Here are 100 books that One Hour in Paris fans have personally recommended if you like
One Hour in Paris.
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Seeing couples that are still in love after being with one another for 50+ years has always warmed my heart. Seeing my grandparents hold one another’s hands and look at each other with love always made me hopeful to find such a love. I have not been blessed to have that kind of love in my life (yet) but that does not stop me from looking for it and finding it in books. The characters in my favorite books are ones I identify with on some level. They are loyal, do not give up and they love wholeheartedly, even if they make some missteps along the way, the end destination always ends up being deeply in love. And I love cheering on characters when they deal with everyday issues and roadblocks on this journey of love.
This romance caught me off guard. It was a dark romance about a kidnapped man and a woman. The heroine and her sister's fiancé who she disliked. I have to say this book isn’t for everyone as the sensitive subject matter is written about, such as rape and also a suicide attempt. However, because of Hartmann’s amazing way with words, I can’t stop thinking about this book and the characters. Hartmann’s exquisite writing style took me into the basement where the couple was kept. I felt fear and sadness for them. I felt hope. I felt so many things that left me confused at times, but as I was struggling with emotions, I found myself falling in love with these characters. This book was unlike any I have read before. It is a must-read.
WARNING: This book contains subject matter that may be sensitive for some readers, including dark and triggering content. 18+ only. Please read responsibly. When Cora attends her sister’s birthday party, she expects at most a hangover or a walk of shame. She doesn’t anticipate a stolen wallet, leaving her stranded and dependent on Dean—her arch nemesis and ultimate thorn in her side. And she really doesn’t anticipate waking up in shackles in a madman’s basement. To make matters worse, Dean shares the space in his own set of chains. After fifteen years of teasing, insults, and practical jokes, the ultimate…
God gave me a life-long calling to help anyone affected by sexual violence. Words often fail when I try to describe the pain that results from sexual abuse and what it truly means to me to make a positive difference in the lives of survivors. My heart and soul break for those who are suffering from evil crimes, and yet I continuously see people disclosing, expressing, growing, and healing. From my many years working as a counselor and advocate, I've learned that very often people just need someone to be with them and listen. I'm committed to supporting others in this area for as long as I can be helpful.
Resurrection After Rape: A Guide to Transforming from Victim to Survivor is a therapeutic book with personal stories, artwork, and transformative writing exercises that can be life-changing for rape survivors.
Atkinson is gentle in his approach, and although the readings and exercises may be triggering and at times extremely difficult, they can also provide comfort and clarity throughout the process of engaging with them. I recommend that this book be worked through with a therapist or someone else trained in sexual violence.
Updated 2017 Edition! Expanded with new content! Looking for a book about rape that's not depressing or boring, but doesn't also avoid deeper emotions and questions either? Resurrection After Rape is a deeply-moving, powerful guide for women recovering from rape. What sets this apart from others on this topic is that this one isn't written only by a therapist; it's a collaboration between a therapist, and dozens of survivors who have contributed their insights, journals, and art for you to see. Reading this book is like having your own room full of women who have succeeded in recovery, all of…
I started reading about the 1920s after I read Among the Bohemiansby Virginia Nicholson in 2008. I kept reading about the 1920s, particularly 1920s Paris, through my Masters and then my Doctorate in war fiction. I would read about interwar Europe, or America, or Britain, when I needed to work on my doctorate but was too tired to read about trenches or trauma, and it became an obsession. Then it became the subject of two novels, which involved more and more particular research. I love the period's brittle gaiety, its dirty glamour, a time of cultural and political revolution as people fought for a better world.
This beautiful tome, with endless photos, takes a tour of Paris through the années folles, from the end of the Great War in 1919 to the start of World War Two in 1939. Many histories of Paris in this period focus solely on the culture – understandable, as this outpouring of modernism was world-shaking. This book includes history, politics, law, Parisian café life, sex workers, immigration, and more. My copy is full of so many notes that I had to buy a second copy. Here I found the underground gay scene and the effect of the war on the working class. Schiaparelli’s surreal hats sat along an overview of soup kitchens during the Depression. The book shows Paris as it was lived in those years, and mostly through visual material, giving the impression that you could book a ticket and visit.
