100 books like Nero

Written by a veteran London Times journalist this exciting book reads like a fast paced thriller. What I found most interesting is his detailed description of Nero’s most notorious action, the murder of his mother. He writes “It is in the realm of abnormal psychology that an explanation may lie.” He is clearly unaware that what best explains the spooky full moon melodrama played out on a cosmic stage was the blind faith both Nero and his mother had in astrology (see Nero's astrology chart here). 

So, just how bad was Nero? After 2000 years, it’s a question that we’ll probably never be able to answer with any certainty.

This non-fiction book makes a fantastic effort at trying to dig through a lot of the biases against Nero to find a more balanced view. While there’s no question that Nero was a monster in his later reign (certainly by our modern standards), it’s often forgotten that he started off incredibly popular with the common people, while his disregard for established traditions made him a lot of enemies amongst the patricians.

And, of course, it’s those patricians who got the final say when it came to writing down his history. It's a really fascinating read!  

I adore Ead!! Unsurprisingly, that's why I’m including this book in my recommendations. One of three central characters (including my second favourite in this book – Sabran), Ead won me over because she’s just fantastically capable, but not showy about it at all. She’s the kind of person you’d love to have at your side through thick and thin. 

I got a little bit of a Robin Hobb vibe from this book which also made it a winner for me because I love all of Hobb’s work. This is a monster of a book (and it’s a standalone), but the pacing moves quite quickly despite the length and I never got stuck or felt like it bogged down in too much detail. The world building is fantastic and brings the story to life.

In one of my binge-buying phases, I picked up the Ash Princess. I can’t tell you how long it sat in my library unread, but I desperately wish I had read it sooner.

Theodosia is exactly the kind of character that drew me to YA Spy novels to begin with. It doesn’t matter how many struggles she has lived through, she carries herself with a strength that most don’t see or appreciate. She survived the torture and humiliation of being a child of a deposed queen, and still had the strength to spy on her oppressors and free her people. If that isn’t the embodiment of the YA spy genre, I don’t know what is.

This book combined the old west with a very thought-out magic system that enhanced the setting. The humor was sometimes tear-drawingly funny for me. The characters seemed alive, complex, and independent. The world seemed real and tangible if not quite like our world. The magic also had a refreshing take and allows for infinite speculation on how the powers might cross-combine. It also had moments of monumental exercises of power as well as monumental limits on powers complicating the storyline.

Again, I find this factual book great for reference, but it is also very enjoyable if you want to know more about the six Thomas’s at the Tudor Court: Thomas Wolsey, Thomas More, Thomas Cromwell, Thomas Howard, Thomas Wriothesley and Thomas Cranmer.

Their lives are described in parallel, with information about their families and origins, which I always find fascinating as I’m nosey. It’s certainly a good overview of what was happening at the Tudor Court.

Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would love to watch as a movie, not only for the action, but the costumes.

I have two favorite retellings of Goose Girl and it was difficult to pick one for my list (the other is by Shannon Hale). The lyrical language combined with a young woman who grows from passive acceptance to taking a stand is beautiful. I especially love the ending and her unique solution to saving the man she loves. It is a story of abuse and healing, learning to trust and to find family. It is also on justice and mercy, at many levels.

Holly Black is the queen of fairy tales, but not the happily ever after kind. The world building is lush, from the exotic fruits, foreign, but gorgeously detailed landscapes and lush parties with Fae royalty to the variety of magical creatures: Beautiful women with horns and cloven feet, princes with tails and kissable lips, and humans who find themselves immersed in the Fae games, which could very well result in life or death.

I could choose many of her books, but Wicked King is my absolute favorite. Yes, it’s the last book in a trilogy, and sometimes that is a letdown. Not true here. There is tension, passion, intrigue, and nonstop action all the way to the end, which I won’t spoil for you, but I will say left me completely satisfied.

Strong is the undisputed doyen of Elizabethan painting. As Assistant Keeper (1959-67) and Director (1967-73) of the National Portrait Gallery and then Director of the Victoria and Albert Museum (1973-87), he devoted the better part of thirty years to groundbreaking exhibitions and publications on the Tudor court. His writings, more than anyone else’s, are what led me to Tudor art. This book distills the essence of Strong’s many seminal works from a long and distinguished career, but adds glorious new colour photography and generous nods to the art historians who have come after him. Strong wears his learning lightly, making this an ideal gateway text for anyone seeking a way into the world of Elizabethan painting and portraiture.