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I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
With its combination of mature, flawed characters, slow-burn romance, and just the right amount of magic and wonder in the world, Swordheart is one of my favorite fantasy romances.
It’s an odd couple: a quirky widow for whom life on the road, and certainly pursuit by all manner of bandits is unfamiliar territory, together with a grumpy warrior imprisoned in an enchanted sword. Yet the two draw closer as they overcome countless obstacles together.
Halla is a housekeeper who has suddenly inherited her great-uncle's estate… and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws… and the sword itself may prove to be the greatest threat of all.
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
Skeeve, the main character, just feels so darned human. He’s a nobody with no real talent thrown into a deadly magical conspiracy and reluctantly taken on as an apprentice by a grumpy demon sorcerer who’s lost his magic powers. And while the pairing seems so unlikely, the friendship that develops between them warms my heart every time.
Plus, it’s such a great blend of fast-paced adventures, and slower cozy moments to reflect and build friendships. It also contains my favorite scene in all of fantasy, when our demon talks would-be assassins not only out of killing the pair, but also out of their entire bankroll!
Skeeve is a magician’s apprentice (and a wanna-be thief) until an assassin’s bolt kills his master, Garkin. Along with Aahz, the green-scaled, purple-tongued demon and master magician summoned by Garkin, he sets out on a quest to get even. The road to vengeance is bound to prove rocky, however, because Skeeve can barely light a candle with his beginning magic, and Aahz has lost his own considerable magical abilities as a consequence of Garkin’s summoning spell. Before they can confront the power-mad wizard who ordered Garkin’s assassination, they must survive a trip to a weird alternate dimension, encounters with Impish…
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
While it’s hard to pick a single favorite among the Discworld series, Mort stands out for me as a mix of a bizarre concept, quirky characters you can cheer for, and unexpected plot twists.
It’s hard to imagine a book about death being so funny, but the outlandish premise sets a stage rife with opportunities for humor. And yet, it’s the characters that really carry the story. Characters of this world have a wide spectrum of moralities, and yet despite their flaws and mistakes, you find yourself cheering for them.
'Cracking dialogue, compelling illogic and unchained whimsy' Sunday Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
Death comes to us all. When he came to Mort, he offered him a job.
Death is the Grim Reaper of the Discworld, a black-robed skeleton carrying a scythe who must collect a minimum number of souls in order to keep the momentum of dying, well . . . alive.
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
Starting at zero may be typical for a litRPG, but Broccoli Bunch, heroine of the story, sets herself apart by humanizing all the creatures of her new world rather than devaluing them as objects to be slaughtered in the quest for power, glory, and loot. While fighting monsters in pursuit of some grand quest is commonplace in fantasy, within the litRPG subgenre, it’s practically the sole focus.
Which is why to me, our compassionate heroine Broccoli Bunch trying to make friends with all the monsters in the world is such a satisfying breath of fresh air.
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
Every time I wade into a play or see a production, I discover the language that describes the human condition perfectly. Pithy moments of insight juxtaposed and embedded in meaningful testimonies of why we do the things we do. As a writer, I believe there is no better teacher of the magic of the English language.
This ebook contains Shakespeare's complete plays and complete poems in a new, easy-to-read and easy-to-navigate format. This is the most reader-friendly introduction to Shakespeare available today. 'The Complete Works of William Shakespeare' collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a Collectible Edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful Collectible Edition, you can enjoy Shakespeare's enduring literary legacy again and again.
There is a saying that you can take the girl out of Scotland but not Scotland out of the girl. I am that girl. Born and raised in Scotland, I earned an MA from Edinburgh University and a M.Litt from Oxford. I met my husband during the summer at Dartmouth College and the rest, as they say, is history. Or, at least it would be, except for the hankering back to Scotland that never leaves. My novel set in Scotland was published by Simon & Schuster.
This is an extensive biography of Scotland’s celebrated bard, Robert Burns, and includes a collection of unpublished letters. Scotland’s own “heaven taught ploughman,” gave life a run for its money, giving us in his few but fruitful years lines of poetry that match Shakespeare himself.
Oh, would some
Power the giftie
gie us
To see ourselves as
Others see us!
McIntyre gives Burns a good shot. No Scottish writer, including myself, could think of their career trajectory without Robert Burns standing out prominently along that line. He gave us the gift of hubris and the gift of the poetic gab.
