Fans pick 100 books like The End of the Beginning

James Holland is a popular historian because his works are so eminently readable. This book was his first and sprang from the BBC documentary, Battle for Malta, that he also wrote and presented.

Once Mussolini declared war on Britain, Malta, an island no bigger than the Isle of Wight, became a strategic keystone in the Mediterranean and was destined to become the most bombed place on earth. Holland uses survivor testimonies, diaries, and personal letters to focus his narrative on the tribulations and suffering as well as the hopes and fears of the ordinary Maltese and the servicemen sent to defend them. This is a splendid book that does much to illuminate a somewhat neglected part of British military history.

George Taylor, young and Scottish, a private in the Royal Army Medical Corps, arrived in Malta in 1940, naïve to what the future held for him. Four years later he left as a cynical sergeant (and incidentally, a Master Freemason). In the interim, while letters home were heavily censored, he kept his own truths in an extensive secret diary. His candid narrative documenting the siege of Malta and the daily, pounding attacks from Axis air forces is shot through with his real anxieties for the survival of his relationship with Nettie, his fiancée back home. This is both a war story and a love story from a private world into which we have been invited by George and Nettie’s own daughter.

This compact, but detailed, history has been painstakingly researched from original Italian and German sources. The author explains the technical and tactical capabilities of the Axis air forces involved in the attacks on Malta and how their campaigns related to the wider Mediterranean war. We are treated to three full colour battle scenes painted by the renowned aviation artist, Graham Turner, as well as 3D tactical diagrams that recreate the airspace during key moments of the battle. The concise text is peppered with contemporary photos of the aircraft used, the personalities involved, and scenes on the ground. An essential handbook to fully understand the siege of Malta.

Malta operated a small fleet of submarines from Manoel Island in Valletta’s north harbour. Painted cobalt for camouflage, they were kept submerged at their moorings to avoid enemy attention. Padfield’s book is a huge tour de force that details all aspects of the Mediterranean campaign together with all the other major submarine campaigns during the second world war. We learn about the submarine arms of Britain, America, Japan, and Italy, as well as the anti-submarine measures deployed by all sides. First-hand accounts, from submariners at the sharp end to the decision-makers in dusty ministry offices, are used to embellish this technically definitive account of the cloak and dagger world of underwater warfare.

A good modern account of the battle with a well-researched and detailed context. The authors are primarily journalists and the story is fully fleshed out with a good, well-paced contextual analysis and their version makes an interesting comparison/contrast with the more traditional, often hagiographic accounts of the Battle and of Montgomery as a general.

This was the book that established Niall Barr’s reputation as one of the United Kingdom’s leading historians of the Second World War. Meticulously researched, thoroughly readable, and compelling, Niall Barr’s Pendulum of War has become the recognised standard work on the desert war in 1942. Anyone interested in the battles of El Alamein must read this book.

Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death. 

I have to mention either John Le Carre or Ian Fleming. I’ll go for guilty pleasure over great mastery. I haven’t read this since I was a kid. But I loved it back then. The Bond of the books is more realistic and complex than the cartoon character of the movies but, don’t worry, this isn’t a tale of gritty realism. A lot of fun and a great way to dispose of a few hours of excess reality.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.

I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.

Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.