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I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.
I love the contrast of bleak desperation with gross opulence and excess that Collins creates in The Hunger Games.
The parallels between Panem and Rome turn what could otherwise be seen as a somewhat far-fetched or unlikely story into a reasonably plausible post-apocalyptic future possibility. I enjoyed the building of tension in the lead-up to the beginning of the games, as well as the explosive release and action when Katniss finally enters the arena.
I liked the way Collins creates an enemy in the very terrain of the arena itself so that, when coupled with the threat of the other contestants, the tension is heightened even further.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.
Years ago, this book was handed to me as a gift with a knowing look, like a secret was about to be revealed to me. I gobbled it up and was literally walking to the book store while reading the last chapter so I could start reading the next book immediately.
I was surprised to find the series in the middle-grade section of the store because even though the protagonist is 11-year-old Lyra, the story is layered and sophisticated in a way that goes beyond most middle-grade books. Lyra’s world has a wonderful “out of time period” feel before any industrial or technological revolution.
Lyra is a clever protagonist, fierce and scheming, orphaned in an alternative version of our world where children are disappearing on a regular basis. In this world, every person is energetically tethered to a “daemon,” who is their companion for life. They can’t be too far…
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
I’m a fantasy romance author with a love of creating real, in-depth characters with agency. To me, that’s the very definition of a “kick-ass” heroine. It doesn’t matter how she’s kick-ass (e.g., loud/vocal vs. quiet and cunning; the one charging ahead of the army or the one strategizing the attack), just that she’s in control of her own destiny. It’s important for me to have my characters feel like actual people, facing real decisions and the consequences of said decisions, and then I want those characters to have onus and show off their true bad-assery.
Basically, I’d recommend the whole Folk of Air series, but you should start with The Cruel Prince, as they build upon one another.
Jude is the definition of a kick-ass heroine. She takes absolutely no prisoners, even in a setting where she seemingly has less power than those around her. She will fight tooth and nail to get the respect she deserves, and I love that about her. Also, Cardan. Cardan.
I don’t even know what else to say about him without starting a whole different review thread, but specifically, Jude and Cardan’s interactions. Just read it.
"Lush, dangerous, a dark jewel of a book . . . intoxicating" - Leigh Bardugo, #1 New York Times bestselling author of Six of Crows
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
One terrible morning, Jude and her sisters see their parents murdered in front of them. The terrifying assassin abducts all three…
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
This is quite literally the book that made me decide to become a writer.
It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.
In the mind of a lonely, imaginative girl, who can tell where fiction ends and reality begins? An epic fantasy, spanning nine years...
The fire and hemlock photograph above Polly's bed sparks memories in her that don't seem to exist any more. Halloween; nine years ago; she gatecrashed a funeral party at the big house and met Thomas Lynn for the first time.
Despite the fact that he's an adult, they struck up an immediate friendship, and began making up stories together - stories in which Tom is a great hero, and Polly is his assistant. The trouble is, these…
I'm a gay cartoonist and editor who lives and breathes graphic novels. As an editor at Graphix, Scholastic's graphic novel imprint, I've worked with Dav Pilkey, Jamar Nicholas, Angeli Rafer, Kane Lynch, and many others. As a cartoonist, I'm the author and illustrator of Out of Left Field, which is based on my experiences as a closeted kid on the high school baseball team. So many wonderful books have influenced my journey and career, but these are some of my favorites: groundbreaking graphic novels that helped make Out of Left Field possible.
Nguyen is another artist whose drawings blow my mind. On top of his gorgeous, fluid, imaginative artwork, this book showcases a unique and gently told story about a boy who processes his burgeoning queerness through his and his mother’s shared passion for fairy tales.
Nguyen adds literary flair with a limited and intentional color palette—red shades for the present, blue for fairy tales, and yellow for memory—and also explores themes of immigration and assimilation. (The protagonist and his family, like the author-illustrator, are Vietnamese.)
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
I really enjoy C.B. Lee’s books. She writes stories with diverse characters, LGBTQ themes, and possesses a really fun voice. In this book, which is part of the Sidekick Squad series, Bells Broussard is having a hard time because he’s now a wanted villain. Lee flips the whole hero/villain archetypes and makes us question what’s good and what’s bad. Her books are for the middle grade set, but if you like superheroes and a comic book mythology like me, you’ll enjoy them.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants and, if putting on a binder for the day is too much, hes got it covered. But that was before he became the countrys most wanted villain.After discovering a massive cover-up by the Heroes League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a…
I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.
I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.
But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.
'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell
It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women's Studies major to trade, Paul transforms his body at will in…
As a writer who's struggled through building a lot of worlds and making them credible, I always admire a writer who can make me believe their world from the first paragraph. That conviction should go beyond belief. The reader should have great anticipation watching this world unfold, in learning how it works. All the writers I've mentioned achieved this goal, and exceeded it. My hat is off to them.
I was wrapped up in this world the minute I read the first page. This is a different America, a different power is in charge, and life is perilous in the extreme. Bishop’s protagonist has been raised in inhuman conditions, but she is determined to find a life for herself. She finds so much more than that! I love the shock that humans are not the apex predators in this world.
Enter the world of the Others in the first novel in New York Times bestselling author Anne Bishop’s thrilling fantasy series: a place where unearthly entities—vampires and shape-shifters among them—rule the Earth and prey on the human race.
As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others.
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
You might not be able to judge a book by its cover, but you can judge it by its opening sentences. I loved the opening of The Frenzy. The protagonist doesn’t ask “Who am I?” but “What am I?” One word makes all the difference, and it hooked me immediately.
The story is engrossing and there’s a lot going on, but the best part is that Block does a great job of bringing the 17-year-old protagonist, Liv, to life. Her relationship with her mother is totally real and the love she and her boyfriend, Corey, share, is inspirational.
Love is a werewolf, influenced by the moon and terror, and always about to change.
Liv has a secret.
Something happened to her when she was thirteen. Something that changed everything. Liv knows she doesn’t belong anymore—not in her own skin, not in her family . . . not anywhere. The only time she truly feels like herself is when she’s with her boyfriend, Corey, and in the woods that surround her town.
But in the woods, a mysterious woman watches Liv. In the woods, a pack of wild boys lurks. In the woods, Liv learns about the curse that…
I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
The Monkey’s Paw is one of those short stories we either read or heard someone tell us about it. And so it goes overlooked. If you haven’t read it, do yourself a favor and read it. If you have read it, do yourself a favor and revisit it. It’s short, it’s available, it’s a horror classic, and it’s very likely what Stephen King had in mind when he wrote Pet Sematary.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
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