100 books like Cairo in the War, 1939-45

Saint-Exupery’s descriptions of what he sees and feels during enthralling activities amid stunning landscapes left me enchanted. The feelings he captures extend beyond the mere act of flying and into human relationships and our quest for meaning, written in beautiful, often philosophical prose. He approached flying as a metaphor for life and the human condition. Even if I will never fly, he made me care. 

Set amid the final days of the Second World Way in an abandoned Italian village, it tells the story of Hana, a nurse tending to her sole remaining patient. Rescued from a burning plane, the anonymous Englishman is something of a mystery. But with the help of a copy of Herodotus' The Histories, which the airman had on his person when rescued, Hana begins to piece together his life.

I felt the writing twists from moments of great beauty and clarity to whole sections that are almost impenetrable in their poetic depth. Switches of narrative viewpoint make the reader work hard at times, but it’s well worth the effort for this poignant tale that remains with you long after you have read the last page.

Libyan Sands tells the story of Ralph Bagnold’s extraordinary expeditions into the North African deserts between the two world wars. Remarkably for the time, Bagnold chose to use not camels, as his predecessors had done, but specially-adapted Ford Model-A motorcars, in which he covered tens of thousands of miles in extraordinarily inhospitable, waterless conditions, travelling where no motor vehicle and hardly any people had ever been before. The knowledge he accrued would lead him, ultimately, to found and lead the Long Range Desert Group in the Second World War. 

Having written about extraordinary journeys into the polar wastes, and having come to understand, through meeting many of the explorers involved, what it is that has driven them into those wildernesses, what most caught my imagination in Bagnold’s book was his incredibly vivid descriptions of the desert, a barren wilderness that he grew not only to respect, but to love deeply:… show more.

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

When I first decided to write a historical novel that takes place in Egypt, I stopped by my local falafel joint in Brooklyn and asked the owner for pointers. He said, “Read Mahfouz, that’s all you need.” These are three interconnected stories that span the period from World War I to World War II. Without getting too deeply into the plot, I’d say they do what all the best historical novels do; they give you a sense of life’s movement, with the specifics that allow you to enter another time and place.

I met Mahfouz on my first trip to Egypt in 2005, shortly before he died, and asked him something about the country’s late leader Gamal Abdel Nasser. Mahfouz said he didn’t know the immediate answer himself, but “when I see Nasser, I’ll ask him.”

The war in Africa, where Rommel’s tanks seem unstoppable, sets the stage for this novel of intrigue and spies, with Egypt and The Suez Canal the prize. Follett is a master of suspense and he makes great use of it here as two secret agents lock horns. The German agent with a wonderfully appropriate name, The Spinx, enlists the wiles of a belly dancer and the British agent, seeks the help of a beautiful young Jewish woman, who plays a key role in unmasking the German agent and the final defeat of Rommel. I always love reading Follett. You’re never sure what.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.

I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman. 

This was the book that established Niall Barr’s reputation as one of the United Kingdom’s leading historians of the Second World War. Meticulously researched, thoroughly readable, and compelling, Niall Barr’s Pendulum of War has become the recognised standard work on the desert war in 1942. Anyone interested in the battles of El Alamein must read this book.

A good modern account of the battle with a well-researched and detailed context. The authors are primarily journalists and the story is fully fleshed out with a good, well-paced contextual analysis and their version makes an interesting comparison/contrast with the more traditional, often hagiographic accounts of the Battle and of Montgomery as a general.