100 books like Now Is Not the Time to Panic

It’s always great to get a reminder to be true to yourself when you don’t fit in easily.

This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.

But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.

In this slow-burn literary horror, Ren Yu is an obsessive swimmer on her high school team. But beyond these human concerns, she is convinced that she is actually a mermaid. Her determination to assume her true form comes with no reservations, and she will achieve her transformation by any means necessary.

This book is strange. It’s both lyrical in some places and purposefully dry in others. It is an examination of an obsessive descent into madness, working to draw the reader into the protagonist’s unsettling perspective.

I found myself falling into Ren Yu’s world and swimming in her insanity, which Wednesday (and all the Addams) find quite satisfying.

Mariza Kuznetsova (Something Unbelievable), Irina Reyn (Mother Country), and I all left the Soviet Union as children, before Putin and before all the changes he brought. Kristina Gorcheva-Newberry came of age in the new Russia. The Orchard is a tale of what our own lives might have been if our families had stayed. This loose retelling of Chekov zeroes in on how a childhood begun in the USSR and a young adulthood lived in Russia affected everyone who went through it, how it shaped worldviews, and how it continues to resonate even after decades of immigrant life in America.

I loved Natalia Sylvester’s tender and gripping YA novel about a young woman living with hip dysplasia yearning to be a mermaid because it reminded me of the big dreams I had as a young teenage girl.

Verónica will do just about anything to get a job as a real-life mermaid at Mermaid Cove, however her parents are not having it. They want Verónica to be a “serious” young woman and pursue jobs and opportunities that will benefit her future and they think they know what’s best for her body and her disability.

I resonated with this deeply because I too pursued goals and dreams that my parents were often not in favor of and have had to advocate for myself and what my body needs.

A contemporary YA novel, this book will still appeal to all the adults who can remember what it was like trying to figure out who you were as a teenager, how your friends fit into your life, and what it means to shake things up but still maintain who you are at your core. Main character, Codi Teller, is lucky to have two very close friends by her side through it all, but she develops an additional, unexpected friendship with cool kid, Ricky, when she stumbles upon him kissing another boy at a party. Ricky brings Codi into his world full of new experiences, late nights, and a cute girl named Lydia who Codi definitely has a crush on. 

I picked out this book because I wanted to read more indie Canadiana YA, and OMG, am I ever glad that this was my first pick!

It had music and private school drama (not the club), it was fun, I was invested, and I was really sad when it ended because I wanted to know what happened next.

I also loved the epistolary format. It made it feel like they were being written to me. I borrowed this one from the library and then bought it because I loved it so much.

I’d normally abstain from the pompous sin of quoting one’s own fiction, but I’m doing it here only to contextualize this recommendation.

“Adolescence is an exercise in coveting what exists just beyond our grasp,” my book’s narrator tells us in his preamble to his telling of Foster’s story. “It is this inaccessibility that sustains its magic.” To be fifteen is to be a voyeur looking wistfully in on the poignancy of others’ lives: this is the idea I tried to operationalize through the narrator’s project, with full knowledge that I’d never do it as lyrically as The Virgin Suicides. 

Nominally, the main characters of Eugenides’ debut are the five titular Lisbon sisters, who successively take their own lives, but we encounter them chiefly as figments of a collective imagination: in the captivated minds of a faceless group of teenage boys who witness the tragedies from afar.

As a sort of… show more.

When it comes to family sagas turned myth, it’s hard to top Calliope Stephanides tracing the passage of the hermaphroditic gene—transforming Callie into Cal—through three generations of the Greek-American Stephanides family.

An epic origin story that moves from Asia Minor to Detroit, Michigan, complete with incest and a nuanced exploration of gender identity. It also has one of my all-time favorite novel openings ever. “Sing now, O Muse, of the recessive mutation on my fifth chromosome!”

We Run the Tides is a coming-of-age novel told through the eyes of Eulabee, a young girl growing up in the upscale Sea Cliff neighborhood of San Francisco in the 1980s.

The novel tells the story of the mysterious disappearance of Eulabee’s classmate from her toney private school and its impact on her group of friends. The story wonderfully captures the complicated relationships of young teen girls grabbling with identity, truth, and lies. Vida’s lyrical prose is filled with wit and attention to eclectic details in both her descriptions of San Francisco and the characters that she creates.

If you want a feisty, rodent-come feline companion with a taste for eyeballs, then look no further than Sabastien de Castell’s Spellslinger series. Along with a neat magic system and desert worldbuilding, we have Kellen, a young and staggeringly unskilled magic user who is on the cusp of his test to become a mage. If he fails, he’ll become a slave among his clan. Unfortunately, the latter is looking pretty likely, until he meets an Argosi, a mysterious travelling nomad with a deck of cards, and everything Kellen thought he knew and valued is called into question. 

While Kellen narrates the story, his squirrel cat companion, Reichis, often steals the show. The first in this series, Spellslinger, is a quick and entertaining read for teens and adults alike.