Here are 100 books that Nell Plants a Tree fans have personally recommended if you like
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Long before I became a writer, I was a mom and a teacher. Over some 25 years, I read hundreds, thousands of picture books to kids. I fell in love with the lyrical language, the amazing variety, and the ways picture book authors and illustrators tell a complete story, engage kids (and adults!), and keep readers turning the pages. To me, picture books are an extraordinary gift not only for a young audience, but also for the parents, caregivers, teachers, and librarians who share them with kids. I hope these picture book suggestions inspire you to create special memories with the children you know and love.
“Pie is for sharing. It starts out whole and round. Then...you can slice it into as many pieces as you wish. Almost.” Each time I read these opening lines I know I am in the hands of a master poet.
I adore everything about this book. Who doesn’t want to share a slice of pie? It’s perfect for sharing! But so is a book, a ball, “And a tree? A tree is always shared...” With exquisite lyrical text, and gorgeous illustrations by a Caldecott artist, Pie Is for Sharing is about families, friends, picnics, celebrations, and, most importantly, the experiences we share with one another.
A picnic, a beach, a pie cut into pieces and shared with good friends. Pie is for sharing. It starts off round, and you can slice it into as many pieces as you want. What else can be shared? A ball, of course. A tree? What about time? Through the course of one memorable Fourth of July picnic, Stephanie Ledyard and Jason Chin take young readers through the ups and downs of sharing in this lovely picture book.
Long before I became a writer, I was a mom and a teacher. Over some 25 years, I read hundreds, thousands of picture books to kids. I fell in love with the lyrical language, the amazing variety, and the ways picture book authors and illustrators tell a complete story, engage kids (and adults!), and keep readers turning the pages. To me, picture books are an extraordinary gift not only for a young audience, but also for the parents, caregivers, teachers, and librarians who share them with kids. I hope these picture book suggestions inspire you to create special memories with the children you know and love.
When one of her family members goes to school to learn English, Luli passes the time in the classroom next door with other children her age. She can’t speak English, and neither can they.
“All around the room, children played alone.” Luli notices that although the kids don’t share the same language, many do speak the language of tea. And that’s when she decides to plan a tea party for her friends. “Hands curled around warm cups. Mouths curved into shy smiles.” The mood shifts. The playroom is no longer quiet. Luli’s teapot is empty, “but her heart was full.”
Beautifully written, with charming illustrations, Luli and the Language of Tea is about community, shared traditions, and the language of small thoughtful acts that bring people together.
Though they may speak different languages, kids from all over the world come together to enjoy the shared pastime of tea in this delicious book for young readers.
When five-year-old Luli joins her new English as a Second Language class, the playroom is quiet. Luli can’t speak English, neither can anyone else. That’s when she has a brilliant idea to host a tea party and bring them all together.
Luli removes her teapot, thermos, and teacups from her bag and calls out “Chá!” in her native Chinese. One by one, her classmates pipe up in recognition: in Russian, Hindi, Turkish,…
I love history and learning about the lives my ancestors lived. I grew up on my grandfather’s farm in Holly Springs, Mississippi. My grandfather taught me lots of things as I watched history unfold in the segregated South. I infuse those lessons in my books. I love books in which the author puts some aspect of themselves in their story because I do the same. This makes the story come alive.
I love the lyricism of this book. Set in the Tongass National Forest, I love how the girl and her grandmother gather the bounty of the earth, including lots and lots of berries. I never knew so many different kinds of berries existed.
I like the nod to their ancestors singing to them and their voices dancing on the water. They sing, too, so they will always remember their ancestors and their land.
On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water…
Long before I became a writer, I was a mom and a teacher. Over some 25 years, I read hundreds, thousands of picture books to kids. I fell in love with the lyrical language, the amazing variety, and the ways picture book authors and illustrators tell a complete story, engage kids (and adults!), and keep readers turning the pages. To me, picture books are an extraordinary gift not only for a young audience, but also for the parents, caregivers, teachers, and librarians who share them with kids. I hope these picture book suggestions inspire you to create special memories with the children you know and love.
Doughnuts and friends. Need I say more? This adorable rhyming picture book is a gem.
LouAnn has cooked up a delicious snack in anticipation of a long, winter nap when, Ding-Dong! A forest friend arrives.“Do you have enough for a neighbor to share?” asks Woodrow the woodchuck. “Sure,” says LouAnn, and she pulls up a chair. Can you imagine what comes next? Ding-Dong another visitor at the door!
Reminiscent of the old favorite, The Doorbell Rang, by Pat Hutchins, Dozens of Doughnuts is a counting book, but so much more. It’s about generosity, and the kind of open-hearted sharing that happens between good friends.
A generous but increasingly put-upon bear makes batch after batch of doughnuts for her woodland friends without saving any for herself in this delightful debut picture book about counting, sharing, and being a good friend.
LouAnn (a bear) is making a doughnut feast in preparation for her long winter's nap. But just before she takes the first bite, DING DONG! Her friend Woodrow (a woodchuck) drops by. LouAnn is happy to share her doughnuts, but as soon as she and Woodrow sit down to eat, DING DONG! Clyde (a raccoon) is at the door. One by one, LouAnn's friends come…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended.
I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally. Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.
