91 books like My Friend Walter

I was invited to travel to Africa and the Mid East on a job and I started to say, “I’m not that kind of guy.” Then I realized I am. I‘d already traveled around the world and even off it, reading. I’ve been happy and sad in books, victorious, scared, in love, survived storms and fierce wars, mourned valiant friends, and even space traveled. Books add dimension to life. What is dimension? Simply more. Like frosting on cake, hot sauce on fries, ice cubes in soda... fudge sauce on ice cream...  I read daily, get great ideas and feelings from books, still make new friends asking, “Have you read this?” Well, have you?

I’ve been fascinated by fairytales since I was a little girl, watching Disney movies with my grandparents. As I grew older, I read fairy tales almost insatiably and was also drawn to mythology and folklore of every variety. When I discovered the fantasy genre, in my early teens, it was like coming home…a genre that combined all of the elements I’d grown up devouring: fairytales, mythology, and folklore. My love of fantasy developed my love of portal fantasy—the idea that other realms, other worlds, other dimensions exist, and we can travel between or to them. I wrote my first portal fantasy novel at eighteen and have continued writing fantasy and portal fantasy novels ever since. 

Growing up, I devoured books from two authors, the grande dame of mystery, Agatha Christie, and the science fiction great, Isaac Asimov. Luckily for me, both were prolific. That combination explains what I write, best described as the sleuth story meets speculative fiction. As a reader, when it comes to mysteries I’m always on the lookout for the out of this world. Which doesn't necessarily mean murder on a spaceship, though it can! What breaks the mold could be an unlikely detective, an inventive premise, an unusual setting, a narrative that surprises… Here are five such tales.

I was born in Clifton, in the city of Bristol, England. Clifton is known for its elegant Georgian and Regency architecture. Growing up in these surroundings gave me an impression of what life might have been like for the people who lived there, the families upstairs and servants belowstairs. In front of a few houses on some streets, there are still stone blocks at the curb, worn smooth from countless feet entering and exiting their carriages. I have used Clifton as a setting in some of the books I have written, hoping to make those scenes more realistic and bring history alive for my readers. 

I’ve always loved horror stories, right from when I was a kid, and I first watched Friday the 13th, the ultimate scary movie. The jump scare moment was everything. I spent time studying great suspense writers like Alfred Hitchcock, Stephen King, and R L Stine. I was in awe at how they had me turning the pages, unable to look away! I think more and more children are discovering the fun and thrill of scary stories, and I love nothing more than making sure I try and implement some of these rules, adding in my own originality, too! 

Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.

I enjoy stories that bring together diverse themes, such as family life, myths and legends, quests, and cutting-edge science, in an uncomplicated way. I love hidden communities, where accepted rules do not apply, allowing the development of original storylines. The suggestion that there is something on the edge of the supernatural, yet grounded in reality, the weirdest of events retaining a rational explanation. My writing has been inspired by the films of David Lynch. I admire his ability to evoke a sense of menace and a fear that things are not as they seem, leaving much to the reader’s imagination.

One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.

I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.

I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.