This biography illuminates and explores the complexities and contradictions of Burns's character and personality, untangling the myth from the legend. Based on new evidence from 700 letters Burns wrote during his life, McIntyre concentrates on the circumstances of the writing of poetry itself, and paints a vivid picture of Burns's emotional and impulsive political views, the cruelty and gentleness of which he was capable, stressing the importance and the quality of the satirical poetry as well as the unforgettable love poetry immediately associated with his name.
While I love a good romance, I was disappointed to discover how few novels are written about friendship. In so many books, friends take a backseat to the love interest, or to the plot; it’s hard, outside of fiction aimed at children, to find stories that treat friendship as pivotal to a character’s life as friendship usually is in normal life. I love stories that show us what that kind of friendship looks like, and how it can matter… which is why I write them.
The War God series follows the development of an unlikely orc-analog paladin, Bahzell, which would be entertainment enough: but Bahzell’s best friend, a would-be quasi-orc bard, Brandark, remains his steadfast companion throughout all his unlikely adventures. The best part of their relationship is definitely their communication: via humorous barbs and perfectly timed silences. Sheer fun!
Whom the gods would recruit, they first tick off...our hero: the unlikely paladin, Bahzell Bahnakson of the Horse Stealer, Hradani. He's no knight in shining armour. He's a hradani, a race known for their uncontrollable rages, bloodthirsty tendencies, and inability to maintain civilized conduct. None of the other Five Races of man are like the hradani. Besides his ethnic burden, Bahzell has problems of his own to deal with: a violated hostage bond, a vengeful prince, a price on his head. He doesn't want to mess with anybody else's problems, let alone a god's, let alone the War God's! So,…
Ever since I was a child the world has fascinated me. I’ve grown up with a deep love of reading and passion for the natural world, so much so that this often inspires both my writing and my artwork. As an artist and writer I seek to showcase the wonder and magic in the world. I have been able to draw upon ancient legends for inspiration into how people’s minds worked in the deep past and use it to enrich my writing further to cement the stories into our world and become more tangible. As a part-time adventurer, it’s only natural that my novels should be that.
Although magic doesn’t feature as strongly in this as the other recommendations and in the subsequent books in the series, I recommend this it cleverly disguises magic within the world, it's not showy but still believable, something which makes you think. It's also a gripping tale that connects Atlantis with the stories around King Arthur.
A magnificent tale which begins with the tragedy of Atlantis and the arrival in Britain of King Avallach. In this world, Celtic chieftains struggle for survival in the twilight of Rome's power, and one heroic figure towers over all, the Prince Taliesin, in whom is the sum of human greatness. This is a tale of a love that spawns the miracle of Merlin and Arthur and a destiny that is more than a kingdom.
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.
A bard and a forest spirit uncover a deadly magical threat…and the key to survival lies within their own forgotten songs.
Struggling bard Emry Karic has only one path home: impress the Auric Guild, join its ranks of elite musicians, and return to his family with his honor in hand.
Difficult to do on a good day. Impossible to do with a possessed lute.
Hours before Emry’s big break, an unnatural earthquake strikes, forcing a forest spirit named Aspen to take refuge in his lute. Aspen is loud, talkative...and not leaving anytime soon.
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
I don't ordinarily care for stories about dragons or speaking animals, but this book's beautifully written descriptions of them and their world made it compelling, and the singing dragons remained in my memory long after the first time I read it. Moreover, the familiar elements of such fantasy–a hidden prince, animal companions, magical objects, imprisonment in a dungeon, and so forth--are here presented in unique and believable ways. The protagonists are heroic but vulnerable and the villains who seek to enslave the world are truly evil, so that the reader feels that what happens to them really matters. And looking it over recently, I was struck by the realization that in the years since its first publication in the 1980s the timeliness of the story has increased.
Book 1: Nightpool. As dark raiders invade the world of Tirror, a singing dragon awakens from her long slumber, searching for the human who can vanquish the forces of evil—Tebriel, son of the murdered king. Teb has found refuge in Nightpool, a colony of speaking otters. But a creature of the Dark is also seeking him, and the battle to which he is drawn will decide Tirror’s future.Book 2: The Ivory Lyre. The bard Tebriel and his singing dragon Seastrider together can weave powerful spells. With other dragons searching for their own bards, they have been inciting revolts throughout the…
