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I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
Speaking of outsiders, Around Harvard Square follows a superstar student-athlete from small-town USA who assumes he’s made it big when he’s admitted to Harvard University. However, as a young, Black man, Tosh Livingston soon discovers the ways in which he does not belong and finds that admissions committees aren’t the only gatekeepers. This novel really digs deep into issues of race and class, insiders and outsiders. And while the topics feel timely, they are also timeless—not only in the world at large but also in that microcosm, the campus. There have always been those who are kept out and always those with special access, such as legacies and athletes. The protagonist in this novel also comes up against a secret society, an underground facet of campus life and the epitome of exclusivity, which really set my own creative juices in motion. Funny and fast-paced, this novel epitomizes a protagonist’s struggle…
Race, class, and hormones combine and combust when a Harvard freshman and his two friends attempt to join the staff of the Harpoon, the school's iconic humor magazine.
Around Harvard Square is the winner of the NAACP Image Award for Outstanding Literary Work (Youth/Teens)!
Around Harvard Square has been named a 2020 Honor Book by the Paterson Prize for Books for Young People
"A smart, satirical novel about surviving the racial and cultural tensions ratcheted up in the elite Harvard hothouse. Farley has created a marvelously engaging and diverse set of characters, at the center of which is a nerdy…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
One of Anita Shreve’s lesser-known novels, I love Testimony for the contemporary conundrum it introduces. No more sweeping things under the rug; administrations must deal with transgressions in a public manner. In Testimony, students at another New England boarding school behave badly, capturing a lewd act on film. No matter how you code it, a crime has been committed, and the school must deal with it.
While the novel explores multiple points of view, the perspective of the accused student’s mother had the greatest effect on me: “You stand up… You get into your car and back out of your driveway and make the turn onto the street and immediately a new set of pictures darts in front of you like small boys on bicycles. Rob in a helmet on a skateboard… A boy with a bad haircut holding up his Cub Scout handbook…” The second-person technique wonderfully conveys…
At a New England boarding school, a sex scandal is about to break. Even more shocking than the sexual acts themselves is the fact that they were caught on videotape. A Pandora's box of revelations, the tape triggers a chorus of voices -- those of the men, women, teenagers, and parents involved in the scandal -- that details the ways in which lives can be derailed or destroyed in one foolish moment.
Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in Testimony a gripping emotional drama with the impact of a thriller. No…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
A painful examination of all that’s at stake when kids make bad decisions, This Beautiful Life made me reflect on the pressure contemporary kids feel to be beyond reproach while growing up amid the instant connectivity and permanent consequences of the internet age. Like Testimony, Schulman’s novel begins with a video, this time one whose ramifications are amplified and complicated as it goes viral in a matter of hours.
A gripping early scene dramatizes the split second when fifteen-year-old Jake Bergamot makes the fateful choice to forward a video he’s received to a friend. The scandal that ensues threatens not only Jake, but his entire family’s “beautiful life.” Rather than a boarding school, this novel is set at an elite Manhattan private school where the social strata among parents are even more painfully felt. As the story unfolds, this book takes readers even deeper into the mom’s head—a delightful place…
"ThisBeautiful Life is a gripping, potent and blisteringly well-written story offamily, dilemma, and consequence. . . . I read this book with white-knuckledurgency, and I finished it in tears. Helen Schulman is an absolutely brilliantnovelist." —Elizabeth Gilbert, author of Eat, Pray, Love
Theevents of a single night shatter one family’s sense of security and identity inthis provocative and deeply affecting domestic drama from Helen Schulman, theacclaimed author of A Day at the Beach and Out of Time. In thetradition of Lionel Shriver, Sue Miller, and Laura Moriarty, Schulman crafts abrilliantly observed portrait of parenting and modern life, cunningly exploringour most…
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
Naomi Novak could write anything, and I would read it, but I am a sucker for dark academia.
Well, this one takes the cake with a school that is actively trying to kill the students. While this book is pretty dark in parts, it was the instances of light that really kept me reading the entire series.
There were many times I wasn’t sure where it would lead, but I was never disappointed by what I discovered.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
I grew up in a small town full of ghosts. They broke plates in a doctor’s office-turned-restaurant, feuded in a house built by twins, emerged from cornfields to stand in our headlights, and turned headstones blue in a cemetery where tombstones protruded from the ground like jagged teeth. The stories that surrounded me while I was a teen still bleed into my writing. And as reader, I gravitate toward books that are atmospheric, rich in moments of magic or the unreal, and riddled with stories of the past and long-forgotten.
As one of four sisters, I appreciate a good sister story because there’s always something going on under the surface. House of Hollow is no different. There’s the complicated dynamic of the three sisters—the model and fashion designer, the grunge musician, and the loner high school student—revealed when the eldest goes missing and the two younger sisters search for her. And then there’s the twist of something otherworldly—the fact that the girls disappeared for a month as children, reappearing with black eyes, white hair, mysterious scars, and the ability to entrance others with their scent and touch. I couldn’t stop turning the pages.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
Have you noticed the scarcity of YA novels told solely from a guy’s point of view? If you aren’t a boy, the parent of one, or maybe a savvy librarian, you probably haven’t. I’m two out of three. I have two awesome sons. They’re avid readers and burned through the YA section and into adult fantasy and sci-fi long before I was ready for them to. Boys read! There’s a need for protagonists who identify as male. No surprise, my YA novels often feature ordinary boys doing heroic things. Thanks to years of spying on my sons and their friends, I have plenty of fodder to feed my muse.
There’s a lot to unpack with Jake Livingston. He’s a black, queer, introverted teen who sees ghosts, ghouls, auras, and death loops all day, every day. The story doesn’t explain why Jake got these and other abilities, just how living with them makes his life a constant challenge.
I enjoyed the story’s unapologetic complexity. Conversing with a potential date is tough when, over your crush’s shoulder, you’re watching a ghoul that nobody else can see! The ghost of a school shooter is stalking Jake, too.
Through journal entries, readers take a deep dive into the mass murderer’s psyche. Creepy and complex! Dark themes get even darker as the story goes along. A whole lot to unpack!
Get Out meets Holly Jackson in this YA social thriller where survival is not a guarantee.
Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student—the handsome Allister—and for…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
Another Goldie finalist the same year as my book that just so happened to also be a contemporary fantasy story starring a revolver-toting woman in a cowboy hat.
This time-hopping sheriff has a fun zombie-killing adventure and an endearing romance that I hope to see more of. I couldn’t put it down, and read the whole thing while waiting to find out if either of us would win.
After demon elementals kill the good folks Sheriff Cali McCade has sworn to protect, the last place she expects to find herself is the future.
Cali McCade is happy being the only female sheriff in the West until evil destroys her town of Oblivion and everyone in it. But when a magical creature sends her forward in time, Cali gets a chance for justice-and to stop history from repeating itself.
Now, on the set of Harsh Reality, a television show that challenges average people to survive in historical settings, Cali isn't just the sheriff of Oblivion-she also plays herself on…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
A book that really puts the enemies in enemies-to-lovers. The only thing Scarlett and Quin want more than to kill each other is to bed each other, and they’re not sure it actually takes priority.
This results in some of the funniest romance and fight scenes I’ve read and a relationship that’s hard not to root for. My girlfriend recommended this book to me, and we loved sharing its absurd romance.
