life is like for women who make clothing in a factory in Trinidad – a livelihood shared by more than 75 million people worldwide, most of them in the Global South. I recommend this book because although Prentice discusses the ways that late-capitalism and neoliberal structural reforms have produced the difficult economic and working conditions that her research participants must cope with, she also shows how the women are not passive subjects in these processes. She documents how they take every opportunity on the factory floor to informally gain skills and to make ‘illicit’ garments out of spare materials, which they can sell outside of work.
However, Prentice resists the temptation to analyze these practices as ‘social resistance,’ and instead shows how such informal practices actually encourage these women to embrace neoliberal identities of competitive, enterprising individuals.
When an IMF-backed program of liberalization opened Trinidad’s borders to foreign ready-made apparel, global competition damaged the local industry and unraveled worker entitlements and expectations but also presented new economic opportunities for engaging the “global” market. This fascinating ethnography explores contemporary life in the Signature Fashions garment factory, where the workers attempt to exploit gaps in these new labor configurations through illicit and informal uses of the factory, a practice they colloquially refer to as “thiefing a chance.”
Drawing on fifteen months of fieldwork, author Rebecca Prentice combines a vivid picture of factory life, first-person accounts, and anthropological analysis to…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
Like the other works on my list, Susan Terrio’s book considers how globalization transforms the production, meanings and markets for goods, and the lives of those who make them. Terrio considers how artisanal chocolate makers in Paris and the Bayonne area worked to carve out a high-value market niche for themselves by re-educating the public about the quality and prestige of French handmade chocolates. She documents how they managed to succeed in this project by borrowing terminology and practices from wine connoisseurship, and by linking their handmade chocolate to French identity. I love this book because it provides insights into how our own ideas about taste, quality, and enjoyment are deeply connected to economics, politics, policy, and identity – and because it’s about chocolate, of course!
This absorbing narrative follows the craft community of French chocolatiers--members of a tiny group experiencing intensive international competition--as they struggle to ensure the survival of their businesses. Susan J. Terrio moves easily among ethnography, history, theory, and vignette, telling a story that challenges conventional views of craft work, associational forms, and training models in late capitalism. She enters the world of Parisian craft leaders and local artisanal families there and in southwest France to relate how they work and how they confront the representatives and structures of power, from taste makers, CEOs, and advertising executives to the technocrats of Paris…
I’ve always identified as a weirdo and felt misunderstood, which led to lots of wasted time “trying to fit in.” As an adult, I’ve learned to love myself for exactly who I am, but it took a lot of work and self-reflecting. Looking back, I realize there were actually many kids who felt the same way as me and we just never managed to connect with each other! Finding people who “get you” is an important task—but I truly believe self-love and self-acceptance is the greatest goal for all humans. I hope my books speak to the “weirdos” and non-weirdos a like, and encourages all readers to love themselves just the way they are.
Quakers thinks he is a duck and discovers he’s really a cat! As a person who often felt pulled between many worlds (like being an introvert sometimes and an extrovert other times) and never really “fit in” I was cheered to see a relatable journey with a sweet, satisfying ending.
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A cat who thinks he’s a duck? He must be Quackers!! This quirky funny book is about standing out, fitting in, and building a life with room for all.
Quackers is a duck. Sure, he may have paws and whiskers. And his quacks might sound more like...well, meows, but he lives among ducks, everyone he knows is a duck, and he's happy.
Then Quackers meets another duck who looks like him (& talks like him, too!)—but he calls himself a cat. So silly!
Quackers loves being among his new friends the cats, but he…
I’ve loved cats my whole life, ever since I started to crawl around with our two cats Tabby and Tubby when I was a baby. Cats are cute and beautiful and have so much personality that they get away with all kinds of shenanigans. This makes cats the perfect subject for picture books for children, which is why I wrote my own cat picture book, and why I’m always on the lookout for kids’ books where they’re the star of the show. So many picture books have serious and instructive themes, and while these books are obviously important, sometimes you just want to snuggle up with your little one and have a good laugh.
The narrator of Cat Problems is a cynical, bad-tempered, ungrateful cat (sounds a lot like my cat, Stanley), wonderfully drawn by the brilliant Lane Smith. After the cat’s litany of complaints, a nosy squirrel tries to teach him (and the reader) a lesson about gratitude, but the cat just ignores him. And I love that! Sometimes, you don’t need a lesson, you just need to laugh—and you will!
What could a pampered house cat possibly have to complain about?
Just like most cats, this cat lives an extremely comfortable life. But he has his problems, too...