The forces that shaped the institution of slavery in the American South endured, albeit in altered form, long after slavery was abolished. Toiling in sweltering Virginia tobacco factories or in the kitchens of white families in Chicago, black women felt a stultifying combination of racial discrimination and sexual prejudice. And yet, in their efforts to sustain family ties, they shared a common purpose with wives and mothers of all classes. In labour of Love, labour of Sorrow , historian Jacqueline Jones offers a powerful account of the changing role of black women, lending a voice to an unsung struggle from…
My great uncle was an eccentric book collector who lived in an old, rambling house stuffed floor-to-ceiling with thousands and thousands of books. After he died, I inherited a tiny portion of his collection: a set of state guidebooks from the 1930s and 40s. These were the American Guides created by the Federal Writers’ Project, the New Deal program that put jobless writers to work during the Great Depression. I dipped into these weird, rich, fascinating books, and I was hooked immediately. Some years later, I quit my job in publishing to research and write my own account of the FWP’s unlikely rise and lamentable fall, Republic of Detours.
Today, most people know Zora Neale Hurston as a novelist, thanks to her classic Their Eyes Were Watching God. But she was also an accomplished folklorist, anthropologist, playwright, and essayist. And yet, by the late 1930s, she was broke, and she found work with both the Federal Theater Project and Federal Writers’ Project. This book collects Hurston’s writing for the FWP in her home state of Florida, along with an incisive essay by Pamela Bordelon. The sheer variety of material on display here wasn’t unusual for the FWP: you’ll find essayistic meditations on folklife and art, collections of tall tales and children’s songs, and sketches of labor in the turpentine camps and citrus groves—as well as a chilling report on a racist massacre in Ocoee.
When Pamala Bordelon was researching a work on the Florida Federal Writers Project, she discovered writings in the collection that were unmistakably from the hand of Zora Neale Hurston, one of the leading writers of the Harlem Renaissance. Over half of the works included here have not been published or are only available in the Library of America edition of Hurston's works. As Hurston's fans know, all of her novels draw upon her deep interest in folklore, particularly from her home state of Florida. Here we see the roots of that work, from the wonderful folktale of the monstrous alligator…
All of my books and stories have at least one thing in common: strong women. I’ve always been fascinated by women who are fighters and who aren’t afraid to challenge the status quo. Astra, the main character in A Bright Young Thing, is definitely not alone in pushing back against society’s expectations: the women in these books (and many in real life in the 1930s) also find the strength to say no, to stand in their power, and truly live life their way.
The most famous short story in this collection is about Cora, whose whole life is spent in drudgery first to her own family, and then to the locally prominent Studevants. In her own life, Cora is somewhat unconventional—she feels no shame for having an illegitimate child at a time when that was frowned upon, to say the least—but she’s quietly obedient to her difficult employers. Until, that is, one of them causes a tragedy, and Cora feels compelled to speak up very publicly. And, oh, when she does it is immensely satisfying! (TW: racially charged language and abortion)
THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'
A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.
Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
Reading this book changed my life. It gave me a sense of pride and place that extended beyond the shores of America. The enduring message of Roots is that enslavement severely tested Black people, but it did not break them.
The “factional” story of Alex Haley’s family encouraged me to go in search of my own roots, a quest that continues to this day.
Now a major BBC drama starring Forest Whitaker, Jonathan Rhys Meyers and Laurence Fishburne
Tracing his ancestry through six generations - slaves and freedmen, farmers and blacksmiths, lawyers and architects - back to Africa, Alex Haley discovered a sixteen-year-old youth, Kunta Kinte. It was this young man, who had been torn from his homeland and in torment and anguish brought to the slave markets of the New World, who held the key to Haley's deep and distant past.
Winner of the Pulitzer Prize and the National Book Award
I identify as agender and grew up in Oklahoma, one of the worst places to be trans or LGBTQ because of the onslaught of anti-LGBTQ legislation that’s flying through the Oklahoma state legislature. Writing Ugliest, a book about teen activists fighting these laws, reminded me how important standing up for what’s right is and what powerful activists teens can be when they get together. This list has other books celebrating the strength of teens protesting and pushing against societal wrongs. Although some terrible things happen in these books—just like in the real world—reading them reminds us that fighting back is worth it.
I loved Ayo, this book’s fourteen-year-old main character. She’s burnt out on activism, having been raised by a famous activist mom fighting for Black rights in America. All Ayo wants is to take a break and live a normal teen life. This makes so much sense to me—why do people who are at a disadvantage have to spend their time fighting for basic rights—what if they just want to spend their time making art or writing books like selfish white dudes are free to do?
But when something terrible happens at a big march, Ayo skipped, all the education and activist spirit her mom drilled into her no longer feels like a burden. I loved how she figured out she wanted to fight and really came into her own.
"A love letter to Harlem and hope. I Rise is smart and funny and full of heart.*"
Fourteen-year-old Ayo who has to decide whether to take on her mother's activist role when her mom is shot by police. As she tries to find answers, Ayo looks to the wisdom of her ancestors and her Harlem community for guidance.
Ayo's mother founded the biggest civil rights movement to hit New York City in decades. It's called 'See Us' and it tackles police brutality and racial profiling in Harlem. Ayo has spent her entire life being an activist and now, she wants…
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
Gilroy sees in black music a democratic “ethos” embodied in features like “call and response” and improvisation. This ethical sensibility unites disparate parts of the African diaspora, but Gilroy also insists that the music is irrevocably “hybrid” and “Creole,” connecting African-derived cultures with European and other ones as well. Gilroy argues that black music’s connective ability creates an intersubjective, democratic community which he calls an “alternative public sphere.”
Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.
Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy…
