Here are 61 books that Elysium fans have personally recommended if you like
Elysium.
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I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
Greg Melville’s Over My Dead Body: Unearthing the Hidden History of America’s Cemeteries is a highly personal yet richly researched investigation into the history of U.S. cemeteries. Best of all, Melville doesn’t just study gravestones or the final resting place of famous people, he takes a deep dive into nearly every aspect of memorialization, including landscapes, mortuary practices, economics, and social rituals.
A lively tour through the history of US cemeteries that explores how, where, and why we bury our dead The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville's lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville's Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
Death and Rebirth in a Southern City: Richmond’s Historic Cemeteries is two books in one. It is a traditional survey of a particular region’s graveyards that is rich in history and lore. But it also exposes historical racial inequities in the care of a city’s dead and sets the stage for current activism that is seeking to reclaim important sites of memorialization for the area’s disenfranchised population and its current descendants.
This exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital.
Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices…
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.
Admit it: You're fascinated by cemeteries. We all die, and for most of us, a cemetery is our final resting place. But how many people really know what goes on inside, around, and beyond them?
Enter the world of the dead as Katherine Ramsland talks to mortuary assistants, gravediggers, funeral home owners, and more, and find out about:
Stitching and cosmetic secrets used on mutilated bodies
Embalmers who do more than just embalm
The rising popularity of cremation art
Ghosts that infest graveyards everywhere
When I was eight years old, I read a book titled Dar Tellum: Stranger from a Distant Planet, by James R. Berry. It told the story of a boy who communicates with an alien intelligence to save the Earth from… global warming. That was in 1973, and it was the first time I’d heard about “the greenhouse effect”. Some things haven’t changed since then: I still read (and write) sci-fi, and I still have Dar Tellum on my bookshelf. But our climate is changing, and I’ve chosen four books of science fiction and one of science facts that help us think about the future—and present—of our planet.
In the wake of super-hurricanes and the deadly pandemic that follows, New Orleans has been quarantined from the rest of the United States, and those who seek to cross the border wall are killed. Narrator Fen, a member of the clan-based culture that has developed behind the wall, tells the story of her people and her personal quest for freedom in a dialect voice that is both beautifully rendered and brutally honest.
After a string of devastating hurricanes and a severe outbreak of Delta Fever, the Gulf Coast has been quarantined. Years later, residents of the Outer States are under the assumption that life in the Delta is all but extinct…but in reality, a new primitive society has been born.
Fen de la Guerre is living with the O-Positive blood tribe in the Delta when they are ambushed. Left with her tribe leader’s newborn, Fen is determined to get the baby to a better life over the wall before her blood…
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.
People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book.
With nothing but horror behind her, Emma Farnsworth pilots the Airship Vigilance into the night sky outside of Chicago City on a one-way trip to New Orleans. She’s carrying precious cargo: her lover and four other strays that escaped the nightmare of gods and monsters on the shores of Lake Michigan. The trip hasn’t been anything like fun, but it’s been quiet. And for Emma’s money, quiet equals good. Good enough to think they might make it to New Orleans without a hitch. Like the saying goes . . . The good things come to a fast end. Emma and…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Schnauzer rescuer Brandy Alexander is tired of living with her parents, not sure what's going on in her relationship with her boyfriend, Dante, and is looking for a little fun. She gets way more than she bargained for when she kisses a handsome stranger during a Mardi Gras parade ... as he's shot in front of her and pretty soon it seems like the New Orleans gangsters are after her, too. This is a super-cute cozy mystery featuring dogs, intrigue, fun characters, and the Big Easy. What more could you ask for?
One kiss and her world turns upside down. Can she solve the case that threatens his life?
Brandy Alexander never thought living in the Big Easy could feel so dull. And, as she waits painfully for her long-time NOPD boyfriend to propose, she’s not sure their hearts are beating to the same tune. When she’s kissed by a handsome stranger at a Mardi Gras parade, her electric thrills turn to shock when he’s shot right before her eyes.
Watching in horror as he’s whisked away by an ambulance, she is haunted by his gasping request. Brandy races to track down…
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
