Here are 100 books that Around Harvard Square fans have personally recommended if you like
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As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
This gothic novel tells two stories a century apart, both dealing with queerness, hauntings and the way women are treated by society. The characters are flawed and human, and it’s fascinating to see how a century has changed everything.
I’d been desperate for a good lesbian ghost story then, and this hit the spot far more than I’d expected.
'It's a terrible story and one way to tell it is this: two girls in love and a fog of wasps cursed the place forever after...'
BROOKHANTS SCHOOL FOR GIRLS: Infamous site of a series of tragic deaths over a hundred years ago. Soon to be the subject of a controversial horror movie about the rumoured 'Brookhants curse':…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
One of Anita Shreve’s lesser-known novels, I love Testimony for the contemporary conundrum it introduces. No more sweeping things under the rug; administrations must deal with transgressions in a public manner. In Testimony, students at another New England boarding school behave badly, capturing a lewd act on film. No matter how you code it, a crime has been committed, and the school must deal with it.
While the novel explores multiple points of view, the perspective of the accused student’s mother had the greatest effect on me: “You stand up… You get into your car and back out of your driveway and make the turn onto the street and immediately a new set of pictures darts in front of you like small boys on bicycles. Rob in a helmet on a skateboard… A boy with a bad haircut holding up his Cub Scout handbook…” The second-person technique wonderfully conveys…
At a New England boarding school, a sex scandal is about to break. Even more shocking than the sexual acts themselves is the fact that they were caught on videotape. A Pandora's box of revelations, the tape triggers a chorus of voices -- those of the men, women, teenagers, and parents involved in the scandal -- that details the ways in which lives can be derailed or destroyed in one foolish moment.
Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in Testimony a gripping emotional drama with the impact of a thriller. No…
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
A painful examination of all that’s at stake when kids make bad decisions, This Beautiful Life made me reflect on the pressure contemporary kids feel to be beyond reproach while growing up amid the instant connectivity and permanent consequences of the internet age. Like Testimony, Schulman’s novel begins with a video, this time one whose ramifications are amplified and complicated as it goes viral in a matter of hours.
A gripping early scene dramatizes the split second when fifteen-year-old Jake Bergamot makes the fateful choice to forward a video he’s received to a friend. The scandal that ensues threatens not only Jake, but his entire family’s “beautiful life.” Rather than a boarding school, this novel is set at an elite Manhattan private school where the social strata among parents are even more painfully felt. As the story unfolds, this book takes readers even deeper into the mom’s head—a delightful place…
"ThisBeautiful Life is a gripping, potent and blisteringly well-written story offamily, dilemma, and consequence. . . . I read this book with white-knuckledurgency, and I finished it in tears. Helen Schulman is an absolutely brilliantnovelist." —Elizabeth Gilbert, author of Eat, Pray, Love
Theevents of a single night shatter one family’s sense of security and identity inthis provocative and deeply affecting domestic drama from Helen Schulman, theacclaimed author of A Day at the Beach and Out of Time. In thetradition of Lionel Shriver, Sue Miller, and Laura Moriarty, Schulman crafts abrilliantly observed portrait of parenting and modern life, cunningly exploringour most…
I’m a historian at the University of Pennsylvania and an op-ed writer for numerous publications. I’m also a former Peace Corps volunteer and high school teacher. I’ve spent my adult life studying the ways that human beings imagine education, across space and time. Schools make citizens, but citizens also make schools. And we’re all different, so we disagree—inevitably and often profoundly—about the meaning and purpose of “school” itself. In a diverse nation, what should kids learn? And who should decide that? There are no single “right” answers, of course. I’m eager to hear yours.
In this day of “diversity, equity, and inclusion,” it’s easy to forget how our elite universities marginalized or simply excluded Black faculty and students. Stefan Bradley tells their stories for the first time, showing not just how African-Americans changed these institutions but also how their Ivy League experiences altered their own perceptions of America. We have a lot to learn from these “old heads”—about race, education, and much else—if we will simply stop for a moment, and listen.
Winner, 2019 Anna Julia Cooper and C.L.R. James Award, given by the National Council for Black Studies
Finalist, 2019 Pauli Murray Book Prize in Black Intellectual History, given by the African American Intellectual History Society
Winner, 2019 Outstanding Book Award, given by the History of Education Society
The inspiring story of the black students, faculty, and administrators who forever changed America's leading educational institutions and paved the way for social justice and racial progress
The eight elite institutions that comprise the Ivy League, sometimes known as the Ancient Eight-Harvard, Yale, Princeton, Penn, Columbia, Brown, Dartmouth, and Cornell-are American stalwarts that…
I was born and raised in Haiti where I was known as ti-blan—little white. And when we moved to central Florida, I remember the feeling of utter sadness and despair. I felt wrenched from the place I loved. The only person I could speak creole with was the janitor at the segregated white school. The teacher yelled at me for talking with him. Since then, I have been interested in this weird problem of race in America. I am drawn to women writers and Caribbean women writers. I love books that evoke place and language and tell me a story—but also deal with the specific urgent political questions of our times.
Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love anything by Zora Neale Hurston but this one I love because she mixed her training as an anthropologist and her talent for storytelling to create this book of tales of magic based on her travels through the Caribbean. I find Hurston’s unique approach to studying and sharing knowledge to be so clearly artful, and she has inspired researchers and writers to this day.
“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”
—New York Times Book Review
Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.
I am a black female writer who instinctively understood that in becoming an African American writer of stories (and essays), I would need to write from a long tradition of African American culture and history, as well as to learn everything I could from the amazing list of African American female writers who came before me. I embraced that notion, and as I began to place my own words on the page, I paid close attention to how those women writers had carefully chosen their own. These are the five books by African American women writers who have inspired me and helped me become the best writer I can be.
I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.
Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.
From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age
Jamaica Kincaid's The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.
Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her…
The older I get, the more fascinated I am with family history and the way certain traits or talents get passed down – or not. Unfortunately, we don’t always know much about our own ancestors. Maybe that’s why I appreciate a multigenerational story that shows all the forms a young person’s “inheritance” can take, whether money, looks, a special skill or talent, or even a disease. And because I’ve always loved a good mystery, I enjoy books where a young person seeks to uncover a family secret. Finally, now that I’m on the older side of the generations, I appreciate a book that portrays older family members realistically and with respect.
Zoe Washington’s situation grabs at our heartstrings: On her 12th birthday she receives a letter from the father she’s never known - a letter from prison. She knew Marcus had been convicted of a terrible crime, but she’s been growing up happily with her mom and stepdad, with her birth father firmly out of mind.
But in the letter Marcus claims he’s innocent, and Zoe sets out to uncover the secret of his incarceration. The issues in this book go beyond the promising new father-daughter relationship, extending to the systemic racism of the US criminal courts. It’s a challenging but heartwarming read.
#1 Kids Indie Next List * Parents Magazine Best Book of the Year * Chicago Public Library Best of the Best Book of the Year * SLJ Best Book of the Year * Kirkus Best Book of the Year * Junior Library Guild Selection * Edgar Award Nominee * Four Starred Reviews * Bank Street Best Children’s Book of the Year * An Indie Bestseller *
From debut author Janae Marks comes a captivating story full of heart, as one courageous girl questions assumptions, searches for the truth, and does what she believes is right—even in the face of great…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