In the years between 1919 and 1939, Paris experienced a cultural and intellectual boom. Packed with amazing illustrations, this book explores every aspect of the city during the interwar years, when Paris truly was the City of Light. Featuring a stellar array of artists, writers, composers, musicians, designers and artists, Paris between the Wars covers everything from architecture and technology, to fashion, cafe culture and the gay scene.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.
Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genet. For half a century she described life on the Continent with matchless elegance.
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
I worked in high-tech electronics for thirty years, specialising in the design of radio communication equipment. My first love, though, has always been books, particularly exciting page-turners about spies and assassins. Eavesdrop – my first thriller – brought those two worlds together, and “what-if” ideas from my professional life engendered the plot’s high-tech angle. I wrote the early drafts largely while on planes and in airport lounges during business trips, and in snatched moments before starting work each morning. It was exciting when Assent Publishing took it on and did such a great job of producing the thriller ready for you to read. I hope you enjoy it.
Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.
Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.
But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.
His name is a cover He has no home And he kills for a living
Victor is an assassin, a man with no past and no surname. His world is one of paranoia and obsessive attention to detail; his morality lies either dead or dying. No one knows what truly motivates the hunter. No one gets close enough to ask.
When a Paris job goes spectacularly wrong, Victor finds himself running for his life across four continents, pursued by a kill squad and investigated by secret services from more than one country. With meticulous style, Victor plans his escape .…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.
This is the second of four books of the collected interviews of famous authors from the Paris Review. Hemingway, Moore, Porter, Ellison, and Huxley are among the fourteen included in this book. Other books in the series include Forster, Faulkner, Warren, Bellow, Welty, Dinesen, Steinbeck, and many others. You may be amazed at how different successful writers are in their thinking about writing and success in their careers. In my studies in over a hundred workshops and many lectures and seminars, I was fortunate to meet and know teachers and students who knew, or studied, with many of these authors. Experiences that make me think you’d value most of Plimpton’s work in this series.
TWO BOOK OFFER. "Writers at Work -- The Paris Review Interviews: First Series and Second Series". Viking Press Paperbacks, copyrights 1957 and 1963; Compass Books Editions issued in1961 and 1965. First Series (Compass No. C52) 3rd printing Nov 1961, 309 pp. Second Series (Compass No. C175) 3rd printing July 1966, 368 pp. Both books size 7 3/4" by 5" by about 3/4". Bindings intact; no loose or missing pages; spines not creased. First Series volume is in only GOOD condition: covers and pages are clean and unmarked EXCEPT the covers show moderate shelf wear, the front cover opens wide, and…
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
I find midcentury fashion memoirs inspiring because they’re filled with stories of strong, self-realized women who really managed to have it all. This one by Bettina Ballard, French editor for American Vogue in prewar Paris, goes one better because it also offers heartbreaking commentary on the war.
Alongside observations about great designers like Chanel and Dior, Ballard writes stirringly of the tragic, gruesome fates that befell many in her world and the courageous way some resisted the Germans to save their art form, couture. Vogue tries to bring her back to New York, but she swiftly returns to Europe as a Red Cross volunteer—albeit one who sneaks non-regulation eveningwear into her trunk. When she finally goes home to marry (for the second time), she mentions it in an aside.
Bettina Ballard, Paris-based correspondent and later Fashion Editor for US Vogue, was at the centre of the fashion world from the 1930s to the ’50s and an intimate of Coco Chanel, Cristóbal Balenciaga and Elsa Schiaparelli. With journalistic flair, she captures the spirit of pre-war Paris, the working methods of the fashion greats and the transformation of the post-war fashion industry with the arrival of Dior.
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.
A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
Imagine National Treasure set in a magical Belle Epoque Paris featuring an ensemble of endearing thieves—I absolutely inhaled this story!
Chokshi’s writing is as luxurious as velvet, and her wit shines through in the antics of her characters as they set about solving riddles and stealing a series of magical artifacts. I fell in love with Severin and the rest of his crew, and I would give anything to wander the streets of this magical setting!
Paris, 1889: The world is on the cusp of industry and power, and the Exposition Universelle has breathed new life into the streets and dredged up ancient secrets. In this city, no one keeps tabs on secrets better than treasure-hunter and wealthy hotelier, Severin Montagnet-Alarie. But when the all-powerful society, the Order of Babel, seeks him out for help, Severin is offered a treasure that he never imagined: his true inheritance. To find the ancient artifact the Order seeks, Severin will need help from a band of experts:
An engineer with a debt to pay. A historian who can't yet…
