100 books like Pendulum of War

Max Hastings is the author of more than thirty books, many of them about the Second World War. All Hell Let Loose describes the Second World War in considerable detail but focuses on the human experience of what it was like to be a participant in this critical period of history. For its breadth, its power of expression, and penetrating analysis, this book is unsurpassed. There are many excellent single-volume studies of the Second World War, but I rate this as one of the very best.

A bit dry and occasionally over-focused on rattling off official numbers and unit designations, The Fall Of Berlin is also a low-key horror novel. Surrounded on all sides by a massive Russian army hell-bent on revenge, the people of Berlin are caught between those invaders and their own leadership forcing them into a suicidal last stand. The scale of brutality is numbing; this is a battle fought without mercy by two adversaries locked in a death struggle.

The Day of Battle was Volume Two of Rick Atkinson’s acclaimed Liberation Trilogy. While all three volumes of this series are well worth reading, Atkinson was at his best in the second volume which deals with the much-neglected campaigns of Sicily and Italy. The doyen of British military history and a veteran of the Italian campaign, the late Sir Michael Howard wrote that The Day of Battle was ‘one of the truly outstanding records of the Second World War’. I think it is too.

Written with crystal clarity and a flair for the telling anecdote, this book unfolds the multi-dimensional chess game that culminated in the liberation of Paris after four long years of Nazi occupation. Neiberg shows how diverse actors—leftist resistance fighters bent on liberating the city from within, Allied officials fearing just such a “red” takeover, a willful Charles de Gaulle determined to dominate the victory, anxious collaborationists, and German officers—fueled a volatile crisis that changed from moment to moment in the city’s streets.

A good modern account of the battle with a well-researched and detailed context. The authors are primarily journalists and the story is fully fleshed out with a good, well-paced contextual analysis and their version makes an interesting comparison/contrast with the more traditional, often hagiographic accounts of the Battle and of Montgomery as a general.

Clayton and Craig’s work covers the pivotal period of May to November 1942. Focussing their narrative on north Africa, they nevertheless clarify the contribution Malta’s dogged resistance made to bringing about this first British victory of the war to date. Ranging widely, this history touches on the experience of an American soldier caught up in the raid on Dieppe, RAF bomber crews flying into Europe from British airfields, and a nurse working in appalling conditions in a hospital in Malta. More than a dozen individuals, many of which will inspire your emotional investment, have their stories stitched together to present this solid and comprehensive account of a wildly dynamic theatre of war. Fittingly, each one is eulogised in the book’s short epilogue.

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.

I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.

I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman. 

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.