The sun spot he's trying to bathe in just won't stop moving. The nosy neighbour squirrel just can't seem to mind its own business. And don't even get him started on the hoover! It's an absolute menace! Will this cat ever find the silver lining?
From picture book superstars Jory John and Lane Smith, the creators of Penguin Problems and Giraffe Problems, comes a brand-new, hilarious collaboration sure to tickle every feline…
I’m a stay-at-home working dad, and have handed my boys countless books to keep them entertained so I could get some work done. There’s something magical about giving your kid a book that sparks their love of reading. In my own experience, adventure books that made my boys laugh out loud would captivate my kids for hours…and keep them out of my hair.
Jame’s Bird & Squirrel series taught me a lot about comedic timing in comics. When I sold my own book and realized I actually had to write a book I had a slight panic attack. My agent recommended I look at Bird & Squirrel as a guide to writing and illustrating a graphic novel. James also works in animation and those skills are on display with how his characters move and interact in his books. Reading Bird and Squirrel is like watching a beloved Saturday morning cartoon.
Squirrel is afraid of his own shadow. Bird doesn't have a care in the world. And Cat wants to eat Bird and Squirrel. Of course, he'll have to catch them first, and that's not going to be easy. Join this trio as they head south for the winter in a hilarious road trip. But watch out! Cat is waiting around every bend, and he's one pesky feline.
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
Everyone I love who’s seen my shelf knows how much I love this picture book. I adore the simple ink drawings; it’s all I need to understand to story.
I never expected a 32-page book to break me like this. It makes me want to hug my cat Marlie and never let go (to her annoyance). To me, it explained life and death so perfectly—when one goes away, another comes into our lives.
There was a cat who lived alone. Until the day a new cat came . . .
And so a story of friendship begins, following two cats through their days, months, and years until one day, the older cat has to go. And he doesn't come back.
This is a poignant story, told in measured text and bold black-and-white illustrations about life and the act of moving on.
I’ve never forgotten how thrilling it felt to read a book on my own for the first time. Mouse Soup, Frog and Toad, and Amelia Bedelia are still among my most-loved books to this day. I particularly adore early readers created by authors and illustrators who aren’t afraid to get silly (James Marshall forever!). Stories for beginning readers are my favorite kinds of stories to write, and I always aim to write books that make kids laugh. What better way for them to discover that reading can be fun?
Poor Nat the Cat just wants to take a nap, but the intrusive narrator won’t let him. The incongruity of the narrator’s words and Nat’s actions pack a comedic punch on every page, just as the brilliant See the Cat and See the Dog books do.
Lerner managed to create this gem with few words and sparse illustrations, which is incredibly difficult. And good news—the Nat the Cat books are now a series.
From Jarrett Lerner, the powerhouse creator behind the EngiNerds, Geeger the Robot, and Hunger Heroes series, comes a hilarious new Pre-Level 1 Ready-to-Read series about a grumpy cat and a long-suffering narrator!
Nat the Cat is taking a nap. Or he would be…if only the narrator would stop interrupting his sleep! This witty story, where Nat’s words keep getting turned upside down and inside out, is sure to make readers laugh out loud.
I’m a conservation and taxidermy historian who writes about wildlife economics specifically for people new to the subject. I live in Brooklyn, travel constantly, love museums, and collect too many things (my grandmother owned an antique shop which kicked off my love of history.) My love for animals, history, and the outdoors created a bizarre career path that I have followed like an excited scent hound from the outdoor industry, butchery, museum sphere to conservation education and wildlife economics. I’m either in the woods, a Japanese restaurant, or on the road giving lectures about anything from the history of taxidermy to effective conservation structures in southern Africa.
If you can’t wrap your head around outdoor cats, you’ll never be a successful conservationist.
Outdoor cats are the ultimate litmus test of conservation theory and practice, the end-all-be-all of “trolly car problem” thought experiments.
Outdoor cats are directly responsible for the extinction of at least 63 entire species of animal, but people have trouble taking action against them because we perceive them as pets even if they’re not. So who’s more important, the population of feral cats in New Zealand, or the survival of their last remaining endangered ground birds?
In 1894, a lighthouse keeper named David Lyall arrived on Stephens Island off New Zealand with a cat named Tibbles. In just over a year, the Stephens Island Wren, a rare bird endemic to the island, was rendered extinct. Mounting scientific evidence confirms what many conservationists have suspected for some time--that in the United States alone, free-ranging cats are killing birds and other animals by the billions. Equally alarming are the little-known but potentially devastating public health consequences of rabies and parasitic Toxoplasma passing from cats to humans at rising rates. Cat Wars tells the story of the threats free-ranging…
