84 books like Pumpkin Soup

Bill Wood’s engaging and accessible book is a must-read for anyone who is interested in travelling to Mexico or Mexican arts and crafts. Based on research with Zapotec weavers from Teotitlán del Valle, Oaxaca, Made in Mexico shows how it is impossible to understand how and why such items are made today without also knowing about the ways that Oaxaca and Zapotec people are marketed as part of an industry that sells authenticity and “Zapotecness.” Through clear analysis of the marketing of Oaxaca as a tourism destination and the making and marketing of Zapotec textiles as indigenous art and artifacts in both Mexico and the United States, Made in Mexico shows how Mexican craftworks today are very much global cultural commodities.  

I love this book because it combines an account of the historical development of the market for acrylic paintings by Pintupi Aboriginal Australian artists with a critical analysis of the ways that contemporary art markets create the idea of the ‘Aboriginal artist’ in the first place. Because Myers had already conducted research on Pintupi culture, rituals, and personhood before he came to write this book, he is able to fully explore the aesthetic and cosmological processes that underpin the actual practices of painting that his research participants use in their work.

By also investigating how dealers, museum curators, and collectors in Australian and international Aboriginal art worlds view and value Pintupi painters and their works, Myers shows very clearly the changes in meaning and value that take place when indigenous material culture circulates as artistic and ethnic commodities in national and international markets.

In Thiefing a Chance, Rebecca Prentice shows us what life is like for women who make clothing in a factory in Trinidad – a livelihood shared by more than 75 million people worldwide, most of them in the Global South. I recommend this book because although Prentice discusses the ways that late-capitalism and neoliberal structural reforms have produced the difficult economic and working conditions that her research participants must cope with, she also shows how the women are not passive subjects in these processes. She documents how they take every opportunity on the factory floor to informally gain skills and to make ‘illicit’ garments out of spare materials, which they can sell outside of work.

However, Prentice resists the temptation to analyze these practices as ‘social resistance,’ and instead shows how such informal practices actually encourage these women to embrace neoliberal identities of competitive, enterprising individuals.

Like the other works on my list, Susan Terrio’s book considers how globalization transforms the production, meanings and markets for goods, and the lives of those who make them. Terrio considers how artisanal chocolate makers in Paris and the Bayonne area worked to carve out a high-value market niche for themselves by re-educating the public about the quality and prestige of French handmade chocolates. She documents how they managed to succeed in this project by borrowing terminology and practices from wine connoisseurship, and by linking their handmade chocolate to French identity. I love this book because it provides insights into how our own ideas about taste, quality, and enjoyment are deeply connected to economics, politics, policy, and identity – and because it’s about chocolate, of course! 

Quakers thinks he is a duck and discovers he’s really a cat! As a person who often felt pulled between many worlds (like being an introvert sometimes and an extrovert other times) and never really “fit in” I was cheered to see a relatable journey with a sweet, satisfying ending.

The narrator of Cat Problems is a cynical, bad-tempered, ungrateful cat (sounds a lot like my cat, Stanley), wonderfully drawn by the brilliant Lane Smith. After the cat’s litany of complaints, a nosy squirrel tries to teach him (and the reader) a lesson about gratitude, but the cat just ignores him. And I love that! Sometimes, you don’t need a lesson, you just need to laugh—and you will!

Jame’s Bird & Squirrel series taught me a lot about comedic timing in comics. When I sold my own book and realized I actually had to write a book I had a slight panic attack. My agent recommended I look at Bird & Squirrel as a guide to writing and illustrating a graphic novel. James also works in animation and those skills are on display with how his characters move and interact in his books. Reading Bird and Squirrel is like watching a beloved Saturday morning cartoon. 

I read this book shortly after losing my pet rabbit, and I almost started crying in the middle of the bookstore.

The text and artwork are so simple while conveying so much feeling. And the ending brings the story full circle in a wonderful way. It is a perfect book for anyone who has lost a beloved pet.

Poor Nat the Cat just wants to take a nap, but the intrusive narrator won’t let him. The incongruity of the narrator’s words and Nat’s actions pack a comedic punch on every page, just as the brilliant See the Cat and See the Dog books do.

Lerner managed to create this gem with few words and sparse illustrations, which is incredibly difficult. And good news—the Nat the Cat books are now a series. 

I Am an Artist takes the idea of making art everywhere and out of everything to the extreme–with hilarious results.

Altés’ protagonist goes above and beyond (literally) in his efforts to create, but sometimes the creative chaos goes a little too far for his mother’s liking (although the cat doesn’t seem to mind). Of course, he knows exactly what to do to make his mom happy: more art! If you’re anything like me, your creative juices will definitely be overflowing after reading this one.