Here are 63 books that November Road fans have personally recommended if you like
November Road.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am Mary Albanese–mother, educator, and author. We all make mistakes, but in my career, it seems to me that how we deal with our mistakes is what defines us. An error can cripple us or teach us to become a better person. To me, nothing is more powerful than the path to redemption and forgiveness. I love these books because they make me feel as if I am inside the story, facing the hard choices. More than just stories, each one is a journey of transformation into the heart of the human soul. I hope you find these books as meaningful and profound as I have.
In this Christmas story, Ebenezer Scrooge, a stingy man, finds redemption in a magical way. Visited by the spirits of Christmas past, present, and future, he sees that if he continues in the same selfish way, his life will have no meaning to anyone. I re-read this story often.
I am constantly amazed by how believable the magical elements of the story feel. Do spirits really visit Mr. Scrooge? Or is it his subconscious mind sending himself warning dreams? Either way, I am swept away with pure joy at the end every time. It’s as if the author has reached deep into my soul and ripped away my inner Scrooge. And that’s the real magic.
Tom Baker reads Charles Dickens' timeless seasonal story.
Charles Dickens' story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by the three ghosts of Christmas past, present, and future, has become one of the timeless classics of English literature. First published in 1843, it introduces us not only to Scrooge himself, but also to the memorable characters of underpaid desk clerk Bob Cratchit and his poor family, the poorest amongst whom is the ailing and crippled Tiny Tim.
In this captivating recording, Tom Baker delivers a tour-de-force performance as he narrates the story. The listener…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This book is dystopian and is really about the downfall of capitalism, but it starts in an office.
Candace Chen has her job and not much else. She goes to work and has little personal life outside of it. She barely even notices when a plague sweeps New York, and everyone leaves, and society crumbles. Her work keeps her busy, and she does it until the money she’s promised shows up in her bank account.
What caught my attention is how well the author communicates the idea that humans become completely adaptable to untenable systems at work, and we keep doing our jobs under nearly any circumstance. Even a plague.
This examination of the conditioning we get to put work first no matter what else is happening is a painful eye-opener. Better boundaries next time, I guess.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
My faith is core to who I am. I love Jesus wholeheartedly and believe true fulfillment only comes through a relationship with Him. I believe we are all created on purpose for a purpose. I want every person I come in contact with to know that they are powerful, chosen, loved, and never alone. I also love creating and reading real and fictional stories that have a message. I believe that stories can seep through our layers and speak to the deepest parts of who we are. The books on my list are the ones that seeped deep down into my heart.
It is rare for a story to stay with me as long as this one has. The weaving together of grief and hope was both heartwrenching and heartwarming. We are created and called to love God and love others. That isn’t always easy or convenient. This story showed what loving your neighbor can look like and how it can change a life.
'A JOY FROM START TO FINISH' - Gavin Extence, author of THE UNIVERSE VERSUS ALEX WOODS
There is something about Ove.
At first sight, he is almost certainly the grumpiest man you will ever meet. He thinks himself surrounded by idiots - neighbours who can't reverse a trailer properly, joggers, shop assistants who talk in code, and the perpetrators of the vicious coup d'etat that ousted him as Chairman of the Residents' Association. He will persist in making his daily inspection rounds of the local streets.
Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.
In the Edgar-nominated The Shadow of Memory, the fourth book in a series set in England, antiques dealer Kate Hamilton is tasked to determine if a painting discovered in a former posh Victorian asylum is an authentic Dutch masterpiece.
The painting may be fictional, but the depiction of art forgery isnot, and it is fascinating to discover the new technologies for discovering a fake as described in this book. The mystery and murder comes in when the painting’s provenance is tied to the murder of an old flame of Kate’s friend Vivian, and Kate fears Vivian may have become the murderer’s next target.
The painting raises the stakes for the futures of Kate, Vivian, and the murderer.
In Connie Berry’s fourth Kate Hamilton mystery, American antiques dealer Kate Hamilton uncovers a dark secret buried in Victorian England.
As Kate Hamilton plans her upcoming wedding to Detective Inspector Tom Mallory, she is also assisting her colleague Ivor Tweedy with a project at the Netherfield Sanatorium, which is being converted into luxury townhouses. Kate and Ivor must appraise a fifteenth-century paintingand verify that its provenance is the Dutch master Jan Van Eyck. But when retired criminal inspector Will Parker is found dead, Kate learns that the halls of the sanatorium housed much more than priceless art.
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
The late New Orleans District Attorney Jim Garrison pursued the only criminal case in this controversy that has tried someone for conspiracy to murder Kennedy in court. He faced death threats, prosecution, infiltration, dirty tricks, and more in the late 1960s. He details what he went through and why he mostly blamed U.S. intelligence officials and agents for what he called a “coup d’etat.” His book was a major basis for director Oliver Stone’s 1991 film, JFK, in which Garrison played a minor role as Justice Earl Warren.
The book that inspired the movie JFK recounts Jim Garrison's attempt to solve the Kennedy assassination, and describes how Garrison was harrassed because of his allegations of government involvement in Kennedy's death.
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
Director Oliver Stone based his 1991 movie JFK on the failed late 1960s JFK assassination probe of New Orleans district attorney, Jim Garrison. In this investigative book, Lambert methodically deconstructs Garrison’s investigation and exposes it as a total fraud. Her prodigious original research both archives and interviews is woven into a faced-paced book that is utterly convincing.
This is, for the first time in its entirety, the story of the arrest and trial of Clay Shaw, charged with conspiracy in the assassination of President John F. Kennedy.
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Schnauzer rescuer Brandy Alexander is tired of living with her parents, not sure what's going on in her relationship with her boyfriend, Dante, and is looking for a little fun. She gets way more than she bargained for when she kisses a handsome stranger during a Mardi Gras parade ... as he's shot in front of her and pretty soon it seems like the New Orleans gangsters are after her, too. This is a super-cute cozy mystery featuring dogs, intrigue, fun characters, and the Big Easy. What more could you ask for?
One kiss and her world turns upside down. Can she solve the case that threatens his life?
Brandy Alexander never thought living in the Big Easy could feel so dull. And, as she waits painfully for her long-time NOPD boyfriend to propose, she’s not sure their hearts are beating to the same tune. When she’s kissed by a handsome stranger at a Mardi Gras parade, her electric thrills turn to shock when he’s shot right before her eyes.
Watching in horror as he’s whisked away by an ambulance, she is haunted by his gasping request. Brandy races to track down…
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
This is one of the few books on cemeteries that captures the unmistakable ethereal beauty of graveyards. Sandra Clark’s spectacular photographic collection of images from some of America’s most breathtaking memorials in New Orleans brings together art and science, soliloquy and stone, and most importantly, life and death.
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while…
As any herpetologist will tell you, the fer-de-lance is among the most dreaded snakes known to man. When someone makes a present of one to Nero Wolfe, Archie Goodwin knows he's getting dreadully close to solving the devilishly clever murders of an immigrant and a college president. As for Wolfe, he's playing snake charmer in a case with more twists than an anaconda -- whistling a seductive tune he hopes will catch a killer who's still got poison in his heart